The Brulé are one of the seven branches or bands (sometimes called "sub-tribes") of the Teton (Titonwan) Lakota American Indian nation. They are known as Sičháŋǧu Oyáte (in Lakota), or "Burnt Thighs Nation," and so, were called Brulé (lit. "burnt") by the French. The name may have derived from an incident where they were fleeing through a grass fire on the plains.
Many Sicangu people live on the Rosebud Indian Reservation in southwestern South Dakota, where they are federally recognized as the Rosebud Sioux Tribe or Sicangu Oyate. A smaller population lives on the Lower Brule Indian Reservation, on the west bank of the Missouri River in central South Dakota. The two tribes are politically completely independent of each other.
Together with the Oglala Lakota, who are based at the Pine Ridge Indian Reservation, they are often called Southern Lakota. They were divided in three great regional tribal divisions:
Brule, Brulé or Brûlé may refer to:
Brulé & AIRO is a contemporary Native American New Age/Worldbeat music group based in South Dakota. They have sold over one million CDs worldwide, won a number of awards, and have made media appearances with the Live with Regis and Kathie Lee television show, CNN WorldBeat, QVC, and others. They maintain a schedule of well over 100 performances a year including full stage productions with traditional dancers, an annual holiday tour, performances at Milwaukee's Indian Summer Festival, Indian Art Markets in Denver, Arlington (Tx.), and Overland Park, Kansas, Harbor Fest in Virginia Beach, the world-renowned Ordway Theater in St. Paul, Foxwoods Casino, and many additional outdoor festivals and events. They have released 11 CDs over their 12-year existence.
Paul LaRoche grew up as part of a white middle-class family in the small community of Worthington in southwest Minnesota. He was adopted at birth, and his talent for music was evident at an early age. Paul knew about his adoption but his true heritage was kept a secret. After Paul lost both of his adoptive parents in the same year, Paul's wife Kathy discovered his adoption papers. After several years of grieving and healing, a breakthrough came in 1993 when Paul discovered his biological Lakota family. His homecoming was a happy one and he was reunited with a brother, sister, aunts, uncles, nieces and nephews. The effect on his music career was monumental. Armed with the new knowledge of his heritage, Paul re-entered the world of music in the relatively new genre of contemporary Native American music. Mixing the traditional sounds of Native America with the music he grew up with, rock, pop, jazz and everywhere in between, Paul cut his first CD, We The People, and Brulé was born.
sleeping on a time bomb, staring into space
there's an ocean of unpleasantries we are not prepared to face
sitting on the fence post to watch the storm roll in
and terrified of the damage it will bring when it begins
it will begin
splintered dreams of unity (our lives are parallel)
so far from reality (our lives are parallel)
independent trajectories (our lives are parallel)
separate terms of equality (our lives are parallel)
our lives are parallel
is there no redemption? no common good?
is there nothing we can do for ourselves? or only what we should?
comes the hard admission of what we don't provide
goes the insistence on the ways and means that so divide
they so divide
side by side suffering loneliness (our lives are parallel)
phony collective progress (our lives are parallel)
accepting that it's all such a mess (our lives are parallel)
gesturing without hope of redress (our lives are parallel)
our lives are parallel
forging little plays of deception and pain
as we watch our foundation crumble away
staggering like birds against a hurricane
and trying all the while to stay out of each other's way
broken dreams of unity (our lives are parallel)
independant trajectories (our lives are parallel)
screaming out for understanding (our lives are parallel)