The Chimes | |
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![]() Title page of first edition, 1844 with engraving by F.P. Becker |
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Author(s) | Charles Dickens |
Original title | The Chimes: A Goblin Story of Some Bells that Rang an Old Year Out and a New Year In |
Illustrator | Daniel Maclise Richard Doyle John Leech William Clarkson Stanfield |
Country | England |
Language | English |
Genre(s) | Novella |
Publisher | Chapman & Hall |
Publication date | 1844 |
Media type | Print (Hardback & Paperback) |
Pages | 175 pp |
ISBN | NA |
Preceded by | A Christmas Carol |
Followed by | The Cricket on the Hearth |
The Chimes: A Goblin Story of Some Bells that Rang an Old Year Out and a New Year In, a short novel by Charles Dickens, was written and published in 1844, one year after A Christmas Carol and one year before The Cricket on the Hearth. It is the second in his series of "Christmas books": five short books with strong social and moral messages that he published during the 1840s.
Contents |
The book was written in late 1844, during Dickens' year-long visit to Italy.[1] John Forster, his first biographer, records that Dickens, hunting for a title and structure for his next contracted Christmas story, was struck one day by the clamour of the Genoese bells audible from the villa where they were staying.
All Genoa lay beneath him, and up from it, with some sudden set of the wind, came in one fell sound the clang and clash of all its steeples, pouring into his ears, again and again, in a tuneless, grating, discordant, jerking, hideous vibration that made his ideas "spin round and round till they lost themselves in a whirl of vexation and giddiness, and dropped down dead."[2]
Two days later Forster received a letter from Dickens which read simply: ""We have heard THE CHIMES at midnight, Master Shallow!",[2] and the writing of the book began. Forster describes Dickens' intentions in writing The Chimes as striking "a blow for the poor".
They had always been his clients, they had never been forgotten in any of his books, but here nothing else was to be remembered ... he had come to have as little faith for the putting down of any serious evil, as in a then notorious city alderman's gabble for the putting down of suicide. The latter had stirred his indignation to its depths just before he came to Italy, and his increased opportunities of solitary reflection since had strengthened and extended it. When he came therefore to think of his new story for Christmas time, he resolved to make it a plea for the poor ... He was to try and convert Society, as he had converted Scrooge, by showing that its happiness rested on the same foundations as those of the individual, which are mercy and charity not less than justice.[2]
Dickens returned to London for a week in December 1844 and gave readings of the finished book to friends prior to publication, in order to judge its impact; the artist Daniel Maclise, who had contributed two illustrations to The Chimes and attended two of these events, portrayed the reading of 3 December 1844 in a well-known sketch.[3]
The chimes are old bells in the church on whose steps Trotty Veck plies his trade. The book is divided into four parts named "quarters", after the quarter chimes of a striking clock. (This parallels Dickens naming the parts of A Christmas Carol "staves" – that is "stanzas" – and dividing The Cricket on the Hearth into "chirps".)
One New Year's Eve Trotty, a "ticket-porter" or casual messenger, is filled with gloom at the reports of crime and immorality in the newspapers, and wonders whether the working classes are simply wicked by nature. His daughter Meg and her long-time fiancé Richard arrive and announce their decision to marry next day. Trotty hides his misgivings, but their happiness is dispelled by an encounter with a pompous alderman, Cute, plus a political economist and a young gentleman with a nostalgia, all of whom make Trotty, Meg, and Richard feel they hardly have a right to exist, let alone marry.
Trotty carries a note for Cute to Sir Joseph Bowley MP, who dispenses charity to the poor in the manner of a paternal dictator. Bowley is ostentatiously settling his debts to ensure a clean start to the new year, and berates Trotty because he owes a few shillings to his local shop which he cannot pay off. Returning home, convinced that he and his fellow poor are naturally ungrateful and have no place in society, Trotty encounters Will Fern, a poor countryman, and his orphaned niece, Lilian. Fern has been unfairly accused of vagrancy and wants to visit Cute to set matters straight, but from a conversation overheard at Bowley's house, Trotty is able to warn him that Cute plans to have him arrested and imprisoned. He takes the pair home with him and he and Meg share their meagre food and poor lodging with the visitors. Meg tries to hide her distress, but it seems she has been dissuaded from marrying Richard by her encounter with Cute and the others.
