Marion Franklin "Moe" Bandy, Jr. (born February 12, 1944) is a country music singer. He was most popular during the 1970s, when he had several hit songs, both alone and with his singing partner, Joe Stampley.
Marion Bandy was born and grew up in Meridian, Mississippi, hometown of the country singer Jimmie Rodgers. He later stated: "My grandfather worked on the railroads with Jimmie Rodgers. He was the boss of the railway yard in Meridian and Jimmie Rodgers worked for him. He said that he played his guitar all the time between work."
He was nicknamed Moe by his father when he was a child. The Bandy family moved to San Antonio, Texas when Moe was six. His mother played piano and sang. Bandy was taught to play the guitar by his father who had a country band called the Mission City Playboys, but made little use of the ability until he was in his teens. His father's wish that Moe also play the fiddle never materialized.
He made some appearances with the Mission City Playboys but generally during his high school years he showed little interest in music and a great deal of interest in rodeos. He tried bronco-busting and bull riding and by the time he was 16, both he and his brother Mike were competing in rodeos all over Texas.
"Brotherly Love" is a song written by Jimmy Stewart and Tim Nichols, which has been recorded by Moe Bandy, as well as a duet between Keith Whitley and Earl Thomas Conley.
Bandy's version appears on his 1989 studio album Many Mansions for Curb Records. The song was the second single from that album, reaching a peak of number 53 on the country music charts in 1989.
Keith Whitley and Earl Thomas Conley recorded the song as a duet in 1987, but it was not included on an album until it concurrently appeared on Whitley's posthumous 1991 album Kentucky Bluebird and Conley's 1991 album Yours Truly. This duet version charted for twenty weeks on Hot Country Singles & Tracks, peaking at number 2 and holding the position for one week.
In 1992, this version was nominated by the Country Music Association for Vocal Event of the Year.
Compiled from liner notes.
Brotherly love may refer to:
Brotherly love in the biblical sense is an extension of the natural affection associated with near kin, toward the greater community of fellow believers, that goes beyond the mere duty in Leviticus 19:18 to "love thy neighbour as thyself", and shows itself as "unfeigned love" from a "pure heart", that extends an unconditional hand of friendship that loves when not loved back, that gives without getting, and that ever looks for what is best in others.
The following is based on the public domain article Brotherly Love found in the 1906 Jewish Encyclopedia
Brotherly love is the love for one's fellow-man as a brother. The expression is taken from the Greek word Φιλαδελφία (Philadelphia = "love of brothers"), which trait distinguished the Early Christian communities. Romans.12:10;1Thessalonians.4:9;John.13:35 – 1John.2:9;3:12;4:7;5:1 and 1Peter.3:8;5:9 express the idea of Christian fellowship and fraternity. It was also important in the Essene brotherhoods, who practised brotherly love as a special virtue. Brotherly love is commanded as a universal principle in Lev. 19:18: "Thou shalt love thy neighbor as thyself," the preceding verse containing the words: "Thou shalt not hate thy brother in thine heart." This commandment of love, with the preceding sentence, "Thou shalt not avenge nor bear any grudge against the children of thy people," may originally have referred, and has by some scholars been exclusively referred, to the Israelitish neighbor; but in verse 34 of the same chapter it is extended to "the stranger that dwelleth with you . . . and thou shalt love him as thyself." In Job 31:13-15 it is declared unjust to wrong the servant in his cause: "Did not he that made me in the womb make him? and did not one fashion us in the womb?"
Brotherly Love is a 1928 silent film part-talkie comedy produced and distributed by MGM and directed by Charles Reisner. It is a starring vehicle for the comedy team of Karl Dane and George K. Arthur. Young Jean Arthur supports the comedy duo. While essentially a silent film, the movie had music with sound effects and talking sequences. Buster Keaton makes an uncredited appearance as a barber.
A print is allegedly extant at UCLA Film and Television archives. The Library of Congress database lists no copies.