Raiden

Raiden may refer to:

Video games

People

Other uses

Raiden (film)

Raiden (雷電) is a 1928 black and white Japanese silent film with benshi accompaniment directed by Shozo Makino and Sadatsugu Matsuda. It is a posthumous work by Makino and is the last film starring his son, Masahiro Makino. in his first role in a comedy film.

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Raiden (series)

Raiden (雷電, Raiden) is a scrolling shooter and a series of arcade games by Seibu Kaihatsu initially available in arcades in Japan and later distributed to other countries by Fabtek and other arcade game manufacturers.

The game that began the franchise was Raiden, which has been 26 months at the top 10 in the charts. It was ported for the PlayStation as The Raiden Project, and other ports, including Amiga, Atari Jaguar, NEC's PC Engine, NEC's Turbo Duo (known as Super Raiden, includes Redbook audio and two extra levels), Atari Lynx, Super Nintendo, PC, Sega Mega Drive/Genesis and mobile phones.

Seibu Kaihatsu developed the Raiden games and its related spin-offs from 1990 until 1998. The license of Raiden was recently purchased by MOSS. Since 2005, all Raiden games have been on various Taito boards (Taito Type X).

Overview

In each installment, there is a threat to humanity posed by the invasion of Earth by an alien race known as the Cranassians. In the wake of the Cranassian invasion, the World Alliance Military must launch a daring counter-attack with their powerful weapon, a Raiden supersonic attack fighter, for the future of humanity. In most of the Raiden games, the Cranassians have a red crystal that holds many powers. It is usually the last boss in the games. The first two Raiden installments had eight stages, and if all stages are completed, a mission clear bonus is given and the players will start another mission. The third installment has seven stages each. The fourth installment blends classic gameplay with new ideas in one package.

Brutalist architecture

Brutalist architecture is a movement in architecture that flourished from the 1950s to the mid-1970s, descending from the modernist architectural movement of the early 20th century. The term originates from the French word for "raw" in the term used by Le Corbusier to describe his choice of material béton brut (raw concrete).British architectural critic Reyner Banham adapted the term into "brutalism" (originally "New Brutalism") to identify the emerging style.

Brutalism became popular with governmental and institutional clients, with numerous examples in Britain, France, Germany, Japan, the United States, Canada, Brazil, the Philippines, Israel and Australia. Examples are typically massive in character (even when not large), fortress-like, with a predominance of exposed concrete construction, or in the case of the "brick brutalists," ruggedly combine detailed brickwork and concrete. There is often an emphasis on graphically expressing in the external elevations and in the whole-site architectural plan the main functions and people-flows of the buildings. Brutalism became popular for educational buildings (especially university buildings), but was relatively rare for corporate projects. Brutalism became favoured for many government projects, high-rise housing, and shopping centres.