A boy is a young male human, usually a child or adolescent. When he becomes an adult, he is described as a man. The most apparent difference between a typical boy and a typical girl is the genitalia. However, some intersex children with ambiguous genitals, and genetically female transgender children, may also be classified or self-identify as a boy.
The term boy is primarily used to indicate biological sex distinctions, cultural gender role distinctions or both. The latter most commonly applies to adult men, either considered in some way immature or inferior, in a position associated with aspects of boyhood, or even without such boyish connotation as age-indiscriminate synonym. The term can be joined with a variety of other words to form these gender-related labels as compound words.
The word "boy" comes from Middle English boi, boye ("boy, servant"), related to other Germanic words for boy, namely East Frisian boi ("boy, young man") and West Frisian boai ("boy"). Although the exact etymology is obscure, the English and Frisian forms probably derive from an earlier Anglo-Frisian *bō-ja ("little brother"), a diminutive of the Germanic root *bō- ("brother, male relation"), from Proto-Indo-European *bhā-, *bhāt- ("father, brother"). The root is also found in Flemish boe ("brother"), Norwegian dialectal boa ("brother"), and, through a reduplicated variant *bō-bō-, in Old Norse bófi, Dutch boef "(criminal) knave, rogue", German Bube ("knave, rogue, boy"). Furthermore, the word may be related to Bōia, an Anglo-Saxon personal name.
Boys is a 1996 American film starring Winona Ryder and Lukas Haas. The film was originally titled The Girl You Want. The film earned $516,350 in the United States box office. It is based on a short story called "Twenty Minutes" by James Salter.
The film is set in an East Coast boys' boarding school in the United States, and was shot in Baltimore, Maryland and on the campus of St. John's College in Annapolis, Maryland, which represents the school.
John Baker Jr. (Lukas Haas) is a boy bored with his life at an upper middle class boarding school, and the prospect of his future running the family grocery store chain. He no longer sees the point in school, stating what's the difference if he gets a zero attendance for being three minutes late or skipping the whole class so he might as well skip the class. Now close to graduating from boarding school, his life is turned upside down when he rescues Patty Vare (Winona Ryder), a young woman he finds lying unconscious in a field. Patty regains consciousness that evening in John's dormitory. She stays awake long enough to tell him she will not go to a doctor, and then passes out and does not awaken until the next morning. She seems to recover completely and to be grateful for John's assistance; the two begin a romantic voyage of self-discovery. This is not without its problems, as other boys in the dorm quickly find out she is being hidden in his room, leading up to a dramatic confrontation with Baker's close friends where his 'best friend' becomes enraged and punches a wall, breaking his hand, while the two continue to argue over the reason as to why Baker has hidden her in his room.
"Boys" is a song by Luther Dixon and Wes Farrell, originally performed by The Shirelles and released as the B-side of their "Will You Love Me Tomorrow" single in November 1960. It was covered by The Beatles and included on their first album released in the United Kingdom, Please Please Me (1963).
The Beatles' version was recorded at Abbey Road Studios on February 11, 1963, in a single take, and is Ringo Starr's first recorded lead vocals with the Beatles; and, as the fifth track on the Beatles first album, Please Please Me, represents the first time many fans heard Starr singing on a lead vocal. February 11 was a marathon day for the Beatles, as they recorded 10 of the 14 tracks they needed for Please Please Me. The band covered an additional song by the Shirelles on their first album, "Baby It's You".
The Beatles did not concern themselves about possible homosexual undertones that go with singing a song about boys, although they altered the gender pronouns employed on the Shirelles' version (e.g. "My girl says when I kiss her lips..."). In an October 2005 Rolling Stone interview, Paul McCartney stated: "Any one of us could hold the audience. Ringo would do 'Boys', which was a fan favourite with the crowd. And it was great — though if you think about it, here's us doing a song and it was really a girls' song. 'I talk about boys now!' Or it was a gay song. But we never even listened. It's just a great song. I think that's one of the things about youth — you just don't give a shit. I love the innocence of those days." (The lyrics talk specifically about a boy kissing a girl, not another boy.)
Lucia may refer to:
Suikoden (Japanese: 幻想水滸伝, Hepburn: Gensō Suikoden, listen ) is a role-playing game published by Konami as the first installment of the Suikoden series. Developed by Konami Computer Entertainment Tokyo, it was released initially in 1995 for the PlayStation in Japan. North American and British releases followed one year later, and a mainland European release came the following March. The game was also released for the Sega Saturn in 1998 only in Japan, and for Microsoft Windows in 1998 in Japan. On December 22, 2008, Suikoden was made available on the PlayStation Store for use on the PlayStation 3 and PlayStation Portable consoles.
