Boustrophedon /ˌbuːstrəˈfiːdən/ (Ancient Greek: βουστροφηδόν, boustrophēdon “ox-turning” from βοῦς, bous, “ox” , στροφή, strophē, “turn” and the adverbial suffix -δόν, "like, in the manner of"; that is, turning like oxen in ploughing) is a kind of bi-directional text, mostly seen in ancient manuscripts and other inscriptions. Every other line of writing is flipped or reversed, with reversed letters. Rather than going left-to-right as in modern English, or right-to-left as in Arabic and Hebrew, alternate lines in boustrophedon must be read in opposite directions. Also, the individual characters are reversed, or mirrored. It was a common way of writing in stone in Ancient Greece.
Many ancient scripts, such as Safaitic and Sabaean, were frequently or typically written boustrophedonically, but in Greek it is found most commonly in archaic inscriptions, becoming less and less popular throughout the Hellenistic period.
By analogy, the term may be used in other areas to describe this kind of alternation of motion or writing. For example, it is occasionally used to describe the print head motion of certain dot matrix computer printers. In that case, while the print head moves in opposite directions on alternate lines, the printed text is usually not in boustrophedon format.
Boustrphedon is a live album by free jazz saxophonist and composer Evan Parker and the Transatlantic Art Ensemble featuring Roscoe Mitchell recorded in Germany in 2004 and released on the ECM label.
The Allmusic review by Thom Jurek awarded the album 3½ stars stating "This music is not jazz -- free or otherwise -- nor is it merely classical formalism or improvisation deconstruction. Instead, Parker's compositions are scored with the idea of bringing together, through his very European outlook, the different ways region, distance, cultural difference, and discipline combine to make something else: a new work that maintains an identity that is transcultural and trans-aesthetic".