A roundabout is a type of circular intersection or junction in which road traffic flows almost continuously in one direction around a central island. The modern form was standardised in the United Kingdom.
So-called "modern" roundabouts require entering traffic to give way to traffic already in the circle and optimally observe various design rules to increase safety. Compared to stop signs, traffic signals, and earlier forms of roundabouts, modern roundabouts reduce the likelihood and severity of collisions by reducing traffic speeds and minimizing T-bone and head-on collisions. Variations on the basic concept include integration with tram and/or train lines, two-way flow, higher speeds and many others.
Traffic exiting the roundabout comes from one direction, rather than three, simplifying the pedestrian's visual environment. Traffic moves slowly enough to allow visual engagement with pedestrians, encouraging deference towards them. Other benefits include reduced driver confusion associated with perpendicular junctions and reduced queuing associated with traffic lights. They allow U-turns within the normal flow of traffic, which often are not possible at other forms of junction. Moreover, since vehicles on average spend less time idling at roundabouts than at signalled intersections, using a roundabout potentially leads to less pollution. Also, when entering vehicles only need to give way, they do not always perform a full stop. As a result, by keeping a part of their momentum, the engine will produce less work to regain the initial speed, resulting in lower emissions. Additionally, slow moving traffic in roundabouts makes less noise than traffic that must stop and start, speed up and brake.
"Roundabout" is a song by the English progressive rock band Yes. It is the first single released from their fourth studio album, Fragile (1971). "Roundabout" has become one of the best-known songs by Yes. The song was released as a shortened single with the track "Long Distance Runaround" in January 1972. It peaked at No. 13 on the U.S. Billboard Hot 100 and number 10 on the Cash Box Top 100.
Written by singer Jon Anderson and guitarist Steve Howe during The Yes Album Tour, the lyrics are obscure, and have been the subject of much debate on music discussion sites. The most commonly accepted interpretation is that the lyrics are about the personal life of Jon Anderson and his hoped-for return home after the tour ends.
The song begins with an acoustic guitar solo in E minor from Steve Howe. This lasts for about 40 seconds. Thereafter, Chris Squire's bass enters along with Bill Bruford's drums. Howe continues his guitar part in octaves, leading up to Anderson's entrance and the first verse. The first two verses continue in this manner. The bridge ("In and around the lake...") starts after the second verse. Anderson and Howe continue their parts. The keyboard enters thereafter before Squire and Bruford. A vocal harmony from Anderson, Howe, and Squire tops off the bridge.
Roundabout is a television movie, or rather a live television play, which aired on Australian television in 1957. Broadcast 4 January 1957 on ABC station ABV-2, it is notable as the first example of television drama produced in Melbourne Australia. "Official" television broadcasting in the city had only begun 2 months earlier. Cast included British actor Patrick Horgan, Mary Ward and Beverley Dunn. The original TV listing in The Age newspaper described the plot as "a woman's reactions to her husband's suspected affair with another woman". Duration was 30 minutes. Production was by Bill Eldridge. It is not known if a kinescope recording was made of the broadcast. (note: kinescope recording, also known as telerecording, was an early method of recording live television, used in the days before video-tape became widespread). Some of ABV-2 other dramatic one-offs of 1957 were kinescoped so they could be shown in Sydney, but it is not known if any of these kinescopes still exist.
A utility knife is a knife used for general or utility purposes. The utility knife was originally a fixed blade knife with a cutting edge suitable for general work such as cutting hides and cordage, scraping hides, butchering animals, cleaning fish, and other tasks. Craft knives are tools mostly used for crafts. Today, the term "utility knife" also includes small folding or retractable-blade knives suited for use in the modern workplace or in the construction industry.
The fixed-blade utility knife was developed some 500,000 years ago, when human ancestors began to make knives made of stone. These knives were general-purpose tools, designed for cutting and shaping wooden implements, scraping hides, preparing food, and for other utilitarian purposes.
By the 19th century the fixed-blade utility knife had evolved into a steel-bladed outdoors field knife capable of butchering game, cutting wood, and preparing campfires and meals. With the invention of the backspring, pocket-size utility knives were introduced with folding blades and other folding tools designed to increase the utility of the overall design. The folding pocketknife and utility tool is typified by the Camper or Boy Scout pocketknife, the U.S. folding utility knife, the Swiss Army Knife, and by multi-tools fitted with knife blades. The development of stronger locking blade mechanisms for folding knives—as with the Spanish navaja, the Opinel, and the Buck 110 Folding Hunter—significantly increased the utility of such knives when employed for heavy-duty tasks such as preparing game or cutting through dense or tough materials.
Boxcutter is the pseudonym for Barry Lynn (b. 1980), an electronic musician from Northern Ireland. Early Boxcutter material from 2005 and 2006, like that released on Hotflush Recordings and on the debut Planet Mu album Oneiric, was frequently associated with the genre Dubstep, although it was also compared to experimental artists such as Amon Tobin and Boards of Canada. The second Boxcutter album Glyphic was more influenced by classic dub music such as King Tubby, but also drew comparisons to artists such as Squarepusher, Foul Play and Seefeel, and continued Lynn's reputation for working outside of conventions and taking a genre-hopping approach. In 2009, Lynn released the SETI-themed album Arecibo Message. In the same year, he also founded the Kinnego Records label, on which he released a collaboration with Kinnego Flux (a duo composed of David Baxter and Brian Greene) featuring artwork by London designers La Boca, and the first vinyl single by Space Dimension Controller.