Boy | ||||
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File:U2 Boy.png | ||||
Studio album by U2 | ||||
Released | October 20, 1980 | |||
Recorded | Windmill Lane Studios, Dublin, March–September 1980 | |||
Genre | Rock, post-punk | |||
Length | 42:14 | |||
Label | Island | |||
Producer | Steve Lillywhite | |||
U2 chronology | ||||
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Alternative cover | ||||
North American release
North American release
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Singles from Boy | ||||
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Boy is the debut album from Irish rock band U2, released October 20, 1980. Produced by Steve Lillywhite, the album received generally positive reviews. Common themes among the album's songs are the thoughts and frustrations of adolescence.[1] The album included the band's first United Kingdom hit single, "I Will Follow". Boy's release was followed by U2's first tour of continental Europe and the United States.[2]
Contents |
Originally, Joy Division producer Martin Hannett (who also produced U2's "11 O'Clock Tick Tock" single) was supposed to produce U2's debut album, but was too distraught after the suicide of Ian Curtis. Boy was recorded at Windmill Lane Studios in Dublin with Steve Lillywhite producing. Lillywhite first came to fame with his work on the 1978's debut single of Siouxsie and the Banshees, "Hong Kong Garden" which featured a peculiar hook played by a glockenspiel. U2, who already listened to Siouxsie and the Banshees,[3] used Lillywhite's skills to add the distinctive glockenspiel part on "I Will Follow".
Some of the songs, including "An Cat Dubh" and "The Ocean", were written and recorded in the studio. Many of the songs were taken from the band's 40-song repertoire at the time, including "Stories for Boys", "Out of Control", and "Twilight".[4] The Edge recorded all the songs using his natural stained Gibson Explorer.[5]
Much of the album's lyrics focus on thoughts and frustrations of childhood. Some songs, including "I Will Follow", focus on the death of Bono's mother when he was 14. "I Will Follow" was also widely perceived as a religious song affirming the band's Christian faith, though this was not confirmed until 2007 in an NME interview.[citation needed] The album also has overtones of sexuality.[6]
The final track on the album, "Shadows and Tall Trees", gives a nod to William Golding’s novel Lord of the Flies[citation needed]; it shares its name with a chapter from the book.
Boy was originally released on October 20, 1980.
The boy on the cover is Peter Rowen (brother of Bono's friend, Guggi (Virgin Prunes), and now a renowned Irish photographer).[7] He also appears on the covers of Three, War, The Best of 1980–1990, the unreleased Even Better than the Early Stuff[8] and Early Demos. The photographer, Hugo McGuiness, and the sleeve designer, Steve Averill (a friend of bassist Adam Clayton), went on to work on several more U2 album covers. The image was changed to a distorted picture of the band for the American and Canadian release, due to the record company's fears that the band would be accused of pedophilia.[9] Sandy Porter is credited as the photographer for the American cover. However, the photo of Rowen appeared on the inner sleeve of the album in the US and Canada. In 2008, the artwork of the remastered editions was standardised worldwide to that of the 1980 UK release.
In 2008, a remastered edition of the album was released, featuring remastered tracks, along with B-sides and rarities. Three different formats of the remaster were made available.
"A Day Without Me" and "I Will Follow" were released as singles. "I Will Follow" peaked at #20 on the Mainstream Rock charts, becoming a hit on college radio and established a buzz surrounding the group's debut. The album was preceded by Three, a three-song EP with different recordings of "Out of Control" and "Stories for Boys", as well as a song called "Boy/Girl".
