Butthole Surfers

Butthole Surfers is an American rock band formed by Gibby Haynes and Paul Leary in San Antonio, Texas in 1981. The band has had numerous personnel changes, but its core lineup of Haynes, Leary, and drummer King Coffey has been consistent since 1983. Teresa Nervosa served as second drummer from 1983 to 1985, 1986 to 1989, and 2009. The band has also employed a variety of bass players, most notably Jeff Pinkus.

Rooted in the 1980s hardcore punk scene, Butthole Surfers quickly became known for their chaotic and disturbing live shows, black comedy, and a sound that incorporated elements of psychedelia, noise, punk rock and, later, electronica, as well as their use of sound manipulation and tape editing. Butthole Surfers have a well-reported appetite for recreational drugs, an evident influence on their sound.

Although they were respected by their peers and attracted a devoted fanbase, Butthole Surfers had little commercial success until 1996's Electriclarryland. The album contained the hit single "Pepper" which climbed to number one on Billboard's Modern Rock Tracks chart that year.

Butthole Surfers (EP)

Butthole Surfers is the debut studio EP by American punk band Butthole Surfers, released in July 1983. It is also known as Brown Reason to Live and Pee Pee the Sailor (see "Title controversy"). All songs were written and produced by Butthole Surfers.

The album was originally released on Alternative Tentacles. Butthole Surfers and 1984's Live PCPPEP were reissued as Butthole Surfers/Live PCPPEP CD on Latino Buggerveil in 2003. The 12-inch vinyl version is still available from Alternative Tentacles, and is listed as Brown Reason to Live.

The center label on Butthole Surfers' vinyl printings invites listeners to erroneously play the record at "69 RPM," a joke referencing the famous sex position. The album's back cover features a mildly distorted image of famed Mexican luchador Santo. Kurt Cobain listed the EP in his top fifty albums of all time.

Music

Butthole Surfers introduced themselves to the world with seven songs full of throbbing bass, crashing drums, and heavily distorted guitar topped off with largely nonsensical, barely intelligible lyrics, alternately sung by lead vocalist Gibby Haynes and guitarist Paul Leary. Haynes also plays saxophone and drums on some tracks. Unlike later Butthole Surfers albums, no electronic instrumentation is present.

Double Live

Double Live may refer to:

See also

Double Live (Garth Brooks album)

Double Live is the first and only live album by American Country Music artist Garth Brooks, and was released on November 17, 1998. As its name implies, it is a two-disc live album recorded during Brooks' second world tour in 1998.

It broke the first week sales record at the time, previously held by Pearl Jam's Vs., when it sold 1,085,000 copies. It became the best-selling live album in the U.S. since Eric Clapton's Unplugged in 1992. It has been certified 21× Platinum by the RIAA (10.5 million shipped as it a double album); it is the seventh most shipped album in the U.S. According to Nielsen Soundscan, it has sold 6,017,000 copies.

The album was re-released on September 5, 2014.

Track listing

Disc one

Double Live (Rheostatics album)

Double Live is a 1997 album by Rheostatics. It collects a variety of live performances by the band, ranging from intimate club settings to record store sessions to their arena tour with The Tragically Hip in 1996.

The album includes a number of tracks which have never appeared on any previous Rheostatics album. In fact, one of these tracks, "Good Canadian", was improvised on the spot.

The Hip's live album Live Between Us, released the same year, documents a show for which Rheostatics were the opening band. Gordon Downie acknowledges and thanks Rheostatics at the beginning of that album.

Cover

On the cover of the album, Martin Tielli is playing a double neck guitar which he painted himself with a "never quite presented idea" for the new Canadian flag designed by A.Y. Jackson.

Track listing

As with many of the band's albums, the songwriting is credited to varying combinations of the band members: Martin Tielli, Dave Bidini and Tim Vesely. (Don Kerr does not receive songwriting credit, as virtually all of these songs predate his arrival in the band. In some cases, even the performance predates Kerr.) Former band member Dave Clark is also credited on some numbers. Songwriting credits for each track are listed below.