Tree is an album by Irish folk singer Johnny Duhan.
In computer science, a tree is a widely used abstract data type (ADT)--or data structure implementing this ADT--that simulates a hierarchical tree structure, with a root value and subtrees of children with a parent node, represented as a set of linked nodes.
A tree data structure can be defined recursively (locally) as a collection of nodes (starting at a root node), where each node is a data structure consisting of a value, together with a list of references to nodes (the "children"), with the constraints that no reference is duplicated, and none points to the root.
Alternatively, a tree can be defined abstractly as a whole (globally) as an ordered tree, with a value assigned to each node. Both these perspectives are useful: while a tree can be analyzed mathematically as a whole, when actually represented as a data structure it is usually represented and worked with separately by node (rather than as a list of nodes and an adjacency list of edges between nodes, as one may represent a digraph, for instance). For example, looking at a tree as a whole, one can talk about "the parent node" of a given node, but in general as a data structure a given node only contains the list of its children, but does not contain a reference to its parent (if any).
Tree is a 2001 album by Gaelic Storm.
Beggarman, Black is the Colour, New York Girl, An Poc Ar Buile, and Go Home Girl are traditionals. Beggarman, which is played fast, is a standard in their live set list and features a didgeridoo very prominently. Black is the Colour, sung by guitarist Steve Twigger, is very slow and mournful, reminiscent of the original composition from the previous album She Was the Prize. An Poc Ar Buile is the band's first venture in the Irish language. The song is normally slowly sung, but Gaelic Storm puts a twist into it by singing it fast, complete with hoots and hollers. Go Home, Girl is a faster tune about a girl who falls in love with a gypsy, only to have her advances turned down for an ironic reason.
Hom is a generic Yucatec Maya name used for a class of trumpet-like musical wind instruments found in pre-Columbian and traditional music among the Maya peoples of Mesoamerica.
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(help) Although each installment of the Final Fantasy series is generally set in a different fictional world with separate storylines, there are several commonalities when it comes to character design, as certain design themes repeat themselves, as well as specific character names and classes. Within the main series, Yoshitaka Amano was the character designer for Final Fantasy, Final Fantasy II, Final Fantasy III, Final Fantasy IV, Final Fantasy V and Final Fantasy VI, Tetsuya Nomura was the character designer for Final Fantasy VII, Final Fantasy VIII, Final Fantasy X, Final Fantasy XI and Final Fantasy XIII, Yoshitaka Amano created and did the concept art for the characters while Toshiyuki Itahana was the final character designer for Final Fantasy IX, and Akihiko Yoshida was the character designer for Final Fantasy XII.
The series has often featured male characters with slightly effeminate characteristics, as well as female characters with slightly tomboyish, but still feminine, characteristics. This trend has generally increased as the series evolved. These characters are usually teenagers, which some critics have interpreted as an effort on the part of the designers to ensure the players identify with them. At the same time, some female characters have been increasingly designed to wear very revealing outfits. Square Enix has stated that a more rugged looking hero had been considered for Final Fantasy XII but had ultimately been scrapped in favor of Vaan, another effeminate protagonist. The developers cited scenaristic reasons and target demographic considerations to explain their choice. For Final Fantasy XIII, Square Enix settled on a female main character, described as a "female version of Cloud from FFVII." This aspect of Final Fantasy can also be seen in Sora, the protagonist of Kingdom Hearts, a crossover series featuring Final Fantasy and Disney characters.
F.A.M.E. is the fourth studio album by American recording artist Chris Brown. It was first released on March 18, 2011, by Jive Records. The album serves as the follow-up to his third album Graffiti (2009). The album also marks as his last album with Jive Records. On this album, Brown worked with several record producers and songwriters; including Kevin McCall, Jean-Baptiste, Brian Kennedy, DJ Frank E, The Underdogs and The Messengers, among others. The album features guest appearances, from Wiz Khalifa, Game, Timbaland and Big Sean, among others.
