Buckskin (film)

Buckskin (1968) is a western film, released by Paramount Pictures, released on a low budget and starring an all-star cast. The main stars were Barry Sullivan and Joan Caulfield. Lon Chaney Jr. plays the role of Sheriff Tangley and Richard Arlen plays a townsman. The other stars were Barbara Hale, John Russell, Wendell Corey, Bill Williams, Leo Gordon, George Chandler, Aki Aleong and Barton MacLane. The film was also known as The Frontiersman. It was the last of the series of A.C. Lyles Westerns for Paramount. The screenwriter Michael Fisher was the son of the series screen writer Stephen Gould Fisher.

Betty Hutton was originally selected to play the role of Nora Johnson, but she was fired.

The film also has a small racial twist, common in films of the late 1960s. Sung Lee (played by Aleong) is a Chinese worker who is a victim of prejudice, Chaddock (Sullivan) fights for him during the film.

Cast

Buckskin (racehorse)

Buckskin (1 April 1973–1995) was a French-bred Thoroughbred racehorse and sire. Unraced as a two-year-old, he was trained in France in 1976 and 1977 before being transferred to race the United Kingdom in 1978 and 1979. A specialist stayer, he overcame serious physical problems to win several major long distance races including the Prix du Cadran (twice), Prix de Barbeville, Prix Jean Prat, Doncaster Cup, Jockey Club Cup and Henry II Stakes. He was also the beaten favourite in three successive runnings of the Ascot Gold Cup. After his retirement from racing, he became a very successful sire of National Hunt horses.

Background

Buckskin was a "lengthy" bay horse with a small white star and a white sock on his right hind foot bred by Dayton Ltd. the breeding company of his owner Daniel Wildenstein. His sire Yelapa won the Grand Criterium in 1968 and stood as a breeding stallion in France for three years with moderate results before being exported to Japan in 1973. Buckskin's dam Bete a Bon Dieu (French for Ladybird) was an unraced daughter of Herbager.

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: