Bones is the fourth studio album released by American musician Son Lux, and is his first album released as a full three-piece band. It was released by Glassnote Records on June 23, 2015, following the release of the single "Change Is Everything" on 25 March 2015.
Bones: Original Motion Picture Houndtrack is a soundtrack album for the horror film, Bones. It was released on October 9, 2001 under Doggystyle Records and Priority Records. It peaked at #39 on the Billboard 200, #14 on the Top R&B/Hip-Hop Albums chart and #4 on the Top Soundtracks chart. The soundtrack features songs mainly by Snoop Dogg, but it also features songs by Kurupt, Xzibit, Kokane, Tha Eastsidaz, D12, LaToiya Williams, Cypress Hill and more. "Dogg Named Snoop" was the only single released from the soundtrack.
Bones is an American crime drama television series that premiered on September 13, 2005, on Fox.
The show is based on forensic anthropology and forensic archaeology, with each episode focusing on an FBI case concerning the mystery behind human remains brought by FBI Special Agent Seeley Booth (David Boreanaz) to the forensic anthropologist Dr. Temperance "Bones" Brennan (Emily Deschanel). The rest of the main cast includes Michaela Conlin as forensic artist Angela Montenegro, T. J. Thyne as entomologist Dr. Jack Hodgins, Eric Millegan as Dr. Zack Addy (seasons 1–3), Jonathan Adams as Dr. Daniel Goodman (season 1), Tamara Taylor as pathologist Dr. Camille Saroyan (introduced in season 2), John Francis Daley as psychologist Dr. Lance Sweets (seasons 3–10), and John Boyd as FBI agent James Aubrey (introduced in season 10). As of December 10, 2015, 222 episodes of Bones have aired.
RIA was an American restaurant which held two Michelin Stars as of early 2012. It reportedly closed July 27, 2012
The restaurant was located in the Waldorf Astoria Chicago in Chicago, Illinois.
The chef was Danny Grant and he, and his team, served a French styled kitchen.
The RIA (Red de Innovación y Aprendizaje), or Leaning and Innovation Network, is a group of education centers that offer members of underserved communities in Mexico access to computers, the Internet and quality education. The RIA is overseen by Fundación Proacceso, a Mexico-based non-profit organization focused on using technology as a tool for education.
The first RIA center was inaugurated on May 18, 2009, and since then over 68,000 users have registered at its ten centers. Thirty-two new RIA centers will open by the end of January 2011, bringing the network to a total of 42 centers.
The RIA offers courses on basic computer and Internet skills, English, finding work through the Internet, math and science workshops for children, personal finance and more. Students can also obtain their high school, bachelor’s and master’s degrees at the RIA through the Institute of Online education. Courses are taught by qualified facilitators, many of whom are residents of the local communities that the RIA targets.
An aria ([ˈaːrja]; Italian: air; plural: arie [ˈaːrje], or arias in common usage, diminutive form arietta [aˈrjetta]) in music was originally any expressive melody, usually, but not always, performed by a singer. The term became used almost exclusively to describe a self-contained piece for one voice, with or without orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, sharing features of the operatic arias of their periods.
The term, which derives from the Greek and Latin 'aer' (air) first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca' ). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; melodic madrigals, free of complex polyphony, were known as madrigale arioso.
Bou-Bou-Bou-Bou
(Bounce dat ass)
Bou-Bou-Bou-Bou
(Bounce dat ass)
Bou-Bou-Bou-Bou
(Bitch bounce dat ass)
Bou-Bou-Bou-Bou
(Bounce dat ass)
[Chorus]
When you see me in da club
(Bitch bounce dat ass)
When I catch you in da tub
(Bitch bounce dat ass)
When I catch ya at da pad
(Bitch bounce dat ass)
When I catch ya down bad
(Bitch bounce dat ass)
[C-Murder]
Yall know when Im in da club yall know what im lookin fo
lookin fo da bitch wit da biggest butt
a down south bitch, a gold mouth bitch
a bitch that'll make mah pockets rich
wit da G-strang drowls holdin on to da walls
plantin dat ass right on a niggas balls
you give her a drank and watch act wild
she got more trick den a little bitty child
all mah niggas in da back
niggas in da front
and me bout to smoke from da mothafuckin blunts
im gettin high i really cant lie
i wanna fuck da freak wit da tat on her thigh
fuck yo baby daddy you can ride in mah caddy
i kno you wanna fuck cuz you lookin right at me
so bitch get yo mind right i kno down bad
lets go to da crib you can bounce dat ass
[Chorus x2]
[Master P]
Take it off, break it off, shake it off
HOODY HOO!!
girls in da club showin us
and da homies wit da big banks
couple dollas fo da fish tanks
thug girls wit da G-Strangs
squat it down and make yo knees sang
see dem papa's like to ride it
and dem strippers work yo body
kick yo legs like karate
and say wut up cuz we bout it
(UGHHHH!!!!!)
get down if you rowdy
if you a freak den shout it
HOODY HOO!!