Musically, F.A.M.E. combines the musical genres of R&B, pop, hip hop and Europop. Upon its release, the album received mixed reviews from most music critics, who were ambivalent towards its songwriting and material. The album debuted at number one on the US Billboard 200, with first-week sales of 270,000, Brown's first number-one album in the United States. It was certified gold by the Recording Industry Association of America (RIAA), for selling more than 500,000 copies. The album garnered three Grammy Award nominations at the 54th annual ceremony, eventually winning Best R&B Album. F.A.M.E. also won the Album of the Year at the 2011 Soul Train Music Awards.
In the motion picture industry, a "box office bomb" or "box office flop" is a film that is viewed as highly unsuccessful or unprofitable during its theatrical run, sometimes preceding hype regarding its cost, production, or marketing efforts. Generally, any film for which the production and marketing costs exceed the combined revenue recovered after release is considered to have "bombed".
Gauging the financial success of a film is difficult, and because there is no reliable definition, what makes a "box-office bomb" can be very subjective. Not all films that fail to earn back their estimated costs during their theatrical runs are "bombs," and the label is generally applied to films that miss earnings projections by a wide margin, particularly when they are very expensive to produce, and sometimes in conjunction with middling or poor reviews (though critical reception has an imperfect connection to box office performance).
Beginning in the 1980s, cinemas started to drop movies that suffered a poor opening weekend. This made the performance of a film on its opening weekend much more crucial to its perception. With the growth of the Internet during the 1990s, chat rooms and websites enabled negative word of mouth to spread rapidly.
* [Chorus: Defari]
Roll it, light it, smoke it, choke it, toke it
See if you can hold it, this bomb tree
Trick it, stack it, pack it, bong rips
See if you can handle all of it, this bomb tree
Roll it , light it, smoke it, choke it, toke it
See if you can hold it, this bomb tree
Trick it, stack it, pack it, bong rips,
See if you can handle all of it, this bomb
(Defari)
My minds trippin', I'm flying like the Jetsons
I got greener trees than the vegetable section
Though I'm blown on high, I'm concentrating on this realness
Society's playin' with these devils and illness, God
Hear me when I beg for forgiveness
All the black and tans I've had, all the forty's and Guinness
All the sacks and the bags I've rolled full of indo
Hot box in the low with the rolled up windows
Ninety-eight degrees outside, ash the roach, put the AC on sixty-five and drive
These Los Angeles streets I ride
Peep a cold ass nigga with the bloodshot eyes, Defari, yeah
That name ring a bell
and that kush those dudes smoked got that bomb ass smell
Palm trees ain't the only greenery in California
In fact, the most common tree is what we call doja
[Chorus] - repeat 2X
Now I've been all around the world for the bomb ass tree
Canada, Amsterdam, Christine to Italy, the Bay and Honolulu
I even got thai weed in London that look like doodoo
Imagine blunts longer than a Hennessy fifth
Northern lights, purple kush with a mushroom mix
Add my rockin' hash to your little blunt of tricks
Now what do we have? A motherfuckin blunt that hits
That's the shit, stop playin', add a sack to this
But put it back in your pocket if you got seeds and sticks
You dig? I'm only firing up fire weed
Make a stress smoker really admire me
[Chorus] - repeat 2X
I'm from that Cheech and Chong scene
I got that mean Joe Green
I'll burn trees until I'm one hundred and thirteen (damn)
And maybe then I'll stop, Not!
I'll be a great grandpops with the finest of stock
Cannabis cup, we party, can't handle this stuff
Damage your lungs, what! Pack another one
I got fresh water for the bong, that's six feet long
Exercise before I rip it cuz this weed is strong
A Jay of white widow sprinkled with some hash in the middle
Make a nigga hella happy, like when he was little
Bout to grub except now we burn pounds and dubs
I'd like to take time out to thank those who gave love
On the sack, the rest of y'all niggas is wack
Tried to serve a nigga shake at the end of your bag
Zig zag, take a slow drag
And if you just started smoking tree you wouldn't know that