El Tri
Also known as Three Souls in My Mind
Origin Mexico City, Mexico
Genres Rock, psychedelic rock, hard rock, acoustic rock, blues-rock, blues
Years active 1968–present
Website www.eltri.com.mx/3ltr1
Members
Alex Lora
Chela Lora
Eduardo Chico
Oscar Zarate
Rafael Salgado
Ramon Perez

El Tri is a Mexican rock band from Mexico City fronted by Alex Lora. Founded in 1968 as Three Souls in My Mind, the group is regarded as influential in the development of Mexican rock music.

Over the years, El Tri's sound has touched on several different styles including rock, psychedelic rock, hard rock, acoustic rock, blues-rock, and blues. The group has enjoyed moderate success garnering numerous gold-certified albums in Mexico.

Contents

Band history [link]

Three Souls in My Mind [link]

Band founder Alejandro Lora, on stage with the band in 2006

The name "Three Souls in My Mind" was initially chosen as a nod of the head towards conventions for long band names in rock and roll.[1] Originally composed of Alejandro Lora on bass Memo Berea lead guitar and lead vocals, Ernesto de Leon on lead guitar, and Carlos Hauptvogel on the drums, the band has been accompanied on some albums by Arturo Labastida on saxophone and Carlos Martinez on trumpet. Sergio Mancera also played guitar on some albums. They performed their first public engagement in October, 1968,[2] and released 15 albums on the RAFF record label before officially changing their name and lineup in 1985.

As rock in Mexico was originally seen as "unauthentic" when sung in Spanish, Three Souls mostly sang covers of American rock and blues songs in English. However, at the Festival de Avándaro, often called "Mexico's Woodstock", they crossed over, singing first in English, then in Spanish. From then on they recorded primarily in Spanish, writing most of their own songs. When asked why they switched to Spanish, Lora replied that it was important for the audience to understand the messages of the songs. While Three Souls had a popular following among the younger generation while singing in English, changing attitudes toward rock pushed the band to perform in the "hoyos fonquis", where the lower classes held semi-chaotic rock shows. Singing in his original language and for a new, energetic, young, and discontented audience, Lora's songs began reflecting more of the reality of the daily lives of average Mexicans.

El Tri [link]

In 1985 they became the first Mexican rock band to have a Gold certified record with their album "Simplemente", which contains their first single: "Triste Canción". In 1986 their song "Vicioso" became a hit in Peru, topping radio charts, which opened the way to 2 concerts in Plaza de Toros Acho, where they returned one year later for a tour in 7 cities. In the same year the band was invited by Miguel Ríos to participate in the First Iberoamerican Rock Encounter at the Sports Palace of Madrid, Spain; alongside the most representative bands of countries like Chile, Venezuela, Argentina and Spain. By 1992, the band's albums were consistently going Gold in Mexico.[3]

The United States have also been an important part of their career, since they have had many presentations in New York, Chicago, Houston, and all around the state of California, for example at Fillmore in San Francisco, and mainly in the city of Los Angeles, having presentations in places such as Los Angeles Memorial Sports Arena, The Olympic Auditorium, Pico Rivera, The Palace, The Hollywood Palladium, The Verizon Wireless Amphitheater, and more. In New York their presentations were a success in the "Roseland", with 2 consecutive sold-outs. In 2003, they were nominated for "Best Album" at the Latin Grammy Awards, broadcast from Miami.[4]

In 2004, Los Angeles Times writer Marla Dickerson noted that the band had "legions of loyal fans" and had "sold tens of millions of albums in Latin America", but that in spite of their success they lost their recording contract because their record label could not compete with counterfeiters.[5]

Themes [link]

El Tri's songs cover a wide variety of subjects. Many songs are written to reflect the personal experiences of founder Alex Lora, but frequently topics for songs are suggested by fan request.[6] In an interview with Hispanic music website batanga.com in 2006, Alex Lora said, "the fans, they tell me, 'Hey, write the song of the Pope! Hey, write the song of Che Guevara! Write the song of truck drivers, write the song of taxi drivers, of how it would be if Mexico won the soccer World Cup, write the song of prostitutes...'" and he complies, so that their audience may "feel they wrote it themselves".[6]

Overall, the band is known for a left-wing political viewpoint and critical perspective of Partido Revolucionario Institucional that has been featured on many of its songs and albums.[7] In spite of their political protests, El Tri maintains steadfast loyalty to Mexico.[8]

Legacy [link]

The 2008 Lonely Planet guide to Mexico calls El Tri "the grandfathers of Mexican rock."[9] 2006's Rock en Español characterizes them as "Mexico's quintessential working-class rock outfit."[10] They have been described in press as "Mexico's answer to the Rolling Stones": "Ancient, raunchy, but still hugely popular."[11]

Discography [link]

