Lotus (Santana album)

Lotus is a 1974 live album recording of the San Franciscan latino rock band Santana at the Osaka Koseinenkin Hall, Osaka, Japan on 3-4 July 1973. It was originally released in 1974 as a triple vinyl LP in Japan only. The first U.S. release was in 1991 as a 2-CD set.

Lotus has been re-issued on vinyl in the Netherlands and on CD in Japan in 2006 as a 3-CD set. It was also re-issued as a 3-LP set in the U.S. in 2013.

Quadrophonic recording

The original live recordings were mixed in 4-channel quadraphonic sound and released in the CBS SQ matrix system. The SQ encoding permits all 4 channels to be contained in a 2 channel stereo version, which is compatible with conventional stereo playback equipment.

Some releases of this album have been marked as "Quad" or "SQ" and some are not. However, all known releases of this album use the same SQ encoded 2 channel recordings. Therefore the 4 independent channels can still be heard on modern equipment provided that the listener has a proper SQ decoder and 4 channel playback system.

Lotus (Arashi song)

"Lotus" is a song recorded by Japanese boy band Arashi. It was released on February 23, 2011 by their record label J Storm. The single is used as the theme song to the drama Bartender starring Arashi member Masaki Aiba. It was released in two editions: a regular edition containing two bonus tracks and instrumental versions of all the songs released in the single, and an limited edition containing a bonus track along with a DVD with a music video of the single.

According to Oricon, the single was ranked as the sixth best-selling single in Japan for the year 2011.

Track list

References

Lotus Cortina

Lotus Cortina is the commonly used term for the Ford Cortina Lotus, a high-performance sports saloon, which was produced in the United Kingdom from 1963 to 1970 by Ford in collaboration with Lotus Cars. The original version, which was based on the Ford Cortina Mark 1, was promoted by Ford as the "Consul Cortina developed by Lotus", with "Consul" later being dropped from the name. The Mark 2 was based on the Ford Cortina Mark 2 and was marketed by Ford as the "Cortina Lotus".

There were 3,306 Mark I and 4,093 Mark 2 Lotus Cortinas produced.

Mk1

The history of the Cortina Lotus began in 1961. Colin Chapman had been wishing to build his own engines for Lotus, mainly because the Coventry Climax unit was so expensive. Colin Chapman's chance came when he commissioned Harry Mundy (a close friend and designer of the Coventry Climax engine and technical editor for Autocar) to design a twin-cam version of the Ford Kent engine. Most of the development of the engine was done on the 997cc and 1,340cc bottom end, but in 1962 Ford released the 116E five bearing 1,499 cc engine and work centred on this. Keith Duckworth, from Cosworth, played an important part in tuning of the engine. The engine's first appearance was in 1962 at the Nürburgring in a Lotus 23 driven by Jim Clark. Almost as soon as the engine appeared in production cars (Lotus Elan), it was replaced with a larger capacity unit (82.55 mm bore to give 1,557 cc). This was in order to get the car closer to the 1.6 litre capacity class in motorsport.

Tonic (band)

Tonic is an American rock band that has earned two Grammy nominations. The band was formed in 1993 by Emerson Hart and Jeff Russo. Later members have included Dan Lavery, Kevin Shepard, Pierce Bowers, and Dan Rothchild. Signed to a recording contract in 1995, the band released its debut album Lemon Parade in 1996. The single "If You Could Only See" reached No. 11 on the Billboard Airplay Hot 100, and Lemon Parade itself reached platinum status.

Tonic spent much of the next two years touring, adding to its reputation as a relentlessly gigging band. In addition to extensive touring Tonic produced other work, including songs for feature film soundtracks. After self-producing its 1999 album Sugar, Tonic released its third album Head on Straight in 2002. Tonic received two Grammy nominations from Head on Straight, including one for Best Rock Performance by a Duo or Group with Vocal for "Take Me As I Am", and one for Best Rock Album. The band then went on hiatus beginning in 2004 while its members pursued other musical endeavors. It wasn't until late 2008 Tonic became active again, embarking on a tour and releasing a greatest-hits compilation, all of which served as a prelude to their fourth studio album, 2010's Tonic. Since the release of that album, Tonic has continued to tour and remain active into the year 2015.

Tonic (Medeski Martin & Wood album)

Tonic is a live album by experimental jazz fusion trio Medeski Martin & Wood recorded at Tonic in New York City from March 16–20 and 23-26, 1999. Medeski Martin & Wood played their first live performance at Tonic on July 4, 1998, not long after the club opened in the Spring of 1998. Like their first album, Notes from the Underground, Tonic was recorded in their original acoustic format: piano, bass and drums. This format was replaced by electric alternatives brought about by the restrictions of touring during the early 1990s. The setting and format of Tonic is reminiscent of Medeski Martin & Wood's acoustic roots. The live performance was conducted in front of a 150 person audience that almost surrounded the musicians.

Track listing

Performers

Credits

Tonic (music)

In music, the tonic is the first scale degree of a diatonic scale and the tonal center or final resolution tone. The triad formed on the tonic note, the tonic chord, is thus the most significant chord. More generally, the tonic is the pitch upon which all other pitches of a piece are hierarchically referenced. Scales are named after their tonics, thus the tonic of the scale of C is the note C. Simple songs may begin and end on the tonic note.

The tonic is often confused with the root, which is the reference note of a chord, rather than that of the scale. It is also represented with the Roman numeral I.

Importance and function

In western European tonal music of the 18th and 19th centuries, the tonic center was the most important of all the different tone centers which a composer used in a piece of music, with most pieces beginning and ending on the tonic, usually modulating to the dominant (the fifth above the tonic, or the fourth note down from the tonic) in between.

Two parallel keys have the same tonic. For example, in both C major and C minor, the tonic is C. However, relative keys (two different scales that share a key signature) have different tonics. For example, C major and A minor share a key signature that feature no sharps or flats, despite having different tonic pitches (C and A, respectively).