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
The Austin Chronicle | ![]() ![]() ![]() ![]() ![]() |
The Boston Globe | (favourable)[12] |
Robert Christgau | C+[13] |
Hot Press | (11/12)[14] |
Pitchfork Media | (8.3/10)[15] |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
Boy's highest position on the Billboard 200 was #63, but after the success of U2's later material, it re-entered the American charts for a lengthier spell. In the United Kingdom it reached #52. Despite criticisms of their live shows as predictable and Bono using "too much echo",[17] these early live shows nevertheless helped demonstrate U2's potential, as critics noted that Bono was a very "charismatic" and "passionate" showman, reminiscent of a young Rod Stewart.[17] Boy is the only U2 album from which every song (as well as every B-side) has been performed live at least once. The album finished in 18th place on the "Best Albums" list from The Village Voice's 1981 Pazz & Jop critics' poll.[18]
In 2003, the album was ranked number 417 on Rolling Stone magazine's list of "The 500 Greatest Albums of All Time".[19] Three years later, Uncut ranked the album number 59 on its list of the "100 Greatest Debut Albums".[20]
The album's sexual overtones led to its enthusiastic acceptance by gays in American gay clubs shortly after its release. Bono commented on this phenomenon, saying, "First of all we started out and made Boy, which is a sexual LP, and we changed the cover in America to stop any concern there might be about paedophilia and the like, because it was our first album. But import copies got in and, as you know, in America a lot of music is broken in gay clubs and so we had a gay audience, a lot of people who were convinced the music was specifically for them. So there was a misconception if you like."[6]
All lyrics written by Bono, all music composed by U2.
Side one | ||||||||||
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No. | Title | Length | ||||||||
1. | "I Will Follow" | 3:36 | ||||||||
2. | "Twilight" | 4:22 | ||||||||
3. | "An Cat Dubh" | 4:47 | ||||||||
4. | "Into the Heart" | 3:28 | ||||||||
5. | "Out of Control" | 4:13 |
Side two | ||||||||||
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No. | Title | Length | ||||||||
1. | "Stories for Boys" | 3:02 | ||||||||
2. | "The Ocean" | 1:34 | ||||||||
3. | "A Day Without Me" | 3:14 | ||||||||
4. | "Another Time, Another Place" | 4:34 | ||||||||
5. | "The Electric Co." | 4:48 | ||||||||
6. | "Shadows and Tall Trees" | 4:36 | ||||||||
Total length:
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42:14 |
Early vinyl and some cassette copies of the album have an unlisted and untitled thirty-second instrumental sample of "Saturday Night", a song that would become "Fire" (on 1981's October album) at the very end of the album, after "Shadows and Tall Trees." This was dropped from most vinyl copies and all early CD versions. It was re-instated on the 2008 remastered editions of Boy and appeared in full for the first time as "Saturday Night" on the Deluxe Edition B-sides CD included with the 2008 remastered version of Boy. Until the remastered release of Boy, this thirty-second sample was thought to be "Fire."
Some pressings of the album, mostly in North America, indexed the track length of "An Cat Dubh" and "Into the Heart" at "6:21" and "1:53", respectively. The 2008 remastered edition of the album reinstated the original European lengths of 4:47 and 3:28. Early compact disc releases (identified by being West German-pressed and in a digipak) combined the two songs into a single track at 8:14.
On April 9, 2008, U2.com confirmed that Boy, along with the band's other first three albums, October and War would be re-released as newly remastered versions.[21] The remastered album was released on July 21, 2008 in the UK, with the U.S. version following it the next day. As with The Joshua Tree, the cover artwork has been standardised to the original UK release. The remaster of Boy was released in three different formats:[21]
All songs written and composed by U2.
