Break of Dawn may refer to:
Break of Dawn (formerly titled Milk & Honey) is the fourth studio album from Bay Area vocalist Goapele after a five-year-long hiatus.
The first single, "Milk & Honey," was leaked on the Internet July 10, 2009, while the video directed by David Telles went into rotation on August 4, 2009, and was shot with the Red One Camera. It offers a more suggestive and seductive vibe then what fans may be accustomed to from the singer. Goapele is known to incorporate messages of politics, love, romance, and struggle into her music. The second single, "Right Here," is a love song produced by Drumma Boy.
On August 28, 2011, Goapele released the third single, "Play," a sensual song produced by Dan Electric & Teddy Thunderbolt.
Break of Dawn was recorded at the Zoo in Downtown Oakland, California, home of Goapele’s Skylight Studios. This project will be another personal album with several love songs as well as up-tempo joints. Production-wise, tracks with Drumma Boy, Bedrock, Kanye West, Drumma Boy, Dan Electric, Mike Tiger, Bobby Ozuna (Raphael Saadiq, John Mayer, Erykah Badu), Malay (John Legend, Mary J. Blige), Jeff Bhasker (The Game, Kanye West, Ludacris, T.I), and other musicians were confirmed.
Break of Dawn is the debut album by Do As Infinity, released in 2000. This is the only album cover where Dai Nagao is included in along with the other two members. The song "Raven" was used as the ending theme for the Japanese horror film Uzumaki.
All lyrics written by D.A.I, all music composed by D.A.I and arranged by Do As Infinity & Seiji Kameda.
SL2 may refer to:
SL2 are an English breakbeat hardcore group active in the early 1990s from London, England. They also recorded, remixed or produced under the names Slipmatt & Lime and T.H.C.
"Starting out as a group of three, SL2 was originally a coming together of DJ's Matt "Slipmatt" Nelson, John "Lime" Fernandez and rap vocalist Jason "Jay-J" James. The SL2 name came from the founders initials - Slipmatt (S) and Lime (L), and as they were a duo - hence "SL2".
As youngsters in 80s Britain, they were very much into the hip hop scene before having their heads turned by the growing rave scene.
Their big break came in 1989 through Slipmatt's older brother, who was running the now legendary party-promoting organisation Raindance, they became the enterprise's resident DJs, playing parties all over the United Kingdom.
A year into touring with Raindance, SL2 released their debut single, "Do That Dance," through B-Ware Records which sold well to fans of the rave scene. Allegedly, the practices of the record label prevented the band from ever seeing any money. Subsequently, SL2 set up their own Awesome Records label, through which they first released another single, "DJ's Take Control". The record sold 3500 copies, attracting the attention of new dance label XL Recordings.
The Silver Line is the bus rapid transit (BRT) system of the Massachusetts Bay Transportation Authority (MBTA). It currently operates four routes in two sections that were built in separate phases.
The first section has two routes from Dudley Square in Roxbury, mostly via Washington Street, to Boston's Downtown Crossing (SL5) and South Station (SL4), using articulated buses operating in reserved lanes. The second section runs from South Station Under to South Boston (SL2) and to Logan Airport in East Boston (SL1). It runs dual-mode buses, partly in a dedicated bus tunnel and partly on shared roadway, including surface streets, the Ted Williams Tunnel, and airport roads. Riders can transfer between the sections and to other lines at South Station; transfers there between SL1, SL2, and the Red Line—but not SL4—are within fare control. At South Station, however, a transfer from SL1, SL2, and the Red Line to SL4 (and vice versa) can be made by walking alongside streets.
Speed and schedule performance have disappointed some transit advocates and the Silver Line routes fall far short of the minimum BRT Standard promulgated by the Institute for Transportation and Development Policy (ITDP). Some sections have an exclusive right-of-way, but other sections are bogged down by street running in congested mixed traffic. As of September 2014, a contract has been awarded for the first phase of an extension to Chelsea, Massachusetts, largely in reserved right-of-way; other extensions of the Silver Line are being studied as well.
(Yes, yes, y'all, and you don't stop)
Keep-keep it on 'til the break of dawn
(Boom-bam-slam) Keep-keep it on
Keep-keep it on 'til the break of dawn
(Boom-boom-bam-slam) Keep-keep it on
Keep-keep it on 'til the break of dawn
(Boom-boom-bam-slam) Keep-keep it on
Keep-keep it on 'til the break of dawn
(Boom-boom-bam-slam) Keep-keep it on
Jam, S-A-L-T pump up the bass
S-A-L-T pump up the bass
S-A-L-T pump up the bass
S-A-L-T pump up the bass
On and on keep it on 'til the break of dawn
I'm-a rip shop and drop the bomb
Boom-bam-slam with the jam in effect
Catchin' wreck, catchin' wreck with the Pep
Yet, yo, I'm-a flow like the now
You know my style buck-wild
Rippin' scripts, dive and dips, dip and dives
Overdrive, I'm in overdrive
Goin' off, never to the loss, of course
I'm the best, yes, I am, yes
Yo, so here I go again
I'm in like Flynn guarateed to win
So step back with the battleship grip
Word to mother, my brother, you're outta my tip
Let it go, let it go, I just wanna flow...uh, and keep it on
I'm gonna keep it on until the break of dawn
Big-big Pep keep-keep it on
I'm gonna keep it on until the break of dawn
Big-big Pep keep-keep it on
Check it out (what?), big Pep PG
Not rated R, I can flow without the B's
And the F's and the A's, gotta have a taste
To kick, gotta have the P's
To pick up the bass, pump up the bass like that
When you pump it up it makes me rap like the pro that I am
Hear what I am, yes, I am, gotta have the D for the "damn"
Jam on the one, jam on the two, oh yeah
Give me my ? on a dare, cuz I'm the rare
Do you see a woman rip shop?
But I'm here to drop and drop
Here 'til I can't 'ford no more
Sucker MC's better be out the door
More I pour, get to the core
When I finish, girlfriend, you're gonna be sore
Word, the big birdy's like that y'all
Big Pep Denton is crazy, phat y'all
Word is born, keep it on, yeah...'til the break of dawn
One-two-three it's me - S-A-L-T
The woman to be, can't ya see?
On the microphone I stand alone - psyche
Pepa P got the left, I got the right
As if you didn't know the flow got better with the weather
Fall off never that never, never wack ever
I'm butter like my leather
Clever, yes, I'm a lady that's clever
Rockin' it, rippin' it, yes, I'll be kickin' it
Kickin' it, brothers be trickin' and trickin'
Don't stop, don't stop, I won't stop
I can't stop, I can't stop
When I hear the beat I'll be damned not to get ill, kill
Yo, Salt, chill, what ya mean "chill?"
Chill, I know how you feel
When I hear the beat I wanna flip, too
Let me show you how I do
In '92 I was on the L, '93's time to get off the L
And watch my pockets swell like hell
Can't ya tell how Pep be livin'?
Livin' every day livin' like it's Thanksgivin'
Cuz I got the gift to get swift on the mic
Al'ight, psyche, cuz I'm the type to get it hype