Hulk

Hulk may refer to:

Entertainment

People

Ships

See also

Hulk (film)

Hulk is a 2003 American superhero film based on the fictional Marvel Comics character of the same name. Ang Lee directed the film, which stars Eric Bana as Dr. Bruce Banner, as well as Jennifer Connelly, Sam Elliott, Josh Lucas, and Nick Nolte. The film explores the origins of Bruce Banner, who after a lab accident involving gamma radiation finds himself able to turn into a green-skinned monster whenever he gets angry, while he is pursued by the United States military.

Development for the film started as far back as 1990. The film was at one point to be directed by Joe Johnston and then Jonathan Hensleigh. More scripts had been written by Hensleigh, John Turman, Michael France, Zak Penn, J. J. Abrams, Scott Alexander and Larry Karaszewski, Michael Tolkin, and David Hayter before Ang Lee and James Schamus' involvement. Hulk was shot mostly in California, primarily in the San Francisco Bay Area.

Hulk grossed over $245 million worldwide, higher than its $137 million budget, and received mixed reactions from critics. Many praised the writing, acting, character development, and the musical score by Danny Elfman, while some criticized the differences from the source material, outdated CGI, editing and dark story elements. A reboot, titled The Incredible Hulk, was released on June 13, 2008.

The Marvel Super Heroes

The Marvel Super Heroes is an American / Canadian animated television series starring five comic-book superheroes from Marvel Comics. The first TV series based on Marvel characters, it debuted in syndication on U.S. television in 1966.

Produced by Grantray-Lawrence Animation, headed by Grant Simmons, Ray Patterson and Robert Lawrence, it was an umbrella series of five segments, each approximately seven minutes long, broadcast on local television stations that aired the show at different times. The series ran initially as a half-hour program made up of three seven-minute segments of a single superhero, separated by a short description of one of the other four heroes. It has also been broadcast as a mixture of various heroes in a half-hour timeslot, and as individual segments as filler or within a children's TV program.

The segments were: "Captain America", "The Incredible Hulk", "Iron Man", "The Mighty Thor", and "The Sub-Mariner".

Production

Sixty-five half-hour episodes of three seven-minute chapters were produced, for a total of 195 segments that ran initially in broadcast syndication from September 1, 1966 to December 1, 1966.

The Lady Killer (album)

The Lady Killer is the third studio album by American recording artist CeeLo Green, released November 5, 2010, on Elektra Records. Production for the album was handled by Salaam Remi, Element, The Smeezingtons, Fraser T Smith, Paul Epworth, and Jack Splash.

The album debuted at number nine on the US Billboard 200 chart, selling 41,000 copies in its first week. It achieved respectable chart success elsewhere and produced three singles, including the international hit "Fuck You". The album has sold 498,000 copies in the United States as of October 2012, and it has been certified double platinum in the United Kingdom. Upon its release, The Lady Killer received generally positive reviews from music critics, who praised its production, classicist soul music approach, and Green's singing.

Recording

Green reportedly "spent three years on The Lady Killer, recording close to 70 songs". Thirteen tracks that didn't make the final selection for The Lady Killer were leaked online in June 2010 as an album titled Stray Bullets including the song "You Don't Shock Me Anymore", and collaborations with The B-52's ("Cho Cho The Cat"), Soko (a remix of "I'll Kill Her"), and Goodie Mob ("Night Train").

Bodies (Sex Pistols song)

"Bodies" is a Sex Pistols song about the shock of abortion from the 1977 album Never Mind the Bollocks, Here's the Sex Pistols. The lyrics contain very graphic imagery about a terminated fetus and feature a great deal of profanity for the time: the third and final verse begins with a couplet in which the word fuck is repeated five times in rapid succession. Along with the later "Belsen Was a Gas," it is probably the most graphic and controversial Sex Pistols song in both its subject matter and style. Musically, it is also the fastest and heaviest song in the Sex Pistols canon — characterized by thudding drums, droning buzzsaw guitar, and shouted vocals. As such, it can be considered a significant antecedent to the genres of hardcore, thrash, and speed metal that was to emerge in the mid-to-late-1980s.

"Bodies" is one of two songs on Never Mind the Bollocks, Here's the Sex Pistols which original Pistols bassist Glen Matlock did not co-write. It is also the only song on the album on which Sid Vicious actually plays bass, although his part was later overdubbed. The song was, like all other Sex Pistols songs, credited to the entire band, though Vicious was in the hospital with hepatitis when the band wrote it. It is mostly about a fan named Pauline, who was (as the song states) from Birmingham. She had been in a mental institution, where she apparently lived in a tree house, in the garden of the institution. This was where the line 'Her name was Pauline, she lived in a tree' comes from. The institution was also where she seems to have been raped by one of the male nurses. When she was released, she travelled to London, where she became a punk rock fan. She had several abortions. According to legend, she showed up once at John Lydon's door wearing nothing but a clear plastic bag and holding an aborted fetus in a clear plastic bag.

Bodies (Law & Order)

"Bodies" is the first episode of the 14th season of Law & Order, and 302nd episode overall.

Plot

A teenage girl is found murdered in an alley, having been brutally assaulted and raped. Detectives Briscoe and Green later find a connection to an unsolved Brooklyn homicide from five years earlier, featuring a similar victim and modus operandi. The detectives are able to link several unsolved homicides and missing persons reports and believe them all to be the work of a serial killer. After speaking to some of the victims' families, they realize the victims were all abducted or found far from their homes, meaning they likely summoned a taxi. An investigation of the cab company leads them to the apartment of Mark Bruner, whose unsettling demeanor and evasion of the detectives' questions quickly make him a suspect. He is eventually held and charged with two counts of murder, and DNA evidence points to his irrefutable guilt.