Bolero is a genre of slow-tempo Latin music and its associated dance. There are Spanish and Cuban forms which are both significant and which have separate origins.
The term is also used for some art music. In all its forms, the bolero has been popular for over a century.
The bolero is a 3/4 dance that originated in Spain in the late 18th century, a combination of the contradanza and the sevillana. Dancer Sebastiano Carezo is credited with inventing the dance in 1780. It is danced by either a soloist or a couple. It is in a moderately slow tempo and is performed to music which is sung and accompanied by castanets and guitars with lyrics of five to seven syllables in each of four lines per verse. It is in triple time and usually has a triplet on the second beat of each bar.
In Cuba, the bolero was perhaps the first great Cuban musical and vocal synthesis to win universal recognition. In 2/4 time, this dance music spread to other countries, leaving behind what Ed Morales has called the "most popular lyric tradition in Latin America".
Bolero (1975-1986) was a dressage horse and an influential sire. He stood 16.1 hands (65 inches, 165 cm).
Bolero was by the English Thoroughbred stallion Black Sky, who was imported to Germany in 1972. Black Sky was a grandson of the great stallion Djebel, who also sired the very influential My Babu, a stallion seen in many show jumpers and hunters pedigrees in the United States. Black Sky stood at the private stud farm of Schmidt-Ankum, and his offspring were generally talented dressage horses with good rideability, but with very little jumping talent.
Bolero's dam, Baroness, was registered with the Hanoverian Verband. She was half-Thoroughbred through her sire, the large-framed stallion Bleep. Her dam's side includes Hyperion, who in turn traces to Bay Ronald. The dam-sire of Baroness was the stallion Athos, who was known as a broodmare sire of dressage horses, and her damline (Athos-Fliegerstern) also produced the stallions Grenadier, Hitchcock, and Winner.
This breeding combination of a Thoroughbred stallion to a mare that was by a Thoroughbred was prohibited by the Hanoverian studbook at the time, due to the belief that the offspring would be unsuccessful.
Bolero, Sarajevo or shortened Bolero is the name of a theatre show produced by the East West Theatre Company from Bosnia and Herzegovina and Tala Dance Center from Croatia. Authors, choreographer Tamara Curic from Zagreb, Croatia and director Haris Pasovic, created a dance performance in which Sarajevo and choreography impressed with Maurice Béjart's work are in interaction. They were largely inspired by the flux of Sarajevo, Ravel’s music and 'Béjartesque' swinging bodies. Performance included dancers from Zagreb who regularly collaborate with the TALA Dance Centre, actors of the East West Theatre Company from Sarajevo, and the members of the Sarajevo National Theatre’s Ballet Company.
Haris Pasovic, Sarajevo theater director and drama professor at the Academy of Performing Arts, injected this predominantly dance production with occasional humorous monologues, in which the people of Sarajevo tell intimate stories about their post-war lives. This performance was created to commemorate the siege of Sarajevo during the Bosnian War.
Shufersal (Hebrew: שופרסל), formerly known as Shufra-Sal, is the largest supermarket chain in Israel. As of 2012, Shufersal had 248 stores and 12,400 employees. Shufersal shares are traded on the Tel Aviv Stock Exchange, and it is a constituent of the TA-100 Index.
Shufersal was founded in 1958. In 2005, the company implemented a strategic growth plan, creating three supermarket categories: "Shufersal Deal", "Shufersal Big", and "Shufersal Sheli".
In early 2006, Shufersal purchased the third-largest retail chain in Israel, Clubmarket. In October 2006, the chain launched the Shufersal Credit Card. Sales turnover for the chain in 2007 totaled NIS 9,935 million.
In 2009 it launched a subsidiary, Yesh, targeting the Haredi market. Features of Yesh stores include products marketed to larger families, lower prices, stricter kashrut standards, and in some stores, separate hours for men and women In 2009, Shufersal was threatened with an antitrust suit for the purchase of Clubmarket.
Ayin (Hebrew: אַיִן, meaning "nothingness", related to Ain-"not") is an important concept in Kabbalah and Hasidic philosophy. It is contrasted with the term Yesh ("something/existence/being/is"). According to kabbalistic teachings, before the universe was created there was only Ayin, and the first manifest Sephirah (Divine emanation), Chochmah (Wisdom), "comes into being out of Ayin." In this context, the sephirah Keter, the Divine will, is the intermediary between the Divine Infinity (Ein Sof) and Chochmah. Because Keter is a supreme revelation of the Ohr Ein Sof (Infinite Light), transcending the manifest sephirot, it is sometimes excluded from them.
Ayin is closely associated with the Ein Sof (Hebrew אין סוף), which is understood as the Deity prior to His self-manifestation in the creation of the spiritual and physical realms, single Infinite unity beyond any description or limitation. From the perspective of the emanated created realms, Creation takes place "Yesh me-Ayin" ("Something from Nothing"). From the Divine perspective, Creation takes place "Ayin me-Yesh" ("Nothing from Something"), as only God has absolute existence; Creation is dependent on the continuous flow of Divine lifeforce, without which it would revert to nothingness. Since the 13th century, Ayin has been one of the most important words used in kabbalistic texts. The symbolism associated with the word Ayin was greatly emphasized by Moses de León (c. 1250 – 1305), a Spanish rabbi and kabbalist, through the Zohar, the foundational work of Kabbalah. In Hasidism Ayin relates to the internal psychological experience of Deveikut ("cleaving" to God amidst physicality), and the contemplative perception of paradoxical Yesh-Ayin Divine Panentheism, "There is no place empty of Him".
I shy from the loudest voice
The serpent I avoid
Choose to fight a battle rare
It doesn't mean that I am bad
It doesn't mean that I am scared
It's just not worth the breath
I speak my mind when I'm at home
Censor when I'm not alone
Choose who I am open to
It doesn't mean that I am closed
It doesn't mean I've given up on hope
It's just not worth the breath
I hear when I must defend
When you've got naught to prove
I'll wait and listen to your view
It doesn't mean we must agree
It doesn't mean that you know me
It's just where it begins
We live in a time of change
Breathe in what remains
Left from worlds before
It doesn't mean we should destroy
Carry on mistakes ignored
It's just all too short
I cry when I can't express
This feeling of torment
When I can't get through to you
I do because I care
I do out of despair
Wish you could understand
I'm low when I get it wrong
When dreams have been shot down
When I reveal things I don't want to see
It doesn't mean I'm in denial
It doesn't mean I want to hide