Inside (French: À l'intérieur) is a 2007 French home invasion horror film directed by Julien Maury and Alexandre Bustillo, starring Alysson Paradis and Béatrice Dalle. It was written by co-director Bustillo, and is the first feature film from either director. It concerns the attack and home-invasion of a young pregnant woman by a mysterious stranger who seeks to take her unborn baby. The film received generally positive reviews from mainstream critics upon its release and was particularly well received among horror film critics, noting it for being a genuinely scary and brutally violent example of the new wave of French horror.
A baby in utero is seen, with the mother's voice heard soothing it. The baby recoils as if struck. Expectant mother Sarah (Paradis) has been in a car accident, and her husband has been killed. Months later on Christmas Eve, Sarah is making final preparations for her delivery the following day. Still reeling from her husband's death, Sarah is now moody and depressed.
Inside is the second album by German progressive rock band Eloy. It was released in 1973.
All songs written by Eloy
In jazz improvisation, outside playing, describes an approach where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to playing outside, that include side-stepping or side-slipping, superimposition of Coltrane changes, and polytonality.
The term side-slipping or side-stepping has been used to describe several similar yet distinct methods of playing outside. In one version, one plays only the five "'wrong'" non-scale notes for the given chord and none of the seven scale or three to four chord tones, given that there are twelve notes in the equal tempered scale and heptatonic scales are generally used. Another technique described as sideslipping is the addition of distant ii-V relationships, such as a half-step above the original ii-V. This increases chromatic tension as it first moves away and then towards the tonic. Lastly, side-slipping can be described as playing in a scale a half-step above or below a given chord, before resolving, creating tension and release.
Delta Machine is the thirteenth studio album by English electronic music band Depeche Mode, released on 22 March 2013 by Columbia Records and Mute Records. Recorded in 2012 in Santa Barbara, California and New York City, the album was produced by Ben Hillier and mixed by Flood. A deluxe edition was also released, containing a bonus disc with four bonus tracks, as well as a 28-page hardcover book including photos by Anton Corbijn.
"Heaven" was released as the album's lead single on 31 January 2013. The second single from the album, "Soothe My Soul", was released on 10 May 2013. followed by "Should Be Higher" on 11 October 2013. Following the album's release, Depeche Mode embarked on the Delta Machine Tour, which kicked off in Nice, France on 4 May 2013, and wrapped up in Moscow on 7 March 2014.
According to Dave Gahan, Delta Machine marks the end of the trilogy of records that Depeche Mode were recording with producer Ben Hillier.
The album is Martin Gore and Gahan's thematic continuation to a dark, gloomy and bluesy aesthetic that Depeche Mode had started to explore in the late 1980s. The Quietus writer Luke Turner viewed it as the band's "most powerful, gothic, twisted, electronic album since Violator".
"Broken" is a song by post-grunge/alternative metal South-African band Seether featuring American singer Amy Lee, the lead singer of Evanescence and former girlfriend of Seether vocalist Shaun Morgan. It was recorded in 2004 and was later included in Disclaimer II. This version includes electric guitar and violins. It peaked at No. 20 on the Billboard Hot 100 and at No. 3 on the ARIA singles chart. It was later certified Gold by the Recording Industry Association of America (RIAA) and Platinum by the Australian Recording Industry Association (ARIA). It is the band's biggest pop hit and the band's only Top 40 hit, reaching #20 on the Billboard Hot 100 chart. Although, until the 2014 release of "Words as Weapons", it was often considered Seether's most popular track and the only song to enter and crossover to the pop and adult contemporary charts, it is not their highest-charting single on the Mainstream Rock Tracks chart and Modern Rock Tracks chart where a few singles, such as "Fine Again" and "Fake It", charted higher. Despite this, it was the most played song on most rock radio formats due to the pop success of the song. In addition, it still charted high peaking #9 on the Mainstream Rock Tracks chart and #4 on the Modern Rock Tracks chart.
Broken (informally known as The Broken Movie) is a 1993 horror musical short film/long form music video filmed and directed by Peter Christopherson, based on a scenario by Trent Reznor, the founder of the industrial rock band Nine Inch Nails. The film is a companion piece to the band's 1992 EP Broken, featuring its songs and music and compiling its music videos (the exception being "Last" and the two hidden tracks). The movie, roughly 20 minutes in length, weaves Broken's four music videos together via a violent "snuff film" framing sequence, concluding with an otherwise unreleased video for the EP's final song "Gave Up," setting the conclusion of the film's frame story to the song. Due to its extremely graphic content, the Broken movie was never officially released, but was leaked as a bootleg which became heavily traded on VHS in the 1990s, and more recently via the Internet.
Trent Reznor once said that the Broken movie "...makes 'Happiness in Slavery' look like a Disney movie." While his comments about the movie have been cryptic at best, he makes no secret of the film's existence.
I’m not ready yet
To say goodbye to you
So many things that I want to do
Like hold you close until you love me to0
I don’t understand
Just why you’re letting go
I know you’d love me if you only knew
I am not a monster growing inside of you
Now I cry, Broken inside
Now everything in my world seems wrong
Life is not a game
For boys and girls to play
And simply change the rules
When it don’t turn out your way
What gives us the right?
To end a child’s life
All your excuses can’t remove the pain
That they feel when we decide to take their breath away
So just close your eyes
Pretend they’re not alive
All of your lying can’t destroy the truth