The game centers on the political struggles of the Scarlet Moon Empire. The player controls the son of a Scarlet Moon Empire general who is destined to seek out 108 warriors (referred to as the 108 Stars of Destiny) in order to revolt against the corrupt sovereign state and bring peace to a war-torn land. The game is loosely based on the Chinese novel Shui Hu Zhuan, and features a vast array of characters both controllable and not, with over ninety characters usable in combat and many more able to help or hinder the hero in a variety of ways.
[Snoop Dogg]
L.T., Uh, The nerve of this bitch
(Tray Deee)
A bitch made purpose is to service a mac
In a skirt till her feet hurt workin trap
No breaks, ho break mine or she don't sleep
Pussy just a piece of meat another means to eat
Bitches playin like the wayin so I stay in the game
Pimpin hard on these niggaz cuz they playin is lame
How i'm came at a ho is all a bitch gone know
What I won't, what I don't and where to put my dough
Back-talk get you slapped broad stay in yo place
I might get the hanger then make you lay on yo face
Trick guerilla for my scrilla ho you got to know
Chronic weed smoke the only thing I cop to blow
Gangsta-playa paper-chasin break a bitch like young
No tongue get em sprung from the game I run
One in a million with this pimpin Suga Free no cut
Now come up from promote and tell these hoes what's up
(Suga Free)
Ho must've said Suga Free go wash yo hands I said bitch
I'm Suga Free I wash my hands befo I touch my dick
Bitch I'm ceasin, meanin
I'm 900-99 thousand, 900-99 dollars, 99 cents away from breathin
Now if she tell that her pussy ain't sellin she lyin
(Man that bitch is connin you)
And it she say baby let's go get this paper
don't playa-hater hater she tryin be all the ho that you can be
Oh no I ain't gone playa hate you cuzz you dressed like you a freak
Goin quot;Now I lay me down to sleep quot;
With that pimp stick hangin french-braided right by my feet
Now on a accident pussy sells,
you see how heavy traffic gets pussy sells
Nigga you lookin foe yo ho main pussy sells
But you gone get plenty mo cuz pimpin neva fells
Ooohh venom, cross my heart hope to die stick a needle in my eye
If you didn't have Suga Free you'd have to invent him
(Got, Someby, Like a Mua Fucka)
(Snoop Dogg)
Me and my niggaz is hard as hell
Pimp slap a bitch for some clientele
Bitch get me a room at a plush hotel
To hit this trick for this lick and go get my mail
If you ever get caught, cracked and thrown in jail
You know a nigga comin throw with that bail
I put you on a track like that for real
And you know and I know that pussy will sell
[Hook (Snoop Dogg)]
Oohh She got the bomb, My bitch got some bomb ass pussy
Oohh She got the bomb, You want the honey nigga I want the money
(Snoop Dogg)
Where ever I go it's all the same
Do the pussy have a name yeah but it might change (da, da)
Dependin on the weather or the mood that that day
If the cat got macked then that fool gone pay
Now lay lay yo head on back
You down with the dogg then work that trap
And don't come back till you get that scratch, and bring it all to me
I put the P-I-M-P-O ology, bitch threw a dolla at me me
I threw it back now she followin me (ha, ha, ha, ha)
I put this P-I down 7 days a week 24 hours
(Goldie Loc)
You say you broke ho, look here miss me
It be all tipes of niggaz that be payin for ma-dussy (bitch)
There go the cona girl, now post up
If you come back with no chips, yo gets slapped up
I might hit you with the pimp stick
And bitch think twice befo askin fo deez-nick
And the last time you had some money
Is when you stole it from yo momma,
bitch that shit ain't funny (shit ain't funny)
But a pimp like me got payed (got payed)
And a hoe like you got played (got played)
Now listen to the sound of the bells ring
Baby it's cash goin on like ching ching
Get up, get out, and get some
You see what i'm doin, bustin on tracks to keep you fuckin
Let you tell it i'm out here pimpin for free
That ain't yo Goldie I got too much hog in me
I dogg hoes like Snoop (like Snoop)
Throw some lotion on yo feet befo you jump up in my coup (beeitch)
(Snoop Dogg)
Pimpin ain't easy but it's a whole lotta fun
Tray 5,7,6,5,4,2,1
Get dought in the snow in Idahoe
I gotta lie to ho, and a wida hoe
One things for show if all fails
They go get my mail cuzz pussy sells
[Hook (Snoop Dogg)]
Oohh She got the bomb, My bitch got some bomb ass pussy
Oohh She got the bomb, You want the honey nigga I want the money
Oohh She got the bomb, Yeah my bitch got some bomb ass pussy
Oohh She got the bomb, Nigga you want the honey fool I want the money
(Suga Free)
Yeah Tray 5,7,6,5,4,2,1 Nigga
Pimp on, In a real way