Blonde (film)

Blonde is a 2001 American made-for-television film on the life of Marilyn Monroe, with Australian actress Poppy Montgomery in the lead role. The film was adapted from Joyce Carol Oates´s 2001 Pulitzer Prize finalist novel of the same name.

Plot

A fictional biography of Marilyn Monroe mixed with a series of real events in her life. With glimpses into her childhood years, teenaged marriage to first husband James Dougherty, meeting with photographer Otto Ose, career with 20th Century Fox, relationship with her mother, foster parents, life wasters Charles Chaplin Jr (Cass), Edward G. Robinson Jr (Eddie G), and her marriages to baseball player Joe DiMaggio and playwright Arthur Miller.

Cast

Andrew Dominik

Andrew Dominik (born 7 October 1967) is a New Zealand-born Australian film director and screenwriter. He has directed the crime film Chopper, the Western drama film The Assassination of Jesse James by the Coward Robert Ford and the neo-noir crime film Killing Them Softly.

Early life and career

Dominik has lived in Australia since he was two years old and graduated from Melbourne's Swinburne Film School in 1988.

Chopper (2000)

His career in films began in 2000 when he directed Chopper based on notorious Australian criminal Mark Brandon "Chopper" Read, starring Eric Bana and Simon Lyndon.Chopper received generally positive reviews, and Bana in particular was widely praised for his intense portrayal of Chopper. The Australian Film Institute awarded the film with Best Director (Dominik), Best Actor (Bana), and Best Supporting Actor (Lyndon).

The Assassination of Jesse James by the Coward Robert Ford (2007)

His next film was The Assassination of Jesse James by the Coward Robert Ford, starring Brad Pitt and Casey Affleck, based on the novel of the same name which he came across in a second-hand bookstore. The film explores the peculiar relationship between Jesse James and his eventual assassin Robert Ford. Pitt was a big fan of Dominik's first feature Chopper, and had hoped to collaborate with the filmmaker in the future, especially when Pitt had the chance to work with Chopper star Eric Bana in Troy. Pitt contacted the director, and with a big star interested to lead his new film, Dominik was therefore able to get Warner Bros. to finance the production.

Blonde (Cœur de pirate album)

Blonde is the second studio album by female Quebec singer-songwriter Béatrice Martin, released under her stage name Cœur de pirate, on November 7, 2011. It featured a musical shift from the primarily piano-based sound of Martin's first record into a more "retro-pop" sound, inspired heavily by the music and style of the 1960s.

Blonde was well received by critics, and was nominated for Francophone Album of the Year at the 2012 Juno Awards and longlisted for the 2012 Polaris Music Prize. The album also reached number 1 in Quebec, number 5 in France, and number 2 in the French part of Belgium, and was certified gold in both Canada and Belgium.

Background

Blonde is Martin's second studio album and follows her 2008 self-titled debut, which launched her career and transformed her from "the invisible teenager to a bit of a star" in both Quebec and France. In September 2010, Martin was featured on "Brutal Hearts" on the Bedouin Soundclash album Light the Horizon, which was praised by Exclaim! as a "surprise standout" of the album. In February 2011, Martin and Bedouin Soundclash singer Jay Malinowski collaborated under the name Armistice to release a five-song self-titled EP. The album's "blaring horns, woozy strings and skipping rhythm" was described as "aural equivalent of [a] dusty desert", already reflecting a change in Martin's music.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.