Bo Diddley (December 30, 1928 – June 2, 2008), born Ellas Otha Bates but changed as a child to Ellas McDaniel, was an American R&B and Chicago Blues vocalist and guitarist. In addition, he was a songwriter and music producer, usually as Ellas McDaniel, and had cameo appearances in movies. He was nicknamed The Originator because of his key role in the transition from the blues to rock and roll, and rock, and influenced a host of acts, including Elvis Presley,Buddy Holly, the Beatles,The Rolling Stones, the Yardbirds, Eric Clapton,The Who, Jimi Hendrix and Parliament Funkadelic.
He instigated a constant driving rhythm and biting electric guitar sound which he applied to a wide range of songs. His use of African rhythms and a signature beat, a simple five-accent clave rhythm, is a cornerstone of hip hop, rock, and pop. In recognition of his achievements Bo Diddley was inducted into the Rock and Roll Hall of Fame and received Lifetime Achievement Awards from the Rhythm and Blues Foundation and a Grammy Award from the National Academy of Recording Arts and Sciences. He is also recognised for his technical innovations, including his trademark rectangular guitar.
Bo Diddley is a studio album by American rock and roll pioneer Bo Diddley, not to be confused with the 1958 compilation album of the same name. The 1962 album was released as Checker LP-2984 in August 1962 and featured the Willie Dixon-penned classic "You Can't Judge a Book by the Cover", which was released as a 7" 45 rpm single in July 1962.
In Britain, Bo Diddley was released as an LP by Pye International Records. The UK release charted at #11 on the UK Albums Chart. The success of the album followed the UK package tour that Bo had begun at the beginning of the year with the Everly Brothers, Little Richard, and the Rolling Stones.
Due to the album's success in the UK, many British bands recorded songs from the record.
All songs were written and composed by Ellas McDaniel (Bo Diddley), except where noted.
Bo Diddley is a compilation album by American rock and roll musician Bo Diddley. It is a compilation of his singles since 1955. It collects several of his most influential and enduring songs. It was released on the Chess label in 1958.
Allmusic's Matthew Greenwald gave Bo Diddley four-and-a-half out of five stars and recommended it as one of the "few" essential albums for listeners who want to "play rock & roll, real rock & roll". Greenwald said that its 12 songs are exemplary of the Bo Diddley beat: "This is one of the greatest rock sounds that you're likely to hear, and it's all on this one record, too."
All songs written and composed by Ellas McDaniel, except where noted.
Per liner notes
Eddie Fontaine (March 6, 1927 – April 13, 1992) was an American actor and singer, best known for television roles in the 1960s and 1970s.
Born Edward Reardon in Springfield, Massachusetts, Fontaine signed as a vocalist with RCA in 1954 after serving in the US Navy. In 1955 he appeared at the Brooklyn Paramount Theater in disc jockey Alan Freed's first rock and roll show. He also sang in the Jayne Mansfield movie The Girl Can't Help It (1956). Musically he is best remembered for his 1958 single "Nothin' Shakin' (But the Leaves on the Trees)", which was later covered by The Beatles. He is listed as a "legend" but not an inductee at the Rockabilly Hall of Fame site.
Fontaine moved to Van Nuys, California, in the 1960s after singing in night clubs in pre-Castro Cuba. He landed a role in the World War II series The Gallant Men, where he played ladies' man PFC Pete D'Angelo and occasionally sang. Although he never won another regular role in a television series Fontaine made many guest appearances on shows such as 77 Sunset Strip, Baretta, Happy Days, The Rockford Files and Quincy.
Bo Diddley (1928–2008) was an American R&B vocalist, guitarist and songwriter.
Bo Diddley may also refer to:
"Bo Diddley" is a rhythm and blues and rock and roll song first recorded and sung by Bo Diddley at the Universal Recording Studio in Chicago and released on the Chess Records subsidiary Checker Records in 1955. It became an immediate hit single that stayed on the R&B charts for a total of 18 weeks, 2 of those weeks at #1, and seven more weeks than its flipside (the B-side, "I'm a Man"). It was the first recording to introduce African rhythms into rock and roll directly by using the patted juba beat. It was Bo Diddley's first recording and his first hit single. The song is featured on many of Bo Diddley's compilation albums including His Best.
In 2012 the A and B-side pair were added to the Library of Congress's National Recording Registry list of "culturally, historically, or aesthetically important" American sound recordings.
The song is rhythmically similar to hambone, a technique of dancing and slapping various parts of the body to create a rhythm and song. It is lyrically similar to the traditional lullaby "Hush Little Baby". When Bo Diddley started playing with it, his electric guitar amplified the patted juba with his backup musicians on maracas and drums unifying the rhythm. This combination of rock and roll, African rhythms and sanctified guitar chord shouts was a true innovation and is often called a Bo Diddley Beat.
Bo Diddley is a song written by Lasse Holm and Gert Lengstrand, and performed by Arvingarna at Melodifestivalen 1995, ending up at 6th position.
At the Swedish singles chart, it peaked at 21st position. The song also charted at Svensktoppen for 12 weeks between 18 March-3 June 1995, peaking at 2nd position.
I'm finding out what love is all about
And every day at three when school lets out
I see my baby I get weak in the knees
There's nothin' shakin' but the leaves on the trees
Why must she be such a doggone tease?
There's nothin' shakin' but the leaves on the trees
We meet the gang and go to Rockin' Joe's
The cats are stompin' on their heels and toes
I grab my baby, tried to give her a squeeze
Nothin' shakin' but the leaves on the trees
My daddy told me there'd be times like these
There's nothin' shakin' but the leaves on the trees
She's got a way that makes me act like a fool
Oh, she spends my money then she plays me cruel
I'm beggin' her for kisses on bended knees
Gimme some lovin' baby, please, please, please
But I keep trying hard to make her mine
Someday the wind will blow, the sun will shine
Until that time she puts my heart at ease
There's nothin' shakin' but the leaves on the trees
She locked my heart and threw away the keys
There's nothin' shakin' but the leaves on the trees
Ha ha ha!
Nothin' shakin' but the leaves on the trees
She's got a way that makes me act like a fool
Oh, spends my money then she plays me cruel
I'm beggin' for her kisses on bended knees
Why don't ya gimme some lovin' baby, please, please,
please
But I keep trying hard to make her mine
Someday the wind will blow, the sun will shine
Until that time she puts my heart at ease
There's nothin' shakin' but the leaves on the trees
Why must she be such a doggone tease?
There's nothin' shakin' but the leaves on the trees
Nothin' shakin' but the leaves on the trees
Nothin' shakin', oh shakin'