Bring It! is the 11th album by Japanese pop duo PUFFY released on June 17, 2009 in Japan. The album was released in a standard version and limited version, the latter which contained a DVD and had different cover art.
Two of the songs from the album, "All Because of You" and "My Story" were released as singles in 2008.
Bring it! debuted at #8 on the Oricon daily albums chart and #17 for the weekly chart.
Bring It may refer to:
"Snakes on a Plane (Bring It)", also referred to as "Bring It (Snakes on a Plane)", is the debut single of dance-rock band Cobra Starship, released in 2006 from the soundtrack album Snakes on a Plane: The Album. The song features William Beckett of The Academy Is..., Travis McCoy of Gym Class Heroes, and Maja Ivarsson of The Sounds.
The video shows McCoy, Ivarsson, Saporta and Beckett walking through Honolulu International Airport, acting as if they were villains hired by Eddie Kim (the antagonist of Snakes on a Plane) sneaking snakes on board in their suitcase and guitar case. They are able to pass through security when Ivarsson distracts the airport worker by taking off her jacket. Pete Wentz of Fall Out Boy makes a cameo appearance at the 1 minute and 46 seconds mark, talking on a payphone nervously as the band members pass ominously. Samuel L. Jackson (who plays Neville Flynn, the main protagonist of the movie) also makes a cameo appearance, lowering his shades and eyeing the band members as they pass, unaware of the true contents inside their cases before returning to his 100 Bullets comic. He is also seen wearing the unofficial Snakes on a Plane T-shirt designed by webcomic artist Jeffrey Rowland (with snakes flying a plane). The video ends with a sign for South Pacific Airlines Flight 121 as the band boards the plane, the same flight as in the film. The video was filmed in Burbank, California.
"Bring It" is a single by Barbadian British singer-songwriter Jodie Connor, which features vocals by Tinchy Stryder. It was released by digital download on 20 February 2011 on Polydor Records straight after its first radio play, which could be a factor to how it didn't match the success of Now Or Never. It will be released from her yet untitled debut album.
"Bring It" was produced by Takeover Entertainment producer David Dawood, producer of Connor's first single, "Now or Never", and the number one hit with Roll Deep, "Good Times" (2010). When writing "Bring It", Connor did not have anything in mind. She stated that the song was not really personal to her but thought that the music was uplifting and needed powerful lyrics to go with it.
"Bring It" features Connor collaborating with Tinchy Stryder. Connor had previously made a cameo appearance in the music video for Stryder's 2010 single, "In My System", which was a top ten hit in the United Kingdom. Connor stated that the collaboration originated from the two being label-mates and good friends.
Bring It! is an American dance reality television series that debuted March 5, 2014, on Lifetime. On April 28, 2014, Lifetime announced an additional 10-episode renewal of Bring It!. Additional episodes returned on July 23, 2014. The second season premiered on January 23, 2015. New episodes aired on July 31, 2015
Announced November 13th, 2015, Bring It! is renewed for a 3rd season that premiered on January 1st, 2016.
Bring It! is set in Jackson, Mississippi and features Coach Dianna "Miss D" Williams and her Dollhouse Dance Factory, home of Miss D's Dancing Dolls troupe, which was founded in 2001. The troupe has over 15 Grand Champion titles and more than 100 trophies, and consists of children aged 10 to 17. The show also features the Baby Dancing Dolls, consisting of children under the age of 10.
The team competes in hip-hop majorette competitions, with their main focus being on the Stand Battle (a routine where two teams face each other and alternate "stands" (routines), which are called by the captain depending on what stand the other team performs). The team slogan (both the Dancing Dolls and the Baby Dancing Dolls) is "Dancing Dolls For Life" (popularly shortened to DD4L, featured on much of their gear).
[Chorus]
If you really want it...I can bring it to ya
If you really want it...I can bring it to ya
If you really want it...I can bring it to ya
So, make up your mind, cause I'm itching to move through ya
[Tonedeff]
You have never heard this flow before
Hold your soul in and then close the door
Shut it tight, 'cause I bring that raw hardcore
Dirty flow to pump and leave your heart sore
I'm sure the rhythms and the rhymes are pure
The lyrical auteur to pitiful sophomores
Emcee wannabes that all got tours
Prepare to surrender your shit and fall to all fours
This is yet another redefinition of the emcee
With a view to a kill no matter what the lens see
I focus on flawed imaginations that's empty
And devoid of funk, pre-eminently
I've bent the original rules of rhyming so that nothing prevents me
Cause the drum & the bass tempt me
I've sent these words in verse, so, evidently you're done
Cause I refuse to bring it to you gently
[Chorus]
[Tonedeff]
You can call me the freeze-frame shutterbug
Cause I'll stop you dead in your tracks
and snap your picture while I'm at it
I've had it up to here with the static and the jeers
Response from my peers is automatic wreaking havoc on your ears
Been rapping for years, mastered every aspect
Of this craft, that I'm saddened to say is stagnant
I be laughing at half-wits, just coming to grasp with
Vocabulary patterns that's average, as I play with Symantecs
Famous for tactics, Lines that I - say with a passion age into classics
All while entertaining the masses
Drastic measures are implemented all in your head
The sandman to put 'em to sleep and then swallow the bed
I never, follow the trends, I'll bend whatever you set
I'll embody your style, and dismember your rep
Inventive and set on revising, revolutionizing the gears in this mega-machine
The appointed head of the team
Set on defeating the feeble, Completion is the true test
T-o-n-e-d-e-double-the-F, who's next?
[Chorus]
[Tonedeff]
Push forth, That's what this Jux' for
Never fall for these crooks with more titles bookstores
Always scheming on good scores, creaking on wood floors
But peep 'em and their hook's horse-shit, and their look's poor
Bordering on absurdity, Served the underground for an eternity
Yet, certainly most radio stations ain't never heard of me
Thirty-percent of these niggaz is flossing
The other seventy's thugging, emulating whatever they're watching
Caution, lost one, ain't you see the sign? Music's redefined
Just read between the lines
I'm bringing my expertise of extra heat
To melt this ice age at the hundred and 10th degree
Preventing me from accomplishing this is inexplicably devious thinking
Like shooting holes in a boat as you're sinking
Odds of survival, reduced to those of finding decent delinquents