In the night the bells seem to call Trotty. Going to the church he finds the tower door unlocked and climbs to the bellchamber, where he discovers the spirits of the bells and their goblin attendants who reprimand him for losing faith in man's destiny to improve. He is told that he fell from the tower during his climb and is now dead, and Meg's subsequent life must now be an object lesson for him. There follows a series of visions which he is forced to watch, helpless to interfere with the troubled lives of Meg, Richard, Will and Lilian over the subsequent years. Richard descends into alcoholism; Meg eventually marries him in an effort to save him but he dies ruined, leaving her with a baby. Will is driven in and out of prison by petty laws and restrictions; Lilian turns to prostitution. In the end, destitute, Meg is driven to contemplate drowning herself and her child, thus committing the mortal sins of murder and suicide. The Chimes' intention is to teach Trotty that, far from being naturally wicked, mankind is formed to strive for nobler things, and will fall only when crushed and repressed beyond bearing. Trotty breaks down when he sees Meg poised to jump into the river, cries that he has learned his lesson, and begs the Chimes to save her, whereupon he finds himself able to touch her and prevent her from jumping.
With this the vision ends and Trotty finds himself awakening at home as if from a dream as the bells ring in the New Year, and the book ends with celebrations for Meg and Richard's wedding day
This is a campaigning story like its predecessor A Christmas Carol, written with the intention of swaying readers towards Dickens' moral message. The chimes represent time, and the main themes of the story are summarized in the three wrongs they accuse Trotty of committing:
• Harking back to a golden age that never was, instead of striving to improve conditions here and now.
• Believing that individual human joys and sorrows do not matter to a higher power.
• Condemning those who are fallen and unfortunate, and offering them neither help nor pity.
'Who turns his back upon the fallen and disfigured of his kind; abandons them as vile; and does not trace and track with pitying eyes the unfenced precipice by which they fell from good—grasping in their fall some tufts and shreds of that lost soil, and clinging to them still when bruised and dying in the gulf below; does wrong to Heaven and man, to time and to eternity. And you have done that wrong!'
A Christmas Carol had been extremely well received the previous year, and The Chimes aroused public interest and anticipation. Five different stage productions of the book were running within weeks of publication and nearly 20,000 copies were sold in the first three months. It had a high media profile, and was widely reviewed and discussed. Critical opinion was divided; those sympathetic to its social and political message liked the book, but others thought it dangerously radical. The Northern Star reviewer called Dickens "the champion of the poor"; John Bull rejected his unflattering caricatures of philanthropy.[4] It was certainly a financial success for Dickens, and remained popular for many years, although in the long term its fame was eclipsed by that of A Christmas Carol.
Asking the upper classes to stop interfering with his life and leave him to die, Will Fern makes a bitter reference to the biblical Book of Ruth, deliberately misquoting Ruth's "Whither thou goest, I will go" speech.
The novel's setting is contemporary and the 1840s, the "Hungry Forties", were a time of social and political unrest.
Trotty's conviction that poor people are naturally wicked is influenced by an article in his newspaper about a young woman who has tried to drown herself and her child, and this motif returns at the climax of the book, when Meg is driven to contemplate the same course of action. This is a reference to Mary Furley, a destitute young woman sentenced to death in 1844 for infanticide after her desperation not to return to the workhouse led to a failed suicide attempt in which her illegitimate child drowned.[5] This case caused great public debate in the late spring of 1844. Dickens took part in the general outcry against the sentence, which was eventually commuted to transportation.[6] Among other works inspired by the Furley case is Thomas Hood's poem The Bridge of Sighs.
