Bulleya

"Bulleya" (Urdu: بللیہ, literal English translation: "Oh! Bulleh Shah") is a song by the Pakistani sufi rock band Junoon, released in 1999. It is the first track from the band's fifth album, Parvaaz (1999), recorded at Abbey Road Studios, London and released on EMI Records. The song is a famous kafi written by the sufi saint Bulleh Shah. Bulleh Shah is famous for his spiritual and metaphysical poetry, and Bullah Ki Jaana (the poem on which the song is based) is one of his well-known poems. The song is composed and produced by lead guitarist and founder of the band Salman Ahmad. It is the lead single on the album, the song uses blending of rock guitars and bluesy vocals with eastern elements like the use of tablas, raga-inspired melodies and traditional Pakistani folk music.

It is considered one of the best sufi rock songs ever recorded by Junoon, and is often performed at concerts. The song is one of most well known and popular track by Junoon, also listeners and critics have continued to praise "Bulleya" as one of the greatest rock songs of all time in Pakistani music industry.

Call

Call may refer to:

In arts and entertainment

In science and technology

Computing

Telecommunications

Other uses in science and technology

In finance

Caller (dancing)

A caller is a person who prompts dance figures in such dances as line dance, square dance, and contra dance. The caller might be one of the participating dancers, though in modern country dance this is rare.

In round dance a person who performs this function is called a cuer. Their role is fundamentally the same as a caller, in that they tell dancers what to do in a given dance, though they differ on several smaller points. In northern New England contra dancing, the caller is also known as the prompter.

Comparing callers and cuers

Callers and cuers serve slightly different functions in different types of dance. Improvisation in modern Western square dance calling distinguishes it from the calling in many other types of dance.

Callers in many dance types are expected to sing and to be entertaining, but round dance cuers do not sing and are expected to be as unobtrusive as possible.

Standardized dances such as round dance, modern Western square dance, and Salsa Rueda consist of a number of defined difficulty levels. Callers and cuers are responsible for knowing all of the calls or cues (respectively), also known as figures, for the defined difficulty level at which their dancers are dancing, as well as all figures belonging to lower or easier levels.

Betting in poker

In the game of poker, the play largely centers on the act of betting, and as such, a protocol has been developed to speed up play, lessen confusion, and increase security while playing. Different games are played using different types of bets, and small variations in etiquette exist between cardrooms, but for the most part the following rules and protocol are observed by the majority of poker players.

Procedure

Players in a poker game act in turn, in clockwise rotation (acting out of turn can negatively affect other players). When it is a player's turn to act, the first verbal declaration or action she takes binds her to her choice of action; this rule prevents a player from changing her action after seeing how other players react to her initial, verbal action.

Until the first bet is made each player in turn may "check," which is to not place a bet, or "open," which is to make the first bet. After the first bet each player may "fold," which is to drop out of the hand losing any bets they have already made; "call," which is to match the highest bet so far made; or "raise," which is to increase the previous high bet.