Buzzcocks
Buzzcocks are an English punk band, formed in Bolton in 1976 by singer-songwriter-guitarist Pete Shelley and singer-songwriter Howard Devoto.
They are regarded as an important influence on the Manchester music scene, the independent record label movement, punk rock, power pop, and indie rock. They achieved commercial success with singles that fused pop craftsmanship with rapid-fire punk energy. These singles were collected on Singles Going Steady, described by critic Ned Raggett as a "punk masterpiece".
Devoto and Shelley chose the name "Buzzcocks" after reading the headline, "It's the Buzz, Cock!", in a review of the TV series Rock Follies in Time Out magazine. The "buzz" is the excitement of playing on stage; "cock" is Manchester slang meaning "mate" (as in friend/buddy). They thought it captured the excitement of the Sex Pistols and nascent punk scene.
Career
Early years
Howard Trafford, a student at Bolton Institute of Technology (now the University of Bolton), placed a notice in the college looking for musicians sharing a liking for The Velvet Underground's song "Sister Ray".Peter McNeish, a fellow student at the Institute, responded to the notice. Trafford played electronic music and McNeish had played rock.
Buzzcocks (album)
Buzzcocks is the seventh studio album by English pop punk band Buzzcocks. It was released on 18 March 2003 by record label Merge.
Critical reception
Buzzcocks has received a mixed-to-favourable response from critics. AllMusic opined, "If Buzzcocks doesn't reinvent this band, it does give their approach a bit of an overhaul, and the results make for an album which holds onto their strengths while lending a more mature perspective to their work; hard to imagine Rancid having anything this interesting up their sleeve twenty-seven years down the line from their first recording."Entertainment Weekly's review was favourable, writing "it's nice to hear that middle age hasn't diminished the songwriting skills of original 'Cocks Pete Shelley and Steve Diggle."
Stylus Magazine, on the other hand, gave the album their lowest possible score of F, opining that the album sounds like "third-generation Rancid".
Track listing
Modern
Modern may refer to:
Geography
Fonts
Modern (political party)
Modern (Polish: Nowoczesna, styled as .Nowoczesna), is a liberal political party in Poland founded in late May 2015 by the economist Ryszard Petru.
The party received 7.6% of votes in the 2015 Polish parliamentary election, which resulted in winning 28 seats in Sejm. Paweł Kobyliński, elected to the Sejm from Kukiz'15's electoral list moved to Modern's parliamentary group in December 2015, thus the party now has 29 seats.
Formation
The movement was founded in late May 2015 as NowoczesnaPL (ModernPL) by economist Ryszard Petru. Due to some controversy over its name – there had already been a non-governmental organization called Fundacja Nowoczesna Polska (Modern Poland Foundation) – in August 2015, the movement's name was changed to .Modern (.Nowoczesna). Around the same time, the party's new logo was presented, and Kamila Gasiuk-Pihowicz became its spokesperson.
Election results
Sejm
References
External links
Metro (design language)
Metro is a typography- and geometry-focused design language created by Microsoft primarily for user interfaces. A key design principle is better focus on the content of applications, relying more on typography and less on graphics ("content before chrome"). Early examples of Metro principles can be found in Encarta 95 and MSN 2.0. The design language evolved in Windows Media Center and Zune and was formally introduced as "Metro" during the unveiling of Windows Phone 7. It has since been incorporated into several of the company's other products, including the Xbox 360 system software, Xbox One, Windows 8, Windows Phone, and Outlook.com under the names Microsoft design language and Modern UI after Microsoft discontinued the name "Metro" allegedly because of trademark issues.
History
The design language is based on the design principles of classic Swiss graphic design. Early glimpses of this style could be seen in Windows Media Center for Windows XP Media Center Edition, which favored text as the primary form of navigation. This interface carried over into later iterations of Media Center. In 2006, Zune refreshed its interface using these principles. Microsoft designers decided to redesign the interface and with more focus on clean typography and less on UI chrome. These principles and the new Zune UI were carried over to Windows Phone (from which much was drawn for Windows 8). The Zune Desktop Client was also redesigned with an emphasis on typography and clean design that was different from the Zune's previous Portable Media Center based UI. Flat colored "live tiles" were introduced into the design language during the early Windows Phone's studies.
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