Mayhem may refer to:
Mayhem was a professional wrestling pay-per-view (PPV) produced by World Championship Wrestling (WCW) that replaced the promotion's November PPV event World War 3 which was held from 1995 to 1998 and was held in the month of November in 1999 and 2000. It is noted for being the first wrestling pay-per-view named after a video game, rather than the video game named after a pay-per-view. The 1999 match between Bret Hart vs Chris Benoit was featured in the opening credits of the TV Show Malcolm in the Middle. The rights to the event is now owned by the WWE since 2001.
Mayhem 1999 took place on November 21, 1999 from the Air Canada Centre in Toronto, Ontario.
During the WCW World Heavyweight Championship tournament semi-final match between Bret Hart and Sting, The Total Package interfered by attacking Sting with a baseball bat. This led to Hart being announced as the winner via disqualification. Not wanting to win in this manner, Hart demanded the match be restarted, and ultimately forced Sting to submit with the Sharpshooter. Scott Hall was originally supposed to face Rick Steiner for the WCW World Television Championship, but Steiner was too injured to compete. Hall was awarded the title by forfeit and immediately had to defend it against Booker T instead.
Mayhem is the third studio album by Irish rockabilly musician Imelda May, released on 3 September 2010 on Decca Records.
Three years prior to the release of Mayhem, in 2007, Imelda May received a recording contract with Ambassador Records, a sublabel of Universal Music Ireland, and recorded her second studio album, the highly acclaimed Love Tattoo. Reaching No.1 in Ireland, the album caught the attention of Jools Holland, whom she later supported on tour, which led him to request that she appear on his well-known music show Later... with Jools Holland. Performing to an audience that included Jeff Beck, Elbow and Roots Manuva, May gained further recognition in the United Kingdom. The following year also saw May release her first two singles, "Johnny Got a Boom Boom" and "Big Bad Handsome Man", appear on several talk shows, win Female Artist of the Year 2009 at the 2009 Meteor Awards and also tour the United States.
After touring throughout the world promoting Love Tattoo, May took a short break before entering the studio to record Mayhem. Choosing Embassy Studios, a sixteen-track analogue recording studio in a converted cow shed, May's record label Decca were "freaking out" and "drove all the way to the middle of nowhere to have a look" after hearing the studio was a cowshed. The recording of the album took two weeks in total and production was completed in late summer 2010 at Electric Mastering.
Brood may refer to:
In entomology, the term brood is used to refer to the embryo or egg, the larva and the pupa stages in the life of holometabolous insects. The brood of honey bees develops within a bee hive. In man-made, removable frame hives, such as Langstroth hives, each frame which is mainly brood is called a brood frame. Brood frames usually have some pollen and nectar or honey in the upper corners of the frame. The rest of the brood frames cells may be empty or occupied by brood in various developmental stages. During the brood raising season, the bees may reuse the cells from which brood has emerged for additional brood or convert it to honey or pollen storage. Bees show remarkable flexibility in adapting cells to a use best suited for the hive's survival.
In modern removable frame hives the nursery area is in the brood chamber, which beekeepers prefer to be in the bottom box. In the late winter and early spring as the brood cycle begins, the queen starts to lay eggs within the winter cluster in proximity to available honey stores. Honey bees tend to greatly expand the brood chamber as the season progresses. The relative location of the brood chamber within the beehive may also change as bee keepers add more boxes or as wild bees build fresh comb into available cavities. Some beekeepers ensure that the queen will not go into the upper boxes (called supers or honey supers) by placing a screen called a queen excluder between the boxes. The screen has precisely measured open spaces through which a worker bee can pass, but not a queen. Some beekeepers do not use excluders, but try to keep the queen within the intended brood area by keeping a honey barrier of capped honey, which the queen is reluctant to cross, above the brood. In feral hives the honey bees tend to put the brood at bottom center of the cavity, and honey to the sides and above the brood, so beekeepers are trying to follow the natural tendency of the bees.
The Brood are a race of insectoid, parasitic, extraterrestrial beings that appear in the comic books published by Marvel Comics, especially Uncanny X-Men. Created by writer Chris Claremont and artist Dave Cockrum, they first appeared in Uncanny X-Men #155 (March 1982).
The Brood possess wings, fanged teeth and a stinging tail. They have a hive mentality and mindlessly follow a queen. To reproduce, they must infect other races with their eggs. In a sort of way they are comparable to the Xenomorphs from the Alien film franchise.
According to Dave Cockrum, the Brood were originally conceived to serve as generic subordinates for the main villain of Uncanny X-Men #155: "We had Deathbird in this particular story and Chris [Claremont] had written into the plot 'miscellaneous alien henchmen.' So I had drawn Deathbird standing in this building under construction and I just drew the most horrible looking thing I could think of next to her."