Lorena Gómez Pérez (born 12 April 1986 in Lleida) is a Spanish pop singer known artistically as Lorena.
She was the winner of TV's Spanish language's talent-search program fifth series of Operación Triunfo. In 2007, her debut album, Lorena was released under the Sony BMG label.
She was born on 12 April 1986 in Lleida, Spain. She is the youngest daughter of Paco (police) and Mari (homemaker). She has two older sisters, Sonia and Gemma.
At age 8 performed in a stage for the first time and she never went down of it. For 14 years she was at the Casa de Andalucía of Lleida singing and dancing flamenco, sang in various benefit acts (always as a solo singer) and was component of a gospel choir where she studied vocal training.
In television, Operación Triunfo wasn't her first appearance, she was at age 10 in Menudas Estrellas and Menudo Show, at age 12 in Sabor a ti and at age 16 in Cerca de ti.
She also taken part in different singing competitions: in 2001 was finalist of the Benidorm International Song Festival, in 2003 won Operación Tremp and in 2004 was second in the Concurso Nacional de Coplas.
Lorena is a feminine given name with different origins. It can be used as an Italian, Portuguese and Spanish version of Lorraine or, alternately, as a Latin version of Lauren. As used in the United States, it may have come from the song title of a popular 1856 song by Rev. Henry D.L. Webster and Joseph Philbrick Webster, who are said to have derived the name from an anagram of the name Lenore, a character in Edgar Allan Poe's 1845 poem The Raven. In Margaret Mitchell's 1936 novel Gone with the Wind, Scarlett O'Hara's daughter with Frank Kennedy was named Ella Lorena in reference to the song Lorena. Frank G. Slaughter wrote a book called Lorena in which the character was also called Reeny hence the alternative pronunciation of Lor ee na.
Aaron's Party (Come Get It) is American pop singer Aaron Carter's second studio album serving as the follow-up to his international debut album. This album was released in the fall of 2000 becoming the first album under Jive Records. This album was also certified 3× Platinum by the RIAA for selling over 3 million copies in the United States making it Aaron's most successful album. The lead single "Aaron's Party (Come Get It)" was featured on the 2000 compilation album Now That's What I Call Music! 5.
"Bounce" is a song by German recording artist Sarah Connor, taken from her second studio album, Unbelievable (2002). Written by Bülent Aris, Toni Cottura, and Anthony Freeman, with production helmed by the former, the uptempo pop song samples Mary J. Blige's 2001 song "Family Affair", while featuring guest vocals by Wyclef Jean. "Bounce" was originally released as the album's fourth and final single in Central Europe on 21 July 2003, amid Connor's first pregnancy. It reached the top twenty in Austria, Germany, Switzerland, and Walloon Region of Belgium.
In winter 2003 radio programmers Tod Tucker and Matt "the bratt" Derrick at 106.9 K-HITS in Tulsa, Oklahoma took hold of a copy of the single and began to give it airplay. Due to large amounts of airplay in the United States, the song reached number eleven on Billboard's Top 40 Mainstream and number twenty-one on Top 40 Tracks charts, eventually charting on the Billboard Hot 100 at number fifty-four. "Bounce" was officially given a physical US release on 4 May 2004, serving as Connor's debut single there. It was also released in Australia and the United Kingdom, where it reached number 14 on both charts. The radio version of the song was featured on the 2004 compilation album Now That's What I Call Music! 15.
In golf, bounce or bounce angle is the angle inscribed by the leading edge of a golfing iron (particularly a wedge), the sole of the club, and the ground. In plainer terms, bounce angle is an indication of how much the sole, or bottom-most part, of the club head lifts the leading edge. A high bounce angle (angles of 12–15° are not uncommon) indicates a sole which lifts the leading edge significantly, whereas a club with little or no bounce allows the leading edge to contact the ground without interference.
The purpose of introducing bounce into club head design is to control how easily wedges, with their steep angles of attack, penetrate the ground under the ball. A low- or zero-bounce club has a streamlined profile, and the sharp leading edge of the club will tend to cut into the ground readily. When this is undesirable, the use of a club with more bounce will cause the sole of the club to impact first, keeping the wedge from digging into the surface by causing it to "bounce" across the surface instead.
Everybody knows that Bounce & Turn
Everybody know that Bounce & Turn, yeah
Everybody knows that Bounce & Turn
That Bounce & Turn, yeah, that Bounce & Turn
We're bouncin', 'n everybody knows that Bounce & Turn
We're bouncin', 'n everybody knows that Bounce & Turn
We're bouncin', 'n everybody knows that Bounce & Turn
We're bouncin', 'n everybody knows that Bounce & Turn
For the early my concernin', Yokohamas we're burnin'
Rippin' woodgrain, stunnin', while we're flossin' and turnin'
Yo body got me yearnin' as we floss away together
Anytime, any weather, watching screens on the leather
Wherever you are, and whoever ya be
There'll be a fucking and a sucking, same time blowin' trees
Can you see what I see, let your soul be free
Killuminati to the body, try to feel Keke
I'm on switches for the riches as I sit sideways
Put your body in a phase and your mind in a maze
You finish your part, made you scream and shout
Your rapture I caught, now you drank the dripped out
Let it begin before it end with your beautiful skin
It don't stop, drop the top, put your hair in the wind
You lookin' you listen, and a lesson you will learn
Puffin' weed puffin' sherm as we flossin' we turn, we're bouncin'
We're bouncin', 'n everybody knows that Bounce & Turn
We're bouncin', 'n everybody knows that Bounce & Turn
We're bouncin', 'n everybody knows that Bounce & Turn
We're bouncin', 'n everybody knows that Bounce & Turn
Well Chef Boyardee, is through cookin' ounces
Lyrical thesis side pieces sittin' crooked on my posses
It's a hot summer day, no time to play
Mix the serve with Alize now the business on it's way
Of the strip, chrome blaze I'ma tip
Big o' mothership on a Southside flip
Let's rip, the streets, and then rip the sheets
In between I'ma be when I'm gone off them sweets
That's me, a kunda, keep it on the under
Body shake like thunder, I know your brain cells wonder
Why we rollin' and strollin', no more in I'm holdin'
Big paper I'm foldin', ain't a damn thang stolen
You're showin' your love, cause you know what it's made of
Rubber doves, full shrub, from the back and the tub
We can play parlay, cause this lesson will be learn
And Herschelwood Texas is still bouncin' and turnin'
We're bouncin', 'n everybody knows that Bounce & Turn
We're bouncin', 'n everybody knows that Bounce & Turn
We're bouncin', 'n everybody knows that Bounce & Turn
We're bouncin', 'n everybody knows that Bounce & Turn
Our weather's a river, and weather's so late
No mistakes I ain't a fake, watch the front-end break
Trunk pop it don't stop, rollin' round make it hop
3-wheel and kill when you come out to shop
Cause the serve got my thirsty, niggas wanna verse me
Raise up I'm on buck, and the place eh Hersche'
We was lost, now we found, thanks to Jam Down
Watch the whole click clown representin' H-Town
Together foreva, we be swatchin' chit chat
Breakin' niggas hats same time going plat'
So whether haters hate I got my papers I'm earnin'
Fuck 'em all, we gone ball, while we flossin' and turnin',
we're bouncin'
We're bouncin', 'n everybody knows that Bounce & Turn
We're bouncin', 'n everybody knows that Bounce & Turn
We're bouncin', 'n everybody knows that Bounce & Turn