Call

Call may refer to:

In arts and entertainment

In science and technology

Computing

Telecommunications

Other uses in science and technology

In finance

Caller (dancing)

A caller is a person who prompts dance figures in such dances as line dance, square dance, and contra dance. The caller might be one of the participating dancers, though in modern country dance this is rare.

In round dance a person who performs this function is called a cuer. Their role is fundamentally the same as a caller, in that they tell dancers what to do in a given dance, though they differ on several smaller points. In northern New England contra dancing, the caller is also known as the prompter.

Comparing callers and cuers

Callers and cuers serve slightly different functions in different types of dance. Improvisation in modern Western square dance calling distinguishes it from the calling in many other types of dance.

Callers in many dance types are expected to sing and to be entertaining, but round dance cuers do not sing and are expected to be as unobtrusive as possible.

Standardized dances such as round dance, modern Western square dance, and Salsa Rueda consist of a number of defined difficulty levels. Callers and cuers are responsible for knowing all of the calls or cues (respectively), also known as figures, for the defined difficulty level at which their dancers are dancing, as well as all figures belonging to lower or easier levels.

Betting in poker

In the game of poker, the play largely centers on the act of betting, and as such, a protocol has been developed to speed up play, lessen confusion, and increase security while playing. Different games are played using different types of bets, and small variations in etiquette exist between cardrooms, but for the most part the following rules and protocol are observed by the majority of poker players.

Procedure

Players in a poker game act in turn, in clockwise rotation (acting out of turn can negatively affect other players). When it is a player's turn to act, the first verbal declaration or action she takes binds her to her choice of action; this rule prevents a player from changing her action after seeing how other players react to her initial, verbal action.

Until the first bet is made each player in turn may "check," which is to not place a bet, or "open," which is to make the first bet. After the first bet each player may "fold," which is to drop out of the hand losing any bets they have already made; "call," which is to match the highest bet so far made; or "raise," which is to increase the previous high bet.

Aubrey

Aubrey is an English given name. It is most commonly a female name, although historically its use has been masculine. The name is a Norman French derivation of the Germanic given name Alberic, which consists of the elements alf "elf" and ric "power", with the meaning of "Fair Ruler of the Little People." Before the Norman conquest, the Anglo-Saxons used the corresponding variant Ælf-rīc (see Ælfric).

An early female form is recorded as Aubrée and does not share the same etymology. It is instead derived from the Germanic Albereda or Alberada. It can be found in certain genealogies of the noble Norman families (See f. e. Aubrey of Buonalbergo).

The name is traditionally male, but is more commonly used as a feminine name in the United States. It was the 20th most popular name given to girls born in the United States in 2014. The variants Aubree and Aubrie were the 61st most and 428th most popular given names for girls respectively. It was last ranked among the top 1,000 most common names for boys in the United States in 2002. It was the 479th most common name for all males in the United States in the 1990 census.

Aubrey (song)

"Aubrey" is a song written and composed by David Gates, and originally recorded by the pop-rock group Bread, of which Gates was the leader and primary music producer. It appeared on Bread's 1972 album Guitar Man. The single lasted 11 weeks on the Billboard Hot 100 chart, peaking at number 15.

David Gates wrote the song after watching Breakfast at Tiffany's starring Audrey Hepburn.

This song swapped the assumed gender of the name Aubrey, nearly extinguishing its use as a male name and popularizing it as a female name up to the present. Actress Aubrey Plaza is named after the song, and Canadian rapper Drake (rapper)'s birth name is Aubrey

The main melody of the song was sampled by Vampire Weekend on their song "Step".

Musical structure and lyrics

The song features David Gates' solo voice, with no backup vocals or drumming. It relies on various melodic resources such as orchestral strings, acoustic guitar, celeste, and orchestra bells. In the lyrics, the singer talks about a longing for a girl named Aubrey for whom he had unrequited love ("the hearts that never played in tune"); perhaps a first love. It is also said to be a song about shyness ("I never knew her, but I loved her just the same"). It is regarded as one of Bread's most beautiful, yet melancholic, songs. The song was later recorded by Perry Como and released on his 1973 album And I Love You So.

Aubrey (producer)

Aubrey is a techno and house music producer and DJ Allen Saei. (Not to be confused with the female vocal artist Aubrey Ayala.)

Allen grew up in the suburbs of Portsmouth. When he moved to Cowplain, he had a red nose as a result of having a cold. As the new boy at school, he was teased as having a nose like the contemporary animation character Aubrey (TV series), and the nickname stuck.

As an adolescent, Aubrey became interested in hip-hop. As well as being the leader of the 247 crew (of breakdancers), he is one of the few people from the area to have attended UK Fresh 86. As well as an interest in hip-hop, Aubrey also had an interest in the Chicago sound.

In the summer of 1989, Aubrey got his first booking at a warehouse rave. It was at this time that he started to regularly attend Thursday nights at Top Cats in North End (now the Post Office social club) where he met DJ Pete Couzens, and his peers (Dave Nutbeem, Trevor Mann, Ghost, Jake Marsh, Starry, Johnny Pain and others).