Kos or Cos (English pronunciation: /kɒs/) (Greek: Κως, Greek pronunciation: [kos]) is a Greek island, part of the Dodecanese island chain in the southeastern Aegean Sea, off the Anatolian coast of Turkey. Kos is the third largest of the Dodecanese by area, after Rhodes and Karpathos; it has a population of 33,388 (2011 census), making it the second most populous of the Dodecanese, after Rhodes. The island measures 40 by 8 kilometres (25 by 5 miles), and is 4 km (2 miles) from the coast of the ancient region of Caria in Turkey. Administratively, Kos constitutes a municipality within the Kos regional unit, which is part of the South Aegean region. The principal town of the island and seat of the municipality is Kos town.
The name Kos (Greek: Κῶς, genitive Κῶ) is first attested in the Iliad, and has been in continuous use since. Other ancient names include Meropis, Cea, and Nymphaea.
In many Romance languages, Kos was formerly known as Stancho, Stanchio, or Stinco, and in Ottoman and modern Turkish it is known as İstanköy, all from the Greek expression εις την Κω 'to Kos';cf. the similar Stamboul and Stimpoli, Crete. Under the rule of the Knights Hospitaller of Rhodes, it was known as Lango or Langò, presumably because of its length. In The Travels of Sir John Mandeville, the author misunderstands this, and treats Lango and Kos as distinct islands.
The Slavic word for "blackbird", kos (kosъ, кос) also appears in various toponyms:
Kos (Greek: Περιφερειακή ενότητα Κω) is one of the regional units of Greece. It is part of the region of South Aegean. The regional unit covers the islands of Kos, Nisyros and several smaller islands in the Aegean Sea.
As a part of the 2011 Kallikratis government reform, the regional unit Kos was created out of part of the former Dodecanese Prefecture. It is subdivided into 2 municipalities. These are (number as in the map in the infobox):
The province of Kos (Greek: Επαρχία Κω) was one of the provinces of the Dodecanese Prefecture. It had the same territory as the present regional unit. It was abolished in 2006.
Aaron's Party (Come Get It) is American pop singer Aaron Carter's second studio album serving as the follow-up to his international debut album. This album was released in the fall of 2000 becoming the first album under Jive Records. This album was also certified 3× Platinum by the RIAA for selling over 3 million copies in the United States making it Aaron's most successful album. The lead single "Aaron's Party (Come Get It)" was featured on the 2000 compilation album Now That's What I Call Music! 5.
"Bounce" is a song by German recording artist Sarah Connor, taken from her second studio album, Unbelievable (2002). Written by Bülent Aris, Toni Cottura, and Anthony Freeman, with production helmed by the former, the uptempo pop song samples Mary J. Blige's 2001 song "Family Affair", while featuring guest vocals by Wyclef Jean. "Bounce" was originally released as the album's fourth and final single in Central Europe on 21 July 2003, amid Connor's first pregnancy. It reached the top twenty in Austria, Germany, Switzerland, and Walloon Region of Belgium.
In winter 2003 radio programmers Tod Tucker and Matt "the bratt" Derrick at 106.9 K-HITS in Tulsa, Oklahoma took hold of a copy of the single and began to give it airplay. Due to large amounts of airplay in the United States, the song reached number eleven on Billboard's Top 40 Mainstream and number twenty-one on Top 40 Tracks charts, eventually charting on the Billboard Hot 100 at number fifty-four. "Bounce" was officially given a physical US release on 4 May 2004, serving as Connor's debut single there. It was also released in Australia and the United Kingdom, where it reached number 14 on both charts. The radio version of the song was featured on the 2004 compilation album Now That's What I Call Music! 15.
In golf, bounce or bounce angle is the angle inscribed by the leading edge of a golfing iron (particularly a wedge), the sole of the club, and the ground. In plainer terms, bounce angle is an indication of how much the sole, or bottom-most part, of the club head lifts the leading edge. A high bounce angle (angles of 12–15° are not uncommon) indicates a sole which lifts the leading edge significantly, whereas a club with little or no bounce allows the leading edge to contact the ground without interference.
The purpose of introducing bounce into club head design is to control how easily wedges, with their steep angles of attack, penetrate the ground under the ball. A low- or zero-bounce club has a streamlined profile, and the sharp leading edge of the club will tend to cut into the ground readily. When this is undesirable, the use of a club with more bounce will cause the sole of the club to impact first, keeping the wedge from digging into the surface by causing it to "bounce" across the surface instead.
They won't talk but still they say
You kill for kicks, you got bills to pay
Well, baby I got bills to pay
Don't make me act that way?
Don't make me, don't make me, don't make me
Have you seen the center spread
Stitched up like a baseball head?
She was dead before they raped her
Now she's in the funny paper
Pity and sin, he's breaking in
I am so sleepy, please don't rape me
Me, me, penis I see
Did you ever want to be obscene?
In a Muerto magazine
Filled with hate, you hope to ween
Fight the beast and leave the cream, leave the scene
It's so easy to be the latest atrocity
But it always seems to be a penis that I see
You'd be surprised to discover, my level of empathy
I've gone from prey to victim, penis in me
Have you seen the center spread
Stitched up like a baseball head?
She was dead before they raped her
Now she's in the funny paper
Splattered face mouths wordless whys
Fingerprints are on the eyes
In a box out back I kept her