Rudy

Rudy may refer to:

Places

Arts and entertainment

Given name

Crime of the Century (album)

Crime of the Century is the third album by the English progressive rock band Supertramp, released in September 1974. Crime of the Century was Supertramp's commercial breakthrough in both the US and UK, aided by the UK hit "Dreamer" and the U.S. hit "Bloody Well Right". It was a UK Top 10 album and a U.S. Top 40 album, eventually being certified Gold in the U.S. in 1977 after the release of Even in the Quietest Moments.... The album was Supertramp's first to feature drummer Bob Siebenberg (at the time credited as Bob C. Benberg), woodwinds player John Anthony Helliwell, bassist Dougie Thomson, and co-producer Ken Scott.

The album's dedication reads "To Sam", which is a nickname for Stanley August Miesegaes, the Dutch millionaire who supported the band financially from 1969–72.

Background and recording

After the failure of their first two albums and an unsuccessful tour, the band broke up, and Rick Davies and Roger Hodgson recruited new members, drummer Bob C. Benberg, woodwinds player John Helliwell, and bassist Dougie Thomson. This new line-up were sent by their record label, A&M, in particular A&R man Dave Margereson (who would become their manager for the next ten years) to a seventeenth-century farm in Somerset in order to rehearse together and prepare the album.

Rudy (Cher song)

"Rudy" is a pop rock ballad written by Dennis Frederiksen, Henri Belolo, Howie Epstein, Jacques Morali, Jimmy Hunter and Mark Maierhoffer. Produced by John Farrar and under the label of Columbia Records, in May 6, 1982, it was covered by American singer-actress Cher, who released it as the lead single from her seventeenth studio album. The song also appears on the greatest hits compilation The Very Best of Cher (2003) as fourteenth track of the International version of the album.

No music video was ever made for the song, which did not help the song's chart fortunes.

Critical reception

AllMusic described the single as a girl-group-styled song, noting how it and another track stood out on the album.

References

Aaron's Party (Come Get It)

Aaron's Party (Come Get It) is American pop singer Aaron Carter's second studio album serving as the follow-up to his international debut album. This album was released in the fall of 2000 becoming the first album under Jive Records. This album was also certified 3× Platinum by the RIAA for selling over 3 million copies in the United States making it Aaron's most successful album. The lead single "Aaron's Party (Come Get It)" was featured on the 2000 compilation album Now That's What I Call Music! 5.

Track listing

Bounce (Sarah Connor song)

"Bounce" is a song by German recording artist Sarah Connor, taken from her second studio album, Unbelievable (2002). Written by Bülent Aris, Toni Cottura, and Anthony Freeman, with production helmed by the former, the uptempo pop song samples Mary J. Blige's 2001 song "Family Affair", while featuring guest vocals by Wyclef Jean. "Bounce" was originally released as the album's fourth and final single in Central Europe on 21 July 2003, amid Connor's first pregnancy. It reached the top twenty in Austria, Germany, Switzerland, and Walloon Region of Belgium.

In winter 2003 radio programmers Tod Tucker and Matt "the bratt" Derrick at 106.9 K-HITS in Tulsa, Oklahoma took hold of a copy of the single and began to give it airplay. Due to large amounts of airplay in the United States, the song reached number eleven on Billboard's Top 40 Mainstream and number twenty-one on Top 40 Tracks charts, eventually charting on the Billboard Hot 100 at number fifty-four. "Bounce" was officially given a physical US release on 4 May 2004, serving as Connor's debut single there. It was also released in Australia and the United Kingdom, where it reached number 14 on both charts. The radio version of the song was featured on the 2004 compilation album Now That's What I Call Music! 15.

Bounce (golf)

In golf, bounce or bounce angle is the angle inscribed by the leading edge of a golfing iron (particularly a wedge), the sole of the club, and the ground. In plainer terms, bounce angle is an indication of how much the sole, or bottom-most part, of the club head lifts the leading edge. A high bounce angle (angles of 12–15° are not uncommon) indicates a sole which lifts the leading edge significantly, whereas a club with little or no bounce allows the leading edge to contact the ground without interference.

The purpose of introducing bounce into club head design is to control how easily wedges, with their steep angles of attack, penetrate the ground under the ball. A low- or zero-bounce club has a streamlined profile, and the sharp leading edge of the club will tend to cut into the ground readily. When this is undesirable, the use of a club with more bounce will cause the sole of the club to impact first, keeping the wedge from digging into the surface by causing it to "bounce" across the surface instead.