Flex or FLEX may refer to:
Flex is an American bodybuilding magazine, published by American Media, Inc.
Founded in 1983 by Joe Weider, local versions (essentially the US content with local advertisements) are now published throughout the world, in countries such as the UK and Australia.
The premier issue was dated April 1983, and featured Chris Dickerson on the cover. Flex is a companion publication to Muscle & Fitness, with more focus on hardcore and professional bodybuilding.
Flex is an EP released in 2003 by New Zealand band, Pitch Black.
The drop is a unit of measure of volume, the amount dispensed as one drop from a dropper or drip chamber. It is often used in giving quantities of liquid drugs to patients, and occasionally in cooking.
The volume of a drop is not well-defined: it depends on the device and technique used to produce the drop, on the strength of the gravitational field, and on the density and the surface tension of the liquid.
There are several exact definitions of a "drop":
A drop in popular music, especially electronic music styles, is a point in a music track where a switch of rhythm or bass line occurs and usually follows a recognizable build section and break.
The term "drop" comes from the composer or producer "dropping in" the primary rhythmic and foundational elements previously hinted at into the mix more or less at once. Related terms, typically describing certain types of drops, include "beat-up" (so named because it is a point where the producer brings up the foundational kick drum beat after having faded it down during a break or buildup) and "climax" (typically describing a single particularly striking drop heard late in the track).
Many genres of EDM can have more than one drop during a track, especially if the song is built on a "dance-pop" verse/chorus with vocals; a drop of some kind is typically heard somewhere during each chorus as the high point of that verse/chorus cycle. Most genres, however, tend to emphasize a single drop as the beginning of the high point, or climax, of the entire track; in vocal subgenres this is typically the last repetition of the chorus, while in nonvocal genres it typically occurs in the last quarter of the track.
An overhand (or overcut or drop) is a semi-circular and vertical punch thrown with the rear hand. It is usually employed when the opponent is bobbing or slipping. The strategic utility of the drop relying on body weight can deliver a great deal of power.
Left overhand in long range
Left overhand in long range
Right overhand in long range
Right overhand in long range
Left overhand in long range and counterpunch
Left overhand in long range and counterpunch
Booty is a computer game released in 1984 for various home computers. The game was one of Firebird's launch titles.
The player takes on the role of a cabin boy who attempts to steal a horde of treasure from his pirate masters. A variety of hazards must be avoided including pirates, parrots and booby-trapped treasure. Should the player managed to collect all the treasure, he is given 45 seconds to find a final key, which will restart the game. There are a total of 20 screens in the game which contain a mixture of collectable treasure, doors to other screens, and doors which act as obstacles and can only be unlocked by collecting the appropriate numbered key. Some rooms contain non-player character pirates, contact with which will cause the loss of one of the player's three lives.
The game was published for the Spectrum in 1984, by Firebird Software in the UK, at a price of £2.50. It was subsequently re-released in the UK at £1.99, and in Spain (by ABC Soft) at a price of 795 pesetas. More recently, remakes of the game have been made available in Java and for the PC.
Verse 1: Thrill Da Playa
Come on, I'm speakin' up
All the big-booty girls in the club
Wussup with the table-top?
Get up on, and make that booty drop
If you want this pay
You got to work baby, I ain't goin' any way
It ain't 'bout no hand-out
It's 'bout g-strings and booty-cheeks hangin' out
'Cause I'ma get my money's worth
So make that booty, hips and tongue work!
'Cause I'll nickel-and-dime ya
If you fail to work what's behind ya
But if the dance get felt,
Then I'll stick a dub in ya garter belt
So make these ends
'Cause it's me, and some of my big-money friends
But ya can't be no flop
Just stop - and make that booty ...
(DR-ROP!!) {True dat, true dat!} C'mon, c'mon, just make that booty ...
(DR-ROP!!) {True dat, true dat!} Don't try to flaunt, just make that booty ...
(DR-ROP!!) {True dat, true dat!} C'mon, c'mon, hey, just make that booty ...
(DR-ROP!!) {True dat, true dat!} Bring it on, bring it on, bring it on, bring it on,
just make that booty ...
(DR-ROP!!) {True dat, true dat!} C'mon, c'mon, baby, just make that booty ...
(DR-ROP!!) {True dat, true dat!} Yeah! I like that, just ...
(DR-ROP!!) {True dat, true dat!} Bring it on, bring it on, just make that booty ...
(DR-ROP!!) {True dat, true dat!}
Verse 2: Thrill Da Playa
Drop it on one, then on two
What you gon' do?
Don't hold that wallet
There's room on the floor for the both of us
And this my last chance
Before I dip to get this lap-dance
And they playin' the funk
Work that skirt and make that booty jump
Shake it down turn around
Now touch the ground
Go 'head and do it
And I'ma get a lil' closer to it
It's plenty head room
So work that thing like we in the bedroom
Work what you got
Get on the dance floor and make that booty ...
(DR-ROP!!) {True dat, true dat!} C'mon, c'mon, just make that booty ...
(DR-ROP!!) {True dat, true dat!} Yeah! I like that, just ...
(DR-ROP!!) {True dat, true dat!} C'mon, and make that booty ...
(DR-ROP!!) {True dat, true dat!} Yeah! I like that, just ...
(DR-ROP!!) {True dat, true dat!} Work it out, work it out, just make it ...
(DR-ROP!!) {True dat, true dat!} Yeah! I like that, just ...
(DR-ROP!!) {True dat, true dat!} C'mon, just make that booty ...
(DR-ROP!!) {True dat, true dat!}
[Go 'head and do it!]
[Shake it baby don't stop!]
Verse 3: Thrill Da Playa
Shake it, baby, don't stop
On the dance floor or on the table-top
And you're aaight!
See if you can make my nature rise
You got the equipment
Now you need just a lil' commitment
You bring that milkshake and the Puddin Tame
And I'll bring the g-string
And a lil' bit of extra flow
Sit and stare and watch that booty go
Come on, I'm speakin' up
All the big-booty girls in the club
Don't try to flex
One time for Magic City AND Rolexx
'Cause them the spots
To stop - and make that booty ...
(DR-ROP!!) {True dat, true dat!} C'mon, c'mon, just make that booty ...
(DR-ROP!!) {True dat, true dat!} Don't try to flaunt, just make that booty ...
(DR-ROP!!) {True dat, true dat!} C'mon, c'mon, hey, just make that booty ...
(DR-ROP!!) {True dat, true dat!} Bring it on, bring it on, bring it on, bring it on,
just make that booty ...
(DR-ROP!!) {True dat, true dat!} C'mon, c'mon, baby, just make that booty ...
(DR-ROP!!) {True dat, true dat!} Yeah! I like that, just ...
(DR-ROP!!) {True dat, true dat!} Bring it on, bring it on, just make that booty ...
(DR-ROP!!) {True dat, true dat!}