A bong (also water pipe, billy, bing, or moof) is a filtration device generally used for smoking cannabis, tobacco, or other herbal substances. In the bong shown in the photo, the gas flows from the lower port on the left to the upper port on the right.
In construction and function a bong is similar to a hookah, except smaller and especially more portable. A bong may be constructed from any air- and water-tight vessel by adding a bowl and stem apparatus (or slide) which guides air downward to below water level whence it bubbles upward ("bubbler") during use. To get fresh air into the bong and harvest the last remaining smoke, a hole known as the "carburator", "carb", "choke", "bink", "rush" "shotty" "kick hole" or simply "hole", somewhere on the lower part of the bong above water level, is first kept covered during the smoking process, then opened to allow the smoke to be drawn into the respiratory system.
The word bong is an adaptation of the Thai word bong or baung (Thai: บ้อง, [bɔ̂ŋ]), which refers to a cylindrical wooden tube, pipe, or container cut from bamboo, and which also refers to the bong used for smoking.
August Gustav Heinrich von Bongard (12 September 1786, Bonn – 1839) was a German botanist, who worked at Saint Petersburg, Russia.
He was among the first botanists to describe the new plants then being discovered in Alaska (under Russian ownership at the time), including species now of major commercial importance like Sitka Spruce and Red Alder. The specimens he described were mostly collected by Carl Mertens at Sitka, Alaska.
The plant genus Bongardia (family Berberidaceae) is named in his honor.
Bongos (Spanish: bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed drums of different sizes. In Spanish the larger drum is called the hembra (female) and the smaller the macho (male). Together with the conga or tumbadora, and to a lesser extent the batá drum, bongos are the most widespread Cuban hand drums, being commonly played in genres such as Cuban son, salsa and Afro-Cuban jazz.
The origin of the bongo is largely unclear. Its use was first documented in the Eastern region of Cuba, the Oriente Province, during the late 19th century, where it was employed in popular music styles such as nengón, changüí, and their descendent, the Cuban son.
Most sources on Afro-Cuban cultural history argue that the bongo derives from Central African (Congo/Bantu) drum models, noticeable in the open bottoms. Also a Santería influence from Yoruba culture in the symbolic "twin" drum is assumed. The strong historical presence of Africans from the Congo/Angola region in Eastern Cuba (where the bongo first appeared) makes such an influence probable. Moreover, Central African/Congo influences are also documented in the Cuban son music genre, including changüí, and initially the development of the bongo drum went parallel with these genres. From such conceptual African drum models, the bongo developed further in Cuba itself, and some historians state that the attaching of the two drums was a later invention that took place in Cuba.
Bong
I feel like once again
Dreaming from just behind
Deep inside growing smoke
Push away all my thoughts
What you feel is always so unreal
Just believe in your vicinity
Don’t agree your mind to slip away
Hold your anger underneath control
One more breath veiling me
Standing by my shadow
Trust me and I will guide
Through the mist in your eyes
What your hear is always so unreal
Don’t let anybody entice you
They predict your life to be so dull
They don’t incite you to free your mind
Bong you got it
Some say the world will end soon
When light is melting in your palms
All our dreams disappear in the cold
One day your spiral dance is over
No flattery can ease your agony
So place a smile to the world
And release your dedication
Watch out don’t dream
Stand up it’s real
Give up your sighs
Get up it’s life
Climb the stairway to your destiny
Touch the enigmas you want to solve
Raise your head when dust is in your eyes
Gather all the smoke you hold inside
Bong you got it
Music, Lyrics: Andreas Vockrodt 1997
From the album: “S.M.I².L.E.” by Gallery
http://www.gallerymania.de