Boogie Nights is a 1997 American drama film written, produced and directed by Paul Thomas Anderson. It is set in Los Angeles' San Fernando Valley and focuses on a young nightclub dishwasher, who becomes a popular star of pornographic films, chronicling his rise in the Golden Age of Porn of the 1970s through to his fall during the excesses of the '80s. The film is an expansion of Anderson's mockumentary short film The Dirk Diggler Story (1988).
It stars Mark Wahlberg, Julianne Moore, Burt Reynolds, Don Cheadle, John C. Reilly, William H. Macy and Heather Graham. Robert Elswit served as cinematographer, Michael Penn composed the score and Dylan Tichenor edited the film. Leonardo DiCaprio was originally considered for the role of Eddie Adams, but was replaced by Wahlberg.
The film was released on October 10, 1997 and garnered critical acclaim. Many critics compared the film's style to the work of Robert Altman. It was also nominated for three Academy Awards, including Best Original Screenplay for Anderson, Best Supporting Actress for Moore and Best Supporting Actor for Reynolds. The film's soundtrack also received acclaim.
"Boogie Nights" is a 1977 single by the British-based funk-disco group Heatwave. It was the group's debut single and was written by Rod Temperton. It was included on Heatwave's debut album, Too Hot to Handle. The American actor and singer Clarke Peters performed backing vocals on the song.
The song became one of the best-known disco songs by a British group and charted at #2 in both the UK Singles Chart as well as the Billboard Hot 100. It also appeared on US Billboard R&B and dance charts during 1977. The song would reach number 1 in New Zealand. The single was certified platinum by the Recording Industry Association of America (RIAA). (The song did not chart in Ireland.)
The song has been covered many times by artists such as KC and the Sunshine Band, Will to Power, 911 and The Weather Girls. British boy-band Blue also performed the song in their live shows.
The song made an appearance in the 1978 films Eyes of Laura Mars and The Stud.
The original motion picture soundtrack to the 1997 film Boogie Nights is a two-disc set released between the end of that same year and the beginning of the next year.
The first soundtrack album, Boogie Nights: Music from the Original Motion Picture, was released October 7, 1997 in the United States. Boogie Nights 2: More Music from the Original Motion Picture, was released January 13, 1998.
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SL2 may refer to:
SL2 are an English breakbeat hardcore group active in the early 1990s from London, England. They also recorded, remixed or produced under the names Slipmatt & Lime and T.H.C.
"Starting out as a group of three, SL2 was originally a coming together of DJ's Matt "Slipmatt" Nelson, John "Lime" Fernandez and rap vocalist Jason "Jay-J" James. The SL2 name came from the founders initials - Slipmatt (S) and Lime (L), and as they were a duo - hence "SL2".
As youngsters in 80s Britain, they were very much into the hip hop scene before having their heads turned by the growing rave scene.
Their big break came in 1989 through Slipmatt's older brother, who was running the now legendary party-promoting organisation Raindance, they became the enterprise's resident DJs, playing parties all over the United Kingdom.
A year into touring with Raindance, SL2 released their debut single, "Do That Dance," through B-Ware Records which sold well to fans of the rave scene. Allegedly, the practices of the record label prevented the band from ever seeing any money. Subsequently, SL2 set up their own Awesome Records label, through which they first released another single, "DJ's Take Control". The record sold 3500 copies, attracting the attention of new dance label XL Recordings.
The Silver Line is the bus rapid transit (BRT) system of the Massachusetts Bay Transportation Authority (MBTA). It currently operates four routes in two sections that were built in separate phases.
The first section has two routes from Dudley Square in Roxbury, mostly via Washington Street, to Boston's Downtown Crossing (SL5) and South Station (SL4), using articulated buses operating in reserved lanes. The second section runs from South Station Under to South Boston (SL2) and to Logan Airport in East Boston (SL1). It runs dual-mode buses, partly in a dedicated bus tunnel and partly on shared roadway, including surface streets, the Ted Williams Tunnel, and airport roads. Riders can transfer between the sections and to other lines at South Station; transfers there between SL1, SL2, and the Red Line—but not SL4—are within fare control. At South Station, however, a transfer from SL1, SL2, and the Red Line to SL4 (and vice versa) can be made by walking alongside streets.
Speed and schedule performance have disappointed some transit advocates and the Silver Line routes fall far short of the minimum BRT Standard promulgated by the Institute for Transportation and Development Policy (ITDP). Some sections have an exclusive right-of-way, but other sections are bogged down by street running in congested mixed traffic. As of September 2014, a contract has been awarded for the first phase of an extension to Chelsea, Massachusetts, largely in reserved right-of-way; other extensions of the Silver Line are being studied as well.
Before the light shows, I want you to know (Want you to know)
your stares and glares cannot take me down.
So don't bother when i smother your mother
cos this is a toast!
This is a toast
and we ain't goin' no where
It's just another night.
It's just another night, another shit fight.
It's just another fight, another shit night.
It's just another night, another shit fight.
It's just another night.
And when (when) the sun rises (rises), she rises
and I'll watch you fade into the nights
of yesturday.
The nights of yesturday.
Before the light shows, I hope you should know
your stares and glares won't take me
so don't bother when I smother your mother.
This is a toast.
This is a toast
This is a toast
to all lovers and fighters
and all the ones above
Above
And when (when) the sun rises (rises), she rises.
and I'll watch you fade into the nights
of yesturday (of yesturday)
Attempting to steal my night from me
trying to break me
Attempting to steal my night from me
trying to break me
Run from me
Fear me
I am your nightmare