Grief is a multifaceted response to loss, particularly to the loss of someone or something that has died, to which a bond or affection was formed. Although conventionally focused on the emotional response to loss, it also has physical, cognitive, behavioral, social, and philosophical dimensions. While the terms are often used interchangeably, bereavement refers to the state of loss, and grief is the reaction to loss.
Grief is a natural response to loss. It is the emotional suffering one feels when something or someone the individual loves is taken away. Grief is also a reaction to any loss. The grief associated with death is familiar to most people, but individuals grieve in connection with a variety of losses throughout their lives, such as unemployment, ill health or the end of a relationship. Loss can be categorized as either physical or abstract, the physical loss being related to something that the individual can touch or measure, such as losing a spouse through death, while other types of loss are abstract, and relate to aspects of a person’s social interactions.
Grief is a multi-faceted response to loss.
Grief may also refer to:
Grief was a Boston-based sludge metal band.
Grief was founded in 1991 by Disrupt guitarist Terry Savastano and drummer Randy Odierno (who later switched to bass and later again left to join Bane of Existence). They broke up in 2001 mainly due to drummer problems - something that was an ongoing problem for the band from the start. They also cited what they called a "hostile environment for doom metal bands". They reunited briefly in July 2005 to play a cluster of reunion shows.
The band had several 7"s including one with Dystopia and Corrupted each. A compilation album called Turbulent Times appeared in 2002 through Southern Lord. The group reunited for one show at the first annual New England Grind And Doom Fest on July 17, 2005 at The Middle East Cafe in Cambridge, MA. They were so excited by the response to this show that they began booking others, and they toured intermittently throughout 2005 and 2006.
In 2005, the band played shows through in venues including The Ace of Clubs and The Knitting Factory in New York, The Khyber in Philadelphia, O'Brien's in Allston/Brighton, MA, The Living Room in Providence, RI, and Cherry St. Station in CT.
Bored! were an Australian punk rock band which formed in Geelong in 1987. The original line-up was Grant Gardner on bass guitar, Adrian Hann on keyboards, Justin Munday on drums, John Nolan on guitar (ex-Behind the Magnolia Curtain) and Dave Thomas on guitar and vocals (ex-Bodies, Slaughter House). In 1989 Gardner was replaced by Tim Hemensley (ex-Royal Flush, God). Both Hemensley and Nolan left in 1991 to form Powder Monkeys. Bored! released four studio albums by 1993 and disbanded later that year. Thomas briefly joined Magic Dirt and subsequently has enlisted various line-ups for reformed versions of Bored! in 1998, 1999 and 2000.
Bored! were formed as a punk rock band in Geelong in 1987 with Grant Gardner on bass guitar, Adrian Hann on keyboards, Justin Munday on drums, John Nolan on guitar (ex-Behind the Magnolia Curtain) and Dave Thomas on guitar and vocals (ex-Bodies, Slaughter House). Thomas' previous punk band, Bodies, had formed in Geelong in 1983, by 1985 he had joined the Melbourne-based group, Slaughter House. Late in 1986, Thomas started a new band, International Rescue, which successively became Sister Anne and then White Noise. By 1987, the group had the line-up of Gardner, Hann, Munday, Nolan and Thomas and were renamed as Bored!. Their name was derived from a 1978 single, "Bored", by Detroit punk rockers Destroy All Monsters.
In conventional usage, boredom is an emotional or psychological state experienced when an individual is left without anything in particular to do, is not interested in his or her surroundings, or feels that a day or period is dull or tedious. It is also understood by scholars as a modern phenomenon which has a cultural dimension. In Experience Without Qualities: Boredom and Modernity, Elizabeth Goodstein traces the modern discourse on boredom through literary, philosophical, and sociological texts to find that as "a discursively articulated phenomenon...boredom is at once objective and subjective, emotion and intellectualization — not just a response to the modern world but also a historically constituted strategy for coping with its discontents." In both conceptions, boredom has to do fundamentally with an experience of time and problems of meaning.
The first recorded use of the word boredom is in the novel Bleak House by Charles Dickens, written in 1852, in which it appears six times, although the expression to be a bore had been used in print in the sense of "to be tiresome or dull" since 1768. The expression "boredom" means "state of being bored," 1852, from bore (v.1) + -dom. It also has been employed in a sense "bores as a class" (1883) and "practice of being a bore" (1864, a sense properly belonging to boreism, 1833)". The word "bore" as a noun meaning a "thing which causes ennui or annoyance" is attested to since 1778; "of persons by 1812". The noun "bore" comes from the verb "bore", which had the meaning "[s]ense of "[to] be tiresome or dull" first attested [in] 1768, a vogue word c. 1780-81 according to Grose (1785); possibly a figurative extension of "to move forward slowly and persistently," as a [hole-] boring tool does." The French term for boredom, ennui, is sometimes used in English as well.
Adrenaline is the debut album by the American alternative metal band Deftones, released in 1995 through Maverick Records. The hidden track on the album, "Fist", was produced by Ross Robinson while the rest of album was produced by Terry Date. "7 Words" and "Bored" were released as singles, but additional music videos were released for "Root" and fan favorite "Engine No. 9," which has been covered by Korn, Live, and Suicide Silence and is featured in the film Law Abiding Citizen. The album's cover art depicts a bulb syringe.
Regarding the recording, Abe Cunningham said, "At the time we did the first record – which I really like and think is good – you can tell the band was really young. We'd been playing most of those songs for quite a while, and we were just so happy to be making a record that we didn't really think a whole lot about making the songs better." Moreno felt that Adrenaline was recorded "really fast" and performed all his vocals live with the band in the room using a hand-held Shure SM58 microphone.