No. | Title | Original release | Length | |
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1. | "I Will Follow" (Previously unreleased mix) | Previously unreleased | 3:38 | |
2. | "11 O'Clock Tick Tock" (Single version) | "11 O'Clock Tick Tock" single | 3:47 | |
3. | "Touch" (Single version) | "11 O'Clock Tick Tock" single | 3:26 | |
4. | "Speed of Life" | Previously unreleased outtake from "Boy" sessions | 3:19 | |
5. | "Saturday Night" (early version of "Fire") | Previously unreleased outtake from "Boy" sessions | 5:13 | |
6. | "Things to Make and Do" | "A Day Without Me" single | 2:17 | |
7. | "Out of Control" (Single version) | Three EP | 3:53 | |
8. | "Boy/Girl" (Single version) | Three EP | 3:23 | |
9. | "Stories for Boys" (Single version) | Three EP | 2:42 | |
10. | "Another Day" (Single version) | "Another Day" single | 3:28 | |
11. | "Twilight (demo)" (Single version) | "Another Day" single | 4:35 | |
12. | "Boy-Girl" (Live at The Marquee, London -- September 20th, 1980) | "I Will Follow" single | 3:26 | |
13. | "11 O'Clock Tick Tock" (Live at The Marquee, London -- September 20th, 1980) | Previously unreleased | 4:59 | |
14. | "Cartoon World" (Live at The National Stadium, Dublin -- February 26th, 1980) | Previously unreleased | 4:22 | |
Total length:
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52:21 |
Album
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Singles
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Boy (stylized BOY) is a Swiss/German pop duo founded in 2007 by Swiss singer Valeska Steiner and German bassist Sonja Glass. The two met while at a pop-music course at the Hochschule für Musik und Theater Hamburg in 2005. The band initially played concerts exclusively, before being discovered and signed to Herbert Grönemeyer's label, Grönland Records, in 2011.
Their debut album, Mutual Friends (Gold-certified in Germany), was produced by Philipp Steinke and released in the autumn of 2011. The band sings entirely in English in a style reminiscent of that of Leslie Feist.
In the UK, Mutual Friends was released by Decca in June 2012. The North American release of the album is set for February 2013 on Nettwerk Records.
Boy won the Hamburg Musician Prize HANS in 2011 in the category Hamburgs Newcomer of the Year, and their album Mutual Friends won the 2012 European Border Breakers Award (EBBA).
The duo's song "Little Numbers" was also featured in the Lufthansa Airline's Business Class advertisement in mid-2012. In 2013 the song was at No. 4 in the Japan Hot 100.
Boy is a 1987 compilation album from Swedish pop singer Lena Philipsson.
Pan and panning can have many meanings as listed below in various categories.
The pan configuration language allows the definition of machine configuration information and an associated schema with a simple, human-accessible syntax. A pan language compiler transforms the configuration information contained within a set of pan templates to a machine-friendly XML or json format.
The pan language is used within the Quattor toolkit to define the desired configuration for one or more machines. The language is primarily a declarative language where elements in a hierarchical tree are set to particular values. The pan syntax is human-friendly and fairly simple, yet allows system administrators to simultaneously set configuration values, define an overall configuration schema, and validate the final configuration against the schema.
The compiler panc serves as the defacto reference implementation of the language and is implemented in Java, at present it is not possible to execute the compiler with OpenJDK.
A configuration is defined by a set of files, called templates, written in the pan language. These templates define simultaneously the configuration parameters, the configuration schema, and validation functions. Each template is named and is contained in a file having the same name. The syntax of a template file is simple:
Pan (also released under the title Two Green Feathers) is a 1995 Danish/Norwegian/German film directed by the Danish director Henning Carlsen. It is based on Knut Hamsun's 1894 novel of the same name, and also incorporates the short story "Paper on Glahn's Death", which Hamsun had written and published earlier, but which was later appended to editions of the novel. It is the fourth and most recent film adaptation of the novel—the novel was previously adapted into motion pictures in 1922, 1937, and 1962.
In 1966 Carlsen had directed an acclaimed version of Hamsun's Hunger. Thirty years later he returned to Hamsun to make Pan, a book he called "one big poem". The film was produced primarily with Norwegian resources, and classified as a Norwegian film; Carlsen later expressed his dissatisfaction with the film's promotion by the Norwegian Film Institute, saying that the Institute had preferred to promote films with Norwegian directors. Carlsen said that he had decided to incorporate the "forgotten" material from "Glahn's Death" in order to find a "new angle" for filming the book. The Glahn's Death portion was filmed in Thailand, standing in for the India location in the novel (the 1922 film version had placed this material in Algeria).