Coordinates: 36°58′N 29°24′E / 36.967°N 29.400°E / 36.967; 29.400 Bubon (Βούβων) was a city of ancient Lycia noted by Stephanus of Byzantium; the ethnic name, he adds, ought to be Βουβώνιος, but it is Βουβωνεύς, for the Lycians rejoice in this form. The truth of this observation of Stephanus is proved by the inscription found on the spot: Βουβωνέων ἡ Βουλὴ καὶ ὁ Δῆμος. Bubon is placed in the map in Spratt's Lycia, near 37° N. lat. west of Balbura, near a place named Ibecik. Bubon is mentioned by Pliny, Ptolemy, and Hierocles. Pliny mentions a kind of chalk (creta) that was found about Bubon. The city stood on a hill side. The ruins are not striking. There is a small theatre built of sandstone, and on the summit of the hill was the acropolis. Bubon is in a mountainous tract and it commands the entrance to the pass over the mountains. Bubon, along with Balbura and Oenoanda formed the district Cabalia.
Bubon was a Christian bishopric, a suffragan of the metropolitan see of Myra, the capital of the Roman province of Lycia. The names of two of its bishops, both called Romanus, are recorded in extant documents. One of them was at the First Council of Constantinople in 381. The other attended the Council of Chalcedon in 451 and was a signatory of the protest letter that the bishops of the province of Lycia sent in 458 to Byzantine Emperor Leo I the Thracian over the killing of Proterius of Alexandria.
Lycia (Lycian: 𐊗𐊕𐊐𐊎𐊆𐊖 Trm̃mis; Greek: Λυκία, Turkish: Likya) was a geopolitical region in Anatolia in what are now the provinces of Antalya and Muğla on the southern coast of Turkey, and Burdur Province inland. Known to history since the records of ancient Egypt and the Hittite Empire in the Late Bronze Age, it was populated by speakers of the Luwian language group. Written records began to be inscribed in stone in the Lycian language (a later form of Luwian) after Lycia's involuntary incorporation into the Achaemenid Empire in the Iron Age. At that time (546 BC) the Luwian speakers were decimated, and Lycia received an influx of Persian speakers.
Lycia fought for the Persians in the Persian Wars, but on the defeat of the Achaemenid Empire by the Greeks, it became intermittently a free agent. After a brief membership in the Athenian Empire, it seceded and became independent (its treaty with Athens had omitted the usual non-secession clause), was under the Persians again, revolted again, was conquered by Mausolus of Caria, returned to the Persians, and went under Macedonian hegemony at the defeat of the Persians by Alexander the Great. Due to the influx of Greek speakers and the sparsity of the remaining Lycian speakers, Lycia was totally Hellenized under the Macedonians. The Lycian language disappeared from inscriptions and coinage.
Lycaena is a butterfly genus.The genus range is Holarctic, with the exception of four species found in New Zealand, two in South Africa, one in New Guinea and one in Java. It is commonly divided into several subgenera, such as Antipodolycaena. Many formerly independent genera are now subsumed within Lycaena; the genus Gaiedes may also belong here. Many of the subgenera, species-groups and species listed here may be synonyms.
Listed alphabetically within groups:
Lycia is a darkwave / gothic rock band that was formed in 1988, Tempe, Arizona, United States. The main personnel of the band are Mike VanPortfleet, Tara Vanflower and David Galas. Although only achieving minor cult success, the band is notable for being one of the ground breaking groups in darkwave and ethereal wave styles. Their 1995 album The Burning Circle and Then Dust received some attention for the power pop hit song "Pray," and the album "remains a high point of American dark rock," according to Allmusic. Lycia's music is characterized by rich soundscapes and layers of echoed guitars, dark and ethereal keyboards, doomy drum machine beats, VanPortfleet's melancholic, whispered vocals and Vanflower's vivid voice. Trent Reznor and Peter Steele are some of their more well-known fans.
After Mike VanPortfleet started Lycia in 1988 as a solo project, in the summer of that year he met Will Welch who joined for the project. In November, Welch was replaced by John Fair. In March 1989, Lycia's first recording, Wake, a 6-song demo tape, is released on Orphanage Records. The sound is characterized at the time by dominating rock guitars and rhythm patterns of drum computer.Wake was unique in that it was mastered directly onto an audio cassette tape as opposed to the more professional multitrack recording that Lycia would henceforth use.