Breakfast on Pluto (film)

Breakfast on Pluto is a 2005 comedy-drama film written and directed by Neil Jordan and based on the novel of the same name by Patrick McCabe, as adapted by Jordan and McCabe. This dark comedy stars Cillian Murphy as a transgender foundling searching for love and her long-lost mother in small town Ireland and London in the 1970s.

Plot

The film is divided in over 30 chapters. In the fictional Irish town of Tyrellin, near the border of Northern Ireland in the late 1940s, cartoon robins narrate as Patrick Braden's mother, Eily Bergin, abandons him on the doorstep of the local parochial house where his father, Father Liam, lives. He is then placed with an unloving foster mother. Biologically male, a young Patrick is later shown donning a dress and lipstick, which angers his foster family. Patrick is accepted by his close friends Charlie, Irwin, and Lawrence, as well as by Lawrence's father, who tells Patrick Eily looked like blonde American movie star Mitzi Gaynor.

Breakfast on Pluto

Breakfast on Pluto is a 1998 novel by Patrick McCabe. The book was shortlisted for the 1998 Booker Prize, and was adapted for the screen by McCabe and Neil Jordan; Jordan directed the 2005 film.

Plot summary

Set in 1960s to 1970s, the novel tells of the trans woman Patrick "Pussy" Braden's escape from the fictional Irish town of Tyreelin and a drunk foster mother, to find herself and the biological mother who gave her away. Bad luck surrounds her until she finds temporary contentment with a married politician who acts as a sugar daddy. The latter is killed by either the IRA or the Ulster Defence Volunteers, leaving Braden alone once again. She moves to London, becomes a prostitute in Piccadilly Circus, and later is arrested on suspicion of an IRA bombing, only to be released a few days later. She later embarks on a search to find her mother.

Film adaptation

Director Neil Jordan's 2005 film adaptation of the same name starred Cillian Murphy in the central role. In the film, the main character is called "Kitten", not "Pussy", and there are other significant differences between the two versions of the characters, a central one being that the hypersexual Pussy is depicted explicitly as having sex with many male and female characters throughout the novel, while on screen Kitten is not shown even kissing another character on the lips.