A grave is a location where a dead body (typically that of a human, although sometimes that of an animal) is buried. Graves are usually located in special areas set aside for the purpose of burial, such as graveyards or cemeteries.
Certain details of a grave, such as the state of the body found within it and any objects found with the body, may provide information for archaeologists about how the body may have lived before its death, including the time period in which it lived and the culture that it had been a part of.
In some religions, it is believed that the body must be burned for the soul to survive; in others, the complete decomposition of the body is considered to be important for the rest of the soul (see Bereavement).
The formal use of a grave involves several steps with associated terminology.
The excavation that formed the grave. Excavations vary from a shallow scraping, to removal of topsoil to a depth of 6 feet (1.8 metres), or more where a vault or burial chamber is to be constructed. However, most modern graves in the United States are only 4 feet deep as the casket is placed into a concrete box which prevents a sinkhole, is strong enough to be driven over, and will not float in a flood.
In musical terminology, tempo [ˈtɛmpo] ("time" in Italian; plural: tempi [ˈtɛmpi]) is the speed or pace of a given piece or subsection thereof.
A piece of music's tempo is typically written at the start of the score, and in modern Western music is usually indicated in beats per minute (BPM). This means that a particular note value (for example, a quarter note, or crotchet) is specified as the beat, and that the amount of time between successive beats is a specified fraction of a minute. The greater the number of beats per minute, the smaller the amount of time between successive beats, and thus faster a piece must be played. For example, a tempo of 60 beats per minute signifies one beat per second, while a tempo of 120 beats per minute is twice as rapid, signifying one beat every 0.5 seconds. Mathematical tempo markings of this kind became increasingly popular during the first half of the 19th century, after the metronome had been invented by Johann Nepomuk Maelzel, although early metronomes were somewhat inconsistent. Beethoven was one of the first composers to use the metronome; in the 1810s he published metronomic indications for the eight symphonies he had composed up to that time. for example a minum has a 2 seconds
The grave accent ( ` ) (/ˈɡreɪv/ or UK /ˈɡrɑːv/) is a diacritical mark used in many written languages, including Breton, Catalan, Corsican, Dutch, French, Greek (until 1982; see polytonic orthography), Haitian Creole, Italian, Mohawk, Norwegian, Occitan, Portuguese, Ligurian, Scottish Gaelic, Vietnamese, Welsh, Romansh and Yoruba.
The grave accent was first used in the polytonic orthography of Ancient Greek to mark a lower pitch than the high pitch of the acute accent. In modern practice, it is used to replace an acute accent in the last syllable of a word when the word is followed immediately by another word in the sentence. The grave and circumflex have been replaced with an acute accent in the modern monotonic orthography.
The grave accent marks the stressed vowels of words in Maltese, Catalan and Italian.
Bloodfeast
Your body on the altar like so many before you
Stripped down against your will to Satisfy my Sickening Lust
Scream on my temporary guest
No one will hear you in my Descecrating hour
Trying to live without this Ghastly passion
But to me it's not a deviation
Burial
I clean your Bones before the remains are concealed
Far below I hide away the parts I no longer need
No more Screams from my temporary guest
Her head is on my shelf
Trying to live without this Ghastly passion
But to me it's not a deviation
Ever since my early days I have felt this way
Far from normal yet the only way
To feed the Urge inside for fresh human Flesh
So stop the judging, this is my reality
Bloodstreams
Running down the altar, I gaze on it in a trance
Longing for another friend to Satisfy my Sickening Lust
Deep inside I know that I will Kill
Again and again and again and again
Trying to live without this Ghastly passion