Note: "El Tri" were known as "Three Souls in My Mind" from 1970 to 1983

References [link]

  1. ^ Delgado, Celeste Fraser (28 November 2002). "Don't Fade Away: Mexican classic rock will never die". Miami New Times. https://www.miaminewtimes.com/2002-11-28/music/don-t-fade-away/. Retrieved 2 August 2010. 
  2. ^ Geura, Erasmo (10 December 2007). "El Tri: 39 and 'rockeando'". New York Daily News. https://www.nydailynews.com/latino/2007/12/11/2007-12-11_el_tri_39_and_rockeando.html. Retrieved 2 August 2010. 
  3. ^ Fernandez, Jose Enrique; John Lannert (17 October 1982). "Homegrown Mexican Rock Thrives Against the Odds". Billboard: 58. https://books.google.com/books?id=EBIEAAAAMBAJ&pg=RA1-PA58&dq=band+%22el+tri%22&hl=en&ei=g_5WTNeBCMOB8ga2-cCiBA&sa=X&oi=book_result&ct=result&resnum=1&ved=0CDMQ6AEwAA#v=onepage&q=%22el%20tri%22&f=false. 
  4. ^ Candelaria, Cordelia; Peter J. García; Arturo J. Aldama (2004). Encyclopedia of Latino popular culture. Greenwood Publishing Group. p. 692. ISBN 978-0-313-33211-1. https://books.google.com/books?id=3uD6PKXl3q4C&pg=PA692. Retrieved 2 August 2010. 
  5. ^ Dickerson, Marla (18 July 2004). "For Mexican musicians, a sad song; Piracy exacts toll on an industry with proud past". The Boston Globe. https://www.boston.com/news/world/latinamerica/articles/2004/07/18/for_mexican_musicians_a_sad_song/. Retrieved 2 August 2010. 
  6. ^ a b Fasani, Romina; Carmen Rosa de Armas (English translation) (April 2006). "El Tri, Alex Lora...Uncensored". batanga.com. https://music.batanga.com/en/articles/2006/eltri021706.asp. Retrieved 2 August 2010. 
  7. ^ Pedelty, Mark (2004). Musical ritual in Mexico City: from the Aztec to NAFTA. University of Texas Press. p. 266. ISBN 978-0-292-70231-8. https://books.google.com/books?id=Iqu3dt5D8TEC. Retrieved 2 August 2010. 
  8. ^ Pedelty (2004), 266-267.
  9. ^ John Noble (1 September 2008). Mexico. Lonely Planet. p. 81. ISBN 978-1-74104-804-9. https://books.google.com/books?id=4FCiI62YfUwC&pg=PA81. Retrieved 2 August 2010. 
  10. ^ Lechner, Ernesto; Saul Hernandez (1 June 2006). Rock en Español: the Latin alternative rock explosion. Chicago Review Press. p. 244. ISBN 978-1-55652-603-9. https://books.google.com/books?id=_dq1QsX5MccC&pg=PA244. Retrieved 2 August 2010. 
  11. ^ Grow, Doug (22 August 2004). "Crossing the borders at Mexican concert; Rock band El Tri draws some fans not bound by age or nationality.". Star Tribune. 

External links [link]


https://wn.com/El_Tri

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Cuando tu no estás

by: el tri

Voy rolando por la gran ciudad, viendo a miles de gentes pasar,
unos van sonriendo, otros van muy serios y otros van corriendo
como queriendo escapar,
De pronto vean los niños de la esquina estan, pidiendo para un taco,
pidiendo para un pan, sus caritas se reflejan la necesidad y el vacío
que se siente cuando tu no estas,
Mas prendido que el sol, mas oscuro que la negra noche, mas profundo
que el mar, mas absurdo que la realidad, mas ardiente que el fuego
infernal, mas inmenso que la eternidad, así es el vacío que se siente
cuando tu no estas,
La gente pasa sin voltear a ver, a los pobres niños que no tienen que
comer, algunos les dan algo pero la mayoria no da nada y su triste
mirada me hace sentir,
Mas prendido que el sol, mas oscuro que la negra noche, mas profundo
que el mar, mas absurdo que la realidad, mas ardiente que el fuego
infernal, mas inmenso que el eternidad, así es el vacío que se siente
cuando tu no estas,
Mas prendido que el sol, mas oscuro que la negra noche, mas profundo
que el mar, mas absurdo que la realidad, mas ardiente que el fuego
infernal, mas inmenso que el eternidad, así es el vacío que se siente
cuando tu no estas,
Mas prendido que el sol, mas oscuro que la negra noche, mas profundo
que el mar, mas absurdo que la realidad, mas ardiente que el fuego
infernal, mas inmenso que el eternidad, así es el vacío que se siente
cuando tu no estas,
Cuando tu no estas,




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