Blind Skateboards

Blind (stylized as bLind) is a skateboard company founded by Mark Gonzales in 1989 under Steve Rocco's World Industries distribution company. Gonzales has since left the company and today the company continues under the ownership of Dwindle Distribution. The company produces decks, wheels, soft goods and accessories. The company's logo for many years was a stylized grim reaper.

History

1989–1993: Formation, Video Days, Gonzales departs

The name "Blind" was devised as an intentional slight to Gonzales' former sponsor, Vision Skateboards. Upon the brand's launch in 1989, Jason Lee moved from World Industries to Blind as its second professional rider (as founder, Gonzales was the team's first). Blind then signed Rudy Johnson and Guy Mariano, both from Powell Peralta, and Jordan Richter as its vert rider. Danny Way rode for the company for a very brief period of time, and a signature skateboard deck, featuring a pink-colored car, was designed and released for Way.

Blind released its first video in 1991, entitled Video Days, which featured full-length parts from Gonzales, Mariano, Richter, Lee, and Johnson. The video was filmed and directed by Spike Jonze and is considered one of the most influential skateboarding videos of its era. While filming a second full-length video, Plan B director, Mike Ternasky reviewed progress footage and came to the conclusion that Tim Gavin and Henry Sanchez, also members of the Blind team, were the only two riders who had produced footage of a high enough quality—the release of Tim and Henry's Pack of Lies followed in 1992.

Blind (Korn song)

"Blind" is a song recorded and performed by American nu metal band Korn for their self-titled debut album. It was released as the album's first single in August 1994.

Concept

As explained by Dennis Shinn, based on the original creation of the song, while in Sexart, before it was re-recorded by Korn;

Jonathan Davis's personal meaning, how he connected with the song would be as said:

Music and structure

"Blind" had been written in Sexart before Jonathan Davis left the band to join Korn. The song was composed entirely by Dennis Shinn - being both music, and vocal melodies / lyrics, in December 1992. Once Shinn had the song ready, he introduced the song to the other guys at band practice. From that point, Ryan Shuck added in one music section (acting as a bridge). Shuck's bridge contribution followed the extremely popular song opening riff composed by Dennis Shinn. Shuck's bridge divided the popular intro riff from the vocal section of the song. His bridge came back around after the vocal section ended as well. Shuck's contribution landed on both Sex Art's recorded demo of "Blind", as well as Korn's recorded demo of "Blind". However, once the 1994 Korn LP was being recorded, the music part written by