Bump! was an iOS and Android application that enabled smartphone users to transfer contact information, photos and files between devices. In 2011, it was #8 on Apple's list of all-time most popular free iPhone apps, and by February 2013 it had been downloaded 125 million times. Its developer, Bump Technologies, shut down the service and discontinued the app on January 31, 2014, after being acquired by Google for Android Beam.
Bump sends contact information, photos and files to another device over the internet. Before activating the transfer, each user confirms what he or she wants to send to the other user. To initiate a transfer, two people physically bump their phones together. A screen appears on both users' smartphone displays, allowing them to confirm what they want to send to each other. When two users bump their phones, software on the phones send a variety of sensor data to an algorithm running on Bump servers, which includes the location of the phone, accelerometer readings, IP address, and other sensor readings. The algorithm figures out which two phones felt the same physical bump and then transfers the information between those phones. Bump makes transfers through software, in contrast to devices with Near Field Communication (NFC) chips, which transfer data through software and hardware.
Super Life-Form Transformers: Beast Wars Neo (超生命体トランスフォーマー ビーストウォーズネオ, Chō Seimeitai Toransufōmā: Bīsuto Uōzu Neo) is a 1999 Japanese Transformers television animated series and toy line, and a sequel to Beast Wars II.Hozumi Gōda reprised his role as Lio Convoy from Beast Wars II whenever he appeared in this series. Each episode runs for 30 minutes and it was broadcast in standard 4:3 as this was aired in 1999, years before widescreen on TV became common.
The series focuses on a battle between Maximal and Predacon factions for possession of an energy source called Angolmois. The lone "one-man army" Big Convoy is assigned the task of being teacher to a group of young recruits against Magmatron's group. By the end of the series, however, both forces unite to oppose the wrath of the dark god Unicron and his sub-group; the Blendtrons..
Beast Wars Neo's toy line contains exclusive figures available only in Japan, some of which later became available to other fans via the Hasbro online store or were available in later series, sometimes repainted and remolded. The Transformers: Universe release of Nemesis Prime was Hasbro's repaint of Big Convoy and was released in Australia as exclusive item, in addition to being a Target exclusive in the United States. Magmatron also ended up as a Target exclusive, while various other figures from the line were introduced in the United States as repaints for various lines.
In broadcasting, a commercial bumper, ident bumper or break-bumper (often shortened to bump) is a brief announcement, usually two to 15 seconds in length that can contain a voice over, placed between a pause in the program and its commercial break, and vice versa. The host, the program announcer or a continuity announcer states the title (if any) of the presentation, the name of the program, and the broadcast or cable network, though not necessarily in that order. On children's television networks, they are sometimes called external eyecatches due to the resemblance of internal eyecatches in anime and there is usually no voice over, but some bumpers do feature one. Bumper music, often a recurring signature or theme music segment, is nearly always featured. Bumpers can vary from simple text to short films.
Since 1976, most network television programs in the United States no longer use commercial bumpers; although some soap operas such as Days of Our Lives (which stopped using one in 2010) and The Young and the Restless still feature mid-show bumpers. Commercial bumpers are still a common feature of radio. In radio, they are often used during sports broadcasts to ease the transition from play by play to commercial break and back to live action, as well as notify local stations that they should insert their station identification and/or commercials, many times using obscure musical selections of the board operator's choosing. One notable example of commercial bumpers still in use can be found on Cartoon Network's late night programming block, Adult Swim, whose extensive usage of bumpers has even spawned its own website. Another example of commercial bumpers in radio was their use in syndicated programming; for instance, the radio countdown programs American Top 40 and American Country Countdown feature a series of pre-recorded jingles and other outcues to transition to and from commercial breaks.
Professional wrestling has accrued a considerable nomenclature through its long existence. Much of it stems from the industry's origins in the days of carnivals and circuses, and the slang itself is often referred to as "carny talk." In the past, wrestlers used such terms in the presence of fans so as not to reveal the worked nature of the business. In recent years, widespread discussion on the Internet has popularized these terms. Many of the terms refer to the financial aspects of pro wrestling in addition to performance-related terms.
Variations of basketball are games or activities based on, or similar in origin, to the game of basketball, in which the player utilizes common basketball skills. Some are essentially identical to basketball, with only minor rules changes, while others are more distant and arguably not simple variations but distinct games. Other variations include children's games, contests or activities intended to help the player practice or reinforce skills, which may or may not have a competitive aspect. Most of the variations are played in informal settings, without the presence of referees or other officials and sometimes without strict adherence to official game rules.
An actual competitive game of basketball can be played with as few as two people. The game may be referred to by the number of people on each team; a six-player game may be referred to as "three-on-three" or "3-v-3" ("v" stands for "versus"). Each team's roster is typically the same size, but an odd number of players may force one team to play with one less player. Sometimes the odd player will be designated as a "switch" player, so that the offensive team always has the extra player.
A bumps race is a form of rowing race in which a number of boats chase each other in single file, each crew attempting to catch and "bump" the boat in front without being caught by the boat behind.
The form is mainly used intramurally at the University of Cambridge, since 1827, and at the University of Oxford since 1815. Bumps racing in fours is also the format of intramural rowing at Eton College and at Shrewsbury School. It is particularly suitable where the stretch of water available is long but narrow, precluding side-by-side racing. Bumps racing gives a sharper feel of immediate competition than a head race, where boats are simply timed over a fixed course. Few rowers worldwide use rivers as narrow as the Cam or the Isis, but bumps races are also contested elsewhere (see below).
Bumps races are typically raced in a series over several days. The starting order of each day's race is based on the previous day's results; the first day's starting order each year is determined by the results on the last day of the previous year. Each day the boats line up bow-to-stern, usually along the bank of the river, with a set distance between each boat and the next (usually about one and a half boat-lengths of clear water). The starting positions are usually marked by a rope or chain attached to the bank, the other end of which is held by each boat's cox. Boats wait along the bank, and may be poled out just in time for the start, to avoid drifting. At the start signal the cox lets go of the rope and the crew starts to row, attempting to catch and bump the boat in front while simultaneously being chased by the one behind.
Too low
Turn it up some more
Too chill
To get us on the floor
Hot jam
Where's the volume at
Make it loud
Loud as it can get
You say
Bump up the groove
You say
Makes you move
So big
Walls start to shake
Come on
You like
All you can take
You say you wannna get a little bump in here
Shaking the room, give it the boom
Cmon
You say you wanna get a little bump in here
It's all good
You gotta listen when the girls say
Everybody get a little bump in here
Level to ten, bump it again
Cmon
Say you wannna get a little bump in here
It's all good
You gotta listen when the boys say
Phatt beat
Like to feel the drops
Never gonna stop
The heat is on
Turn it up some more
I know
What you're waiting for
You say
Bump up the jam
Push it
Loud as you can
So big
House starts to shake
Volume
Walls start to break
You say you wannna get a little bump in here
Shaking the room, give it the boom
Cmon
You say you wanna get a little bump in here
It's all good
You gotta listen when the girls say
Everybody get a little bump in here
Level to ten, bump it again
Cmon
Say you wannna get a little bump in here
It's all good
You gotta listen when the boys say
Bump it in the big ride...gotta get the party on
Ready for the good time...we'll be jammin all night long
Even in the head phones...gotta get it loud enough
Never keep it too low...put it on the big ones and pump it up