Blow may refer to:
Blow is the second album by Belgian rock group Ghinzu released in 2004. It features the single, "Do You Read Me?", and the song "The Dragster Wave" which was used in the 2008 film Taken and is included in its original soundtrack.
The album was first released on Dragoon, the label owned by the band (and distributed by the indie label Bang!) in February 2004 in Benelux. It was released in France six months later via Atmosphérique/Universal and then in Germany, Switzerland and Sweden via V2. The album cover art for the European release is different from the Belgian version. The Belgian cover shows singer John Stargasm holding his own cut-off head while singing. This was judged too aggressive by their French label (the band was under license of the major Universal via Atmosphérique) especially at a time where American hostage in Iraq, Nick Berg, just had been beheaded. The international album cover shows a negative image of two horses.
Blow was particularly successful in the French-speaking parts of Europe, where the single "Do You Read Me?" became a hit. This allowed Ghinzu to play big summer festivals, like the Eurockéennes de Belfort on July 2, 2005, where the band did a noticed performance on the Main Stage. Blow sold about 100,000 copies worldwide.<ref name="Ghinzu à la charge" in Le Vif/L'Express>"Ghinzu à la charge". 30 March 2009. Retrieved 8 October 2009. </ref>
Blow is a controversial energy drink notable for its use of drug culture in its marketing, such as the name of the drink itself, which is a slang term for cocaine. Rather than being sold in liquid form, it was distributed as vials of white powder similar in appearance to cocaine, which were to be mixed with water or any other beverage, and can be bought in large Styrofoam containers made to resemble cocaine bricks. Additional packages on the drink's website were referred to by names such as "The Recreational User Pack" or "The Fiender's Hook-Up" for various quantities. Cases on the website also included free stickers, tattoos, or shirts sporting the brand's logo. The powder has also been distributed along with a mirror and imitation credit card to simulate the "cutting" of cocaine.
Blow's producers have come under fire from parents and other concerned parties, who allege that its marketing targets adolescents and glorifies illegal drug abuse, citing the use of rock music and women in seductive poses on the drink's website, as well as the inclusion of a Myspace link.
¡Tré! is the eleventh studio album by the American punk rock band Green Day. It is the third and final installment in the ¡Uno! ¡Dos! ¡Tré! trilogy, a series of studio albums that were released from September to December 2012. Green Day started recording material for the album on February 14, 2012, and finished on June 26, 2012. ¡Tré! follows the power pop style of ¡Uno!, and the garage rock feel of ¡Dos! The album's title is a nod to the band's drummer Tré Cool, who turned 40 years old 2 days after the release of the album.
¡Tré! was released on December 7, 2012 in Australia, December 10 in the UK and December 11 in the US, through Reprise Records, and was produced by their long-time producer Rob Cavallo. The album received generally positive reviews from critics, although some found it incoherent on a song-for-song basis, as well as noting filler and little distinguishing factors from the two previous albums.
TRE (or Tre) may refer to:
Tre- is a place name element of Celtic origin meaning "hamlet, farmstead, estate", etc. which survives mainly in Wales and in the Southwest of England (almost exclusively in Cornwall). The manor of Trefusis was thus originally held before the Norman Conquest of 1066 by an Anglo-Saxon named "Fusis" or similar, thus "Farmstead of Fusis".
The Cornish place-name beginning Tre- may be compared to the Cornish place-name beginning Bod- and the place-name endings -worthy and -cot in Devon, and -ham and -tun / -ton throughout England.
In a study by Oliver Padel of surviving place names in England starting with "Tre-", including cities, towns, villages, hamlets, and individual farms, he found that almost all were situated west of the River Tamar, the natural border between Cornwall and Devon, with just a small concentration on the north-east side in Devon, near the narrower, shallower source area of the River. Padel reached two possible explanations: either Tre- names were formed at a date later than the Anglo-Saxon settlement of Devon, or Tre- names existing in Devon were superseded by new names following the Anglo-Saxon settlement of Devon (probably 7th to 8th centuries). He concluded that the striking boundary line was evidence of political and linguistic distinction at some time from the 8th to 11th centuries.
Deep in the forest, the solid woods do tremble
The earth shakes by the sound of his chant
A vision of grandeur, a sight of strength and justice
Haunting the dead, warning the living
Pain is an illusion of the senses
Despair is an illusion of the weak mind
Now you're a warrior, raise the flag - united !
Never turn your back for cowardice equals crime
Now life is a prison, a cage that weighs upon him
There lies his duty, a work without redemption
"Now set them free, your sword's the key you're holding
Then you yourself shall once be released?"
Every single man is
a spark in the darkness
By Time he is noticed
and then gone forever
Enough of this talking
As I storm towards you