Alderman Cute is a parody of Sir Peter Laurie, a Middlesex magistrate, alderman and former Lord Mayor of London, known for his determination to "put down" the lower classes and their antisocial behaviour.[7] His remarks on the 1844 Mary Furley case have been cited as one inspiration to Dickens to write The Chimes.
The unnamed young man who harks back to the "good old times" is a reference to the Young England movement. Dickens removed many of these references prior to publication.
In 1914 the work was made into a silent film The Chimes directed by Thomas Bentley.
A musical adaptation of The Chimes was created in 1992 by Lisa Kofod and Gay Donat Reed, with music by Paul Johnson. A staged reading of this work was produced at The Workhouse Theatre in New York City.
The Chimes was adapted into a 24-minute clay-animated film in 2000 by Xyzoo Animation. It won a Cine Special Jury award in 2002.
The Colonial Radio Theatre in Boston produced a full cast radio production of THE CHIMES in 2000, and released on CD by Blackstone Audio in 2007, and re-released by Brilliance Audio in 2011.
In 2004 a stage adaptation by Les Smith premiered at the Southwark Playhouse.
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The Chimes (later Lenny Cocco & the Chimes) were an American doo wop group from Brooklyn.
The group came together under the direction of lead singer Lenny Cocco in the mid-1950s. Their first single was a version of Tommy Dorsey's "Once in a While", released on Tag Records. The song became a hit in the U.S., peaking at #11 on the Billboard Hot 100 in 1961. The follow-up single was "I'm in the Mood for Love", a song from the 1930s. This hit #38 later that year. In 1962, they began recording as Lenny & the Chimes, and moved to Metro Records and then to Laurie Records in 1963. In 1964, they released the single "Two Times" on Vee-Jay, but broke up shortly after.
In subsequent decades they have re-formed for the doo-wop revival circuit, usually under the name Lenny Cocco and the Chimes.
The Chimes is a short 1844 novel by Charles Dickens.
The Chimes may also refer to:
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The phrase has nothing to do with the actual color of the moon, although a literal "blue moon" (the moon appearing with a tinge of blue) may occur in certain atmospheric conditions: e.g., when there are volcanic eruptions or when exceptionally large fires leave particles in the atmosphere.
The term has traditionally referred to an "extra" moon, where a year which normally has 12 moons has 13 instead. The "blue moon" reference is applied to the third moon in a season with four moons, thus correcting the timing of the last month of a season that would have otherwise been expected too early. This happens every two to three years (seven times in the Metonic cycle of 19 years). The March 1946 issue of Sky & Telescope misinterpreted the traditional definition, which led to the modern colloquial misunderstanding that a blue moon is a second full moon in a single solar calendar month with no seasonal link.
Blue Moon is a now defunct fanzine dedicated to Peterborough United. It was originally called Blue Moon is a Man City song for F**k sake, but the name was changed in the 2005/06 season.
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No official music video was created for the song; however, a video featuring the song's audio was created to coincide with the single's physical release.
The song has received positive reviews from critics. Kory Grow of Rolling Stone, while comparing the song's melody to material from Beck's 2002 album Sea Change, called the song "anything but desolate", as well as "lush". Leonie Cooper of NME called the song "one of the most captivating things Beck has ever composed".
The murderess sleepsI am alone
like big drops of ink
my thoughts when I think
My hands leave me and walk the dark
the radio is trembling with me
naked I am
the moonlight paints me blue
I wish you were here
not this body beside
my collar is wet
avoid the streetlights
five steps to one
feels like I've seen too much
moths die in the light
Too much death all around, around me
I hear the cats scream
on the rainstreets below
it's not that strange
if I go insane
I see her from here
she's still where she fell
in shadow her face
it's not safe to sleep
I reach out for a luke cup of tea
about two in the packet, my hat is wet
outside it's raining
and I'm guarding my sheep
the smoke from my lips
my breath fouls the air
oak brown are the walls
I'm in a leather chair
I've got a big gun
but it rests with her
I need to think
oh help me blue moon
she's done nothing wrong
oh those dark halfclosed eyes
I guess all I need is less alibies and to cry