Bob Dylan (/ˈdɪlən/; born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the American civil rights and anti-war movements. After he left his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone" altered the range of popular music in 1965. His mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.
Dylan's lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.
Bob Dylan is the eponymous debut album of American singer-songwriter Bob Dylan, released on March 19, 1962 by Columbia Records (Mono-CL 1779; Stereo-CS 8579). Produced by Columbia's legendary talent scout John H. Hammond, who signed Dylan to the label, the album features folk standards, plus two original compositions, "Talkin' New York" and "Song to Woody".
Dylan met John Hammond at a rehearsal session for Carolyn Hester on September 14, 1961, at the apartment shared by Hester and her then-husband, Richard Fariña. Hester had invited Dylan to the session as a harmonica player, and Hammond approved him as a session player after hearing him rehearse, with recommendations from his son, musician John P. Hammond, and from Liam Clancy.
Hammond later told Robert Shelton that he decided to sign Dylan "on the spot", and invited him to the Columbia offices for a more formal audition recording. No record of that recording has turned up in Columbia's files, but Hammond, Dylan, and Columbia's A&R director Mitch Miller have all confirmed that an audition took place. (Producer Fred Catero, then a recording engineer for Columbia Records, claims to have the master of that session. It is not the original demo for Columbia, but a session from December 6, 1962, recorded by John Hammond, Sr.)
Bob Dylan, Performing Artist is a series of three books written by music critic Paul Williams concerning the music of American singer-songwriter Bob Dylan. Unlike many other books about Dylan, these are not biographical but focus primarily on the performances delivered at various concerts over a period of almost forty years. The performances Williams analyzes were either personally attended or reviewed from audio-tapes (and sometimes from videotapes). In an interview published in Isis magazine's August 1990 issue, Williams told interviewer Derek Barker, "I didn't want to write about the person, I wanted to write about what this person has created, his art, his music."Bob Dylan, Performing Artist is considered one of the leading critical analyses of Dylan's songs and performances.
The first volume of the Performing Artist series, which covers the years 1960 through 1973, also recounts Dylan's childhood from his birth in May 1941 to August 1959. Early Years ends in December 1973 with Williams' review of the album Planet Waves.
The Beach Boys are an American rock band formed in Hawthorne, California in 1961. The group's original lineup consisted of brothers Brian, Dennis, and Carl Wilson, their cousin Mike Love, and their friend Al Jardine. They emerged at the vanguard of the "California Sound", performing original surf songs that gained international popularity for their distinct vocal harmonies and lyrics exploring a southern California youth culture of surfing, cars, and romance. Influenced by jazz-based vocal groups, 1950s rock and roll, and doo-wop, Brian led the band in devising novel approaches to music production, arranging his compositions for studio orchestras, and experimenting with several genres ranging from pop ballads to psychedelic and baroque.
The group began as a garage band managed by the Wilsons' father Murry, with Brian's creative ambitions and sophisticated songwriting abilities dominating the group's musical direction. After 1964, their albums took a different stylistic path that featured more personal lyrics, multi-layered sounds, and recording experiments. In 1966, the Pet Sounds album and "Good Vibrations" single vaunted the group to the top level of rock innovators and established the band as symbols of the nascent counterculture era. Following the dissolution of Smile, Brian gradually ceded control to the rest of the band, reducing his input because of mental health and substance abuse issues. Though the more democratic incarnation of the Beach Boys recorded a string of albums in various music styles that garnered international critical success, the group struggled to reclaim their commercial momentum in America. Since the 1980s, much-publicized legal wrangling over royalties, songwriting credits and use of the band's name transpired.
The Beach Boys is the self-titled 25th studio album by American rock band The Beach Boys, released on June 10, 1985. Produced by Steve Levine, the album is the band's first recording after the drowning death of founding member Dennis Wilson. It was also the first of the band's albums to be recorded digitally and released on CD. It's also the last album released by James William Guercio's Caribou Records.
For the album, the band hired Culture Club producer Steve Levine, who took them into the world of drum machines, synthesizers, sampling, and hi-tech recording technology. Brian Wilson, Carl Wilson, Mike Love, Bruce Johnston and Al Jardine all took an active role in the project, writing several new songs for it, with Stevie Wonder and Culture Club each donating a song. The album was recorded during summer 1984 at Red Bus studio in London, and Westlake Audio in Los Angeles during late 1984/early 1985. It features Motown artist Stevie Wonder on harmonica and keyboards on the song "I Do Love You", which he also wrote. Ringo Starr also appears on the track "California Calling" (Starr also appeared live with The Beach Boys in 1985 during the 4th of July concert in Washington D.C.). Noted guitarist Gary Moore features on all tracks playing both guitar and synthaxe.
The Beach Boys are an American rock group formed in California in 1961.
The Beach Boys or Beach Boy may also refer to:
Born of the age
Flagged hopes
Censored rage
The black clad box
Bombs bursting in air
Bleed white red and blue
Cried dawn's early light
For the hope
Oh where has it gone
Brothers sisters stand firmly and try
Reaching the spacious ski-ies
Fourth of July
Lie by the sword
Black times
False reward
The greetings of doom
So proudly they hail
Lost fortune of free
The stripes and bright stars
Promise lost
Oh where has it gone
Brothers sisters stand firmly and try
Reaching the spacious ski-ies
Fourth of July
Brothers sisters stand firmly and try
Reaching the spacious ski-ies
Fourth of July