Pirate radio is illegal or unregulated radio transmission for entertainment or political purposes. While pirate just refers to the illegal nature of the broadcasts, there have also been notable pirate offshore radio transmissions.
Pirate radio generally describes the unlicensed broadcast of FM radio, AM radio, or short wave signals over a wide range. In some cases radio stations are deemed legal where the signal is transmitted, but illegal where the signals are received—especially when the signals cross a national boundary. In other cases, a broadcast may be considered "pirate" due to the nature of its content, its transmission format (especially a failure to transmit a station identification according to regulations), or the transmit power (wattage) of the station, even if the transmission is not technically illegal (such as a web cast or an amateur radio transmission). Pirate radio stations are sometimes called bootleg stations (a term especially associated with two-way radio), clandestine stations (associated with heavily politically motivated operations) or free radio stations.
Bootleg, bootlegs, bootlegger, bootleggers, bootlegged or bootlegging may refer to:
Bootleg is the 1971 debut album from the Canadian blues group the Downchild Blues Band.
Having been rehearsing and playing live shows since 1969, the band proceeded to create one of Canada’s earliest independent records. Recorded over two nights in 1971 in a makeshift studio at Toronto's Rochdale College, Donnie Walsh and others distributed the album by hand. It was also welcomed by major Toronto music retailer Sam Sniderman of Sam the Record Man renown, who was very much disposed to promoting Canadian music. The record was soon acquired by RCA Records Canada for more general distribution.
Bootleg was reissued on CD on September 11, 2007, without any extra tracks and can also be streamed and purchased at the band's official website.
Bootleg is an album created by Larry Norman, released in 1972. It was originally released as a double-LP.
In early 1972 One Way Records released Bootleg, a double album retrospective covering the previous four years of Norman's career compiled from demonstration recordings made while at Capitol, private recordings from his friends, and various interviews and live performances. Among the speeches included is "Let the Lions Come", which Norman addressed to Russia for Christ Ministries, which was founded by David V. Benson in 1958. It was deliberately recorded to sound like an unauthorized bootleg recording to ensure reception by street people. In 1999 Norman explained the unpolished nature of Bootleg: "Many songs which ended up being released on Bootleg, ... weren't really finished but I had to release the album immediately so it wouldn't violate the terms of my MGM contract which was soon going to be in effect. ... I just didn't have time to finish it. ... I didn't have the budget to make it a real album, I just used songs laying around to fill it up, which I regretted".
"Low" is the debut single by American rapper Flo Rida, featured on his debut studio album Mail on Sunday and also featured on the soundtrack to the 2008 film Step Up 2: The Streets. The song features fellow American rapper T-Pain and was co-written with T-Pain. There is also a remix in which the hook is sung by Flo Rida rather than T-Pain. An official remix was made which features Pitbull and T-Pain. With its catchy, up-tempo and club-oriented Southern hip hop rhythms, the song peaked at the summit of the U.S. Billboard Hot 100.
The song was a massive success worldwide and was the longest running number-one single of 2008 in the United States. With over 6 million digital downloads, it has been certified 7× Platinum by the RIAA, and was the most downloaded single of the 2000s decade, measured by paid digital downloads. The song was named 3rd on the Billboard Hot 100 Songs of the Decade. "Low" spent ten consecutive weeks on top of the Billboard Hot 100, the longest-running number-one single of 2008.
"Radio" is a song co-written and recorded by American country music artist Darius Rucker. It was released on July 22, 2013 as the third single from his album True Believers. Rucker wrote the song with Luke Laird and Ashley Gorley.
The song is a reflection on the narrator's teenage years: specifically, of borrowing his mother's car to take his girlfriend for a ride, and listening to songs on the radio while doing so.
The song generally received favorable reviews. Bobby Peacock of Roughstock gave the song four and a half stars out of five, saying that "it sounds like the kind of fun song you would want to hear on the radio at a memorable moment." Peacock praised Rucker's "all-smiles delivery" and the song's "incredibly catchy melody and tight production." He also compared its theme to "I Watched It All (On My Radio)" by Lionel Cartwright. Tammy Ragusa of Country Weekly gave the song an A grade, calling it "the perfect marriage of an artist’s effervescent personality with an upbeat song, this one about the love of music." Billy Dukes of Taste of Country gave the song two and a half stars out of five, writing that "the uptempo tribute to young love, open roads and, of course, the radio is familiar and easy to fall for, especially when powered by Rucker’s unequaled exuberance." However, Dukes also called the song "a little fluffy" and "not difficult to forget."
X-Dream are Marcus Christopher Maichel (born May 1968) and Jan Müller (born February 1970); they are also known as Rough and Rush. They are some of the cult hit producers of psychedelic trance music and hail from Hamburg, Germany.
The latest X-Dream album, We Interface, includes vocals from American singer Ariel Electron.
Muller was educated as a sound engineer. Maichel was a musician familiar with techno and reggae, and was already making electronic music in 1986. In 1989 the pair first met when Marcus was having problems with his PC and someone sent Jan to help fix it. That same year they teamed up to work on a session together. Their first work concentrated on a sound similar to techno with some hip hop elements which got some material released on Tunnel Records.
During the early 1990s they were first introduced to the trance scene in Hamburg and decided to switch their music to this genre. From 1993 they began releasing several singles on the Hamburg label Tunnel Records, as X-Dream and under many aliases, such as The Pollinator. Two albums followed on Tunnel Records, Trip To Trancesylvania and We Created Our Own Happiness, which were much closer to the original formula of psychedelic trance, although featuring the unmistakable "trippy" early X-Dream sound.