Bol (Urdu: بول meaning Speak) is a 2011 Urdu-language social drama Pakistani film written, directed and produced by Shoaib Mansoor. The film stars Humaima Malik,Atif Aslam, Mahira Khan, Iman Ali, Shafqat Cheema, Amr Kashmiri, Manzar Sehbai and Zaib Rehman in the lead roles. It concerns a religious Muslim family facing financial difficulties caused by too many children and changing times, with a major plot involving the father's desire to have a son and his rejection of his existing transgender male-assigned-at-birth daughter. Bol was a critical and commercial success, and became one of the highest-grossing Pakistani films of all time.
This film was part of an entertainment education project by The Johns Hopkins University Center for Communication Programs (JHU.CCP) which entered in a partnership with Shoaib Mansoor's Shoman Productions in 2009. The objective of the project was to advocate for women's rights by bringing the focus of media and the elite of Pakistan to family planning and gender issues. The country representative of JHU.CCP, Fayyaz Ahmad Khan, served as the executive director of the movie. The film was reviewed by the Central Board of Film Censors in Lahore on 8 November 2010 and received its approval the next day.Bol is set in Lahore and many students from National College of Arts' (NCA) filmmaking department assisted Shoaib Mansoor on it.
A bol is a mnemonic syllable. It is used in Indian music to define the tala, or rhythmic pattern, and is one of the most important parts of Indian rhythm. Bol is derived from the Hindi word bolna, which means "to speak."
Mnemonic syllables are used in a variety of classical drumming situations in India. They are found in the pakhawaj,and tabla. However since terms such as "solkattu" are used for the mridangam, and the pakhawaj has become rather rare, the term bol is mostly thought to apply to the tabla.
There is only a very loose connection between the bols and their technique. Sometimes different techniques are used because different musicians represent different gharanas, or musical styles. Sometimes different techniques are used in order to get a technical advantage (e.g., playing very fast). Sometimes different techniques are used simply because a different artistic statement is being made. For these reasons, it is impossible to categorically say that a certain bol will be executed in any one fashion, but many of the more common ways in which some common bols are played on a tabla are outlined below.
The Nile tilapia (Oreochromis niloticus) is a species of tilapia, a cichlid fish native to Africa from Egypt south to East and Central Africa, and as far west as Gambia. It is also native to Israel, and numerous introduced populations exist outside its natural range (e.g. Brazil). It is also commercially known as mango fish, nilotica, or boulti. The first name leads to easy confusion with another tilapia traded commercially, the mango tilapia (Sarotherodon galilaeus).
The Nile tilapia has distinctive, regular, vertical stripes extending as far down the body as the bottom edge of the caudal fin, with variable coloration. Adults reach up to 60 cm (24 in) in length and up to 4.3 kg (9.5 lb). It lives for up to 9 years. It tolerates brackish water and survives temperatures between 8 and 42 °C (46 and 108 °F). It is an omnivore, feeding on plankton as well as on higher plants. Introduced tilapia can easily become an invasive species (see Tilapia as exotic species). It is a species of high economic value and is widely introduced outside its natural range; probably next to the Mozambique tilapia (O. mossambicus), it is the most commonly cultured cichlid. In recent research done in Kenya, this fish has been shown to feed on mosquito larvae, making it a possible tool in the fight against malaria in Africa.
A product's service life is its expected lifetime, or the acceptable period of use in service. It is the time that any manufactured item can be expected to be 'serviceable' or supported by its manufacturer.
Expected service life consists of business policy, using tools and calculations from maintainability and reliability analysis. Service life is a unique commitment made by the item's manufacturer and is usually specified as a median. Actual service life is the maximal recorded life of a product.
Service life is different from a predicted life, or MTTF/MTBF (Mean Time to Failure/Mean Time Between Failures)/MFOP (maintenance-free operating period). Predicted life is useful such that a manufacturer may estimate, by hypothetical modeling and calculation, a general rule for which it will honor warranty claims, or planning for mission fulfillment. The difference between service life and predicted life is most clear when considering mission time and reliability in comparison to MTBF and service life.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.
Film periodicals combine discussion of individual films, genres and directors with in-depth considerations of the medium and the conditions of its production and reception. Their articles contrast with film reviewing in newspapers and magazines which principally serve as a consumer guide to movies.