Bodyrock is the fifth studio album by singer Lee Aaron, released on 13 September 1989 through Attic Records (Europe and North America) and Alfa Records (Japan). The album is Aaron's most successful and highest-charting release to date, reaching No. 32 on the Canadian albums chart and No. 36 on the German albums chart. Both of its singles also charted: "Whatcha Do to My Body" reached No. 25 on the Canadian singles chart and "Hands On" reached No. 38.
The music video for "Whatcha Do to My Body" was nominated for Video of the Year at the 1990 Juno Awards, while Bodyrock itself was nominated for Album of the Year and Rock Album of the Year in 1991. Furthermore, recording engineer Lenny DeRose received a nomination for Recording Engineer of the Year in 1990 for his work on the album. Bodyrock was certified Platinum on 18 December 1989.
Bodyrock was included on Chart magazine's list of "20 most influential Canadian albums of the '80s".
! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.
The following people were involved in the making of !:
"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.
Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".
All compositions by John Zorn and Thurston Moore
Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.
An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.
"Bodyrock" is a song by American electronica musician Moby. It was released as the third single from his fifth studio album Play (1999). The single peaked at number 38 on the UK Singles Chart. The song is based on a vocal sample of "Love Rap" by American hip hop group Spoonie Gee and the Treacherous Three, and features additional vocals from Def Jam recording artist Nikki D. The song received remixes by Olav Basoski, Rae & Christian, Dean Honer, Jarrod Gosling, Hybrid and Dani König.
Three music videos were produced for "Bodyrock". The United Kingdom version, directed by Fredrik Bond, features a man frenetically dancing in an urban setting as Moby looks on. During the video, Moby acts as an effects man, turning on a wind machine and later a flame bar, accidentally blowing up a nearby car. An alternate cut was later released, featuring audition footage of dancers supposedly auditioning for the video; the video can be seen two ways: one with only the dancers, and one intercutting to Moby.