BIA or Bia may refer to:
Bia is a Neotropical genus of butterflies, named by Hübner in 1819. They are in the brush-footed butterfly family, Nymphalidae.
Arranged alphabetically.
4bia or Phobia (Thai: สี่แพร่ง; rtgs: Si Phraeng; literally "Crossroads") is a 2008 Thai horror film in four parts, directed by Youngyooth Thongkonthun, Banjong Pisanthanakun, Parkpoom Wongpoom, and Paween Purijitpanya.
Pin, a young woman stuck in her apartment due to the cast on her leg, communicates with the outside world via cell phone and text messages. She complains to her boyfriend, Puak, who went on a camping trip in Chiang Mai, that she feels so lonely. Every night, Pin exchanges text messages with a stranger, who asks to befriend her and seems friendly enough. The stranger says that he is in somewhere "cramped" for 100 days and is oddly only able to be contacted at night. After sending the mysterious stranger her photo, Pin asks for one in return and is sent the same photo. When she questions him, he says he is in the picture next to her. A ghostly face is slightly visible next to Pin's smiling face. As she researches recent deaths, Pin discovers that the son of Princess Sophia of Virnistan died and was buried with a cellphone so he can communicate with Princess Sophia—his mother, or to connect to someone else whenever he feels lonely. Pin then gets a text from the stranger, saying that he will come to her place now. All of the lights begin to go out and Pin cries in fear. She is then assaulted by the ghost and is thrown out of the window to her death. A scene from the past shows the prince receiving a text message from his girlfriend ending the relationship which makes him walk in front of a taxi cab causing an accident, the same accident that was the cause of Pin's broken leg as she was inside the cab.
Broken may refer to:
Delta Machine is the thirteenth studio album by English electronic music band Depeche Mode, released on 22 March 2013 by Columbia Records and Mute Records. Recorded in 2012 in Santa Barbara, California and New York City, the album was produced by Ben Hillier and mixed by Flood. A deluxe edition was also released, containing a bonus disc with four bonus tracks, as well as a 28-page hardcover book including photos by Anton Corbijn.
"Heaven" was released as the album's lead single on 31 January 2013. The second single from the album, "Soothe My Soul", was released on 10 May 2013. followed by "Should Be Higher" on 11 October 2013. Following the album's release, Depeche Mode embarked on the Delta Machine Tour, which kicked off in Nice, France on 4 May 2013, and wrapped up in Moscow on 7 March 2014.
According to Dave Gahan, Delta Machine marks the end of the trilogy of records that Depeche Mode were recording with producer Ben Hillier.
The album is Martin Gore and Gahan's thematic continuation to a dark, gloomy and bluesy aesthetic that Depeche Mode had started to explore in the late 1980s. The Quietus writer Luke Turner viewed it as the band's "most powerful, gothic, twisted, electronic album since Violator".
"Broken" is a song by post-grunge/alternative metal South-African band Seether featuring American singer Amy Lee, the lead singer of Evanescence and former girlfriend of Seether vocalist Shaun Morgan. It was recorded in 2004 and was later included in Disclaimer II. This version includes electric guitar and violins. It peaked at No. 20 on the Billboard Hot 100 and at No. 3 on the ARIA singles chart. It was later certified Gold by the Recording Industry Association of America (RIAA) and Platinum by the Australian Recording Industry Association (ARIA). It is the band's biggest pop hit and the band's only Top 40 hit, reaching #20 on the Billboard Hot 100 chart. Although, until the 2014 release of "Words as Weapons", it was often considered Seether's most popular track and the only song to enter and crossover to the pop and adult contemporary charts, it is not their highest-charting single on the Mainstream Rock Tracks chart and Modern Rock Tracks chart where a few singles, such as "Fine Again" and "Fake It", charted higher. Despite this, it was the most played song on most rock radio formats due to the pop success of the song. In addition, it still charted high peaking #9 on the Mainstream Rock Tracks chart and #4 on the Modern Rock Tracks chart.
[Instrumental]