Judy Collins #3 is an album by American folk singer Judy Collins released in 1963. It spent 10 weeks on Billboard's Top 150 album charts in 1964, peaking at #126 on May 16.
Jim (later Roger) McGuinn worked as an arranger and played guitar and banjo on the album. He would later bring with him the acoustic arrangements of the Pete Seeger songs "Turn! Turn! Turn! (To Everything There Is a Season)" and "The Bells of Rhymney" (as well as the notion of covering Dylan-material in an unusual fashion) when he went on to co-found the folk rock group The Byrds, where they would get a full electrified rock'n'roll-band treatment.
Judith Marjorie Collins (born May 1, 1939) is an American singer and songwriter known for her eclectic tastes in the material she records (which has included folk, show tunes, pop, rock and roll and standards) and for her social activism.
Collins' debut album A Maid of Constant Sorrow was released in 1961, but it was her cover of Joni Mitchell's "Both Sides, Now", the lead single from her 1967 album Wildflowers, that gave Collins international prominence. The single hit the Top 10 on the Billboard Pop Singles chart and won Collins her first Grammy Award for Best Folk Performance. She enjoyed further success with her covers of "Someday Soon", "Chelsea Morning", "Amazing Grace", and "Cook with Honey".
Collins experienced the biggest success of her career with her cover of Stephen Sondheim's "Send in the Clowns" from her best-selling 1975 album Judith. The single charted on the Billboard Pop Singles chart in 1975 and then again in 1977, spending 27 nonconsecutive weeks on the chart and earning Collins a Grammy Award nomination for Best Pop Vocal Performance, Female, as well as a Grammy Award for Sondheim for Song of the Year.
"Bread and Roses" is a political slogan as well as the name of an associated poem and song. It originated from a speech given by Rose Schneiderman; a line in that speech ("The worker must have bread, but she must have roses, too.") inspired the title of the poem Bread and Roses by James Oppenheim. The poem was first published in The American Magazine in December 1911, with the attribution line "'Bread for all, and Roses, too'—a slogan of the women in the West." The poem has been translated into other languages and has been set to music by at least three composers.
It is commonly associated with the successful textile strike in Lawrence, Massachusetts during January–March 1912, now often known as the "Bread and Roses strike".
The slogan pairing bread and roses, appealing for both fair wages and dignified conditions, found resonance as transcending "the sometimes tedious struggles for marginal economic advances" in the "light of labor struggles as based on striving for dignity and respect", as Robert J. S. Ross wrote in 2013.
Bread and Roses is a slogan originally associated with a Massachusetts textile strike, 1912.
Bread and Roses may also refer to:
Bread and Roses was an all-acoustic rock band from Boston, Massachusetts known for their intimate, unamplified DIY-venue performances and crowd singalongs. Their style included influences from early country, bluegrass, Irish traditional, and old-timey genres, as well as punk rock. Interspersed with their own original songs were renditions of union ballads, traditional labor songs, and covers of American folk music and country classics. Their lyrics included potent messages of anti-World War I politics and union worker rights, as well as tales of sailors, whalers and the seafaring life of pirates.
Bread and Roses started as an offshoot of the lead singer Morgan Coe's previous band, The High-Steppin' Nickel Kids. Its earliest formation was a 3-piece (electric guitar, electric bass, drums) showing a heavy Gang of Four influence, with elements of ska and slow-punk. When the bass player and drummer dropped out, Coe went for a simple, acoustic sound (see: early Against Me!) He traded his guitar for an upright bass, and added a bluegrass ensemble. From 2007 onward, the Bread and Roses lineup consisted of Morgan on double bass and lead vocals, Adam Haut on fiddle and vocals, Nate on mandolin, Steve Fornier on guitar, dobro, harmonica, and vocals, Dan Pond on acoustic guitar and tin whistle, Whitney on banjo and acoustic guitar and Dan Wilder on drums.
All my bags are packed,
I'm ready to go
I'm standing here outside your door
I hate to wake you up to say goodbye
But the dawn is breaking,
It's early morn
The taxi's waiting,
He's blowing' his horn
Already I'm so lonesome
I could cry.
(Chorus)
So kiss me and smile for me
Tell me that you'll wait for me
Hold me like you'll never let me go.
I'm leaving on a jet plane
I don't know when I'll be back again
Oh, babe, I hate to go.
There are so many times I've let you down
So many times I've played around
I tell you now, they don't mean a thing
Every place I go, I'll think of you
Every song I sing, I'll sing for you
When I come back, I'll wear your wedding ring.
(Chorus)
Now the time has come to leave you
One more time
Let me kiss you
Then close your eyes,
I'll be on my way.
Dream about the days to come
When I won't have to leave alone
About the times, I won't have to say,
(Chorus)
LEAVING ON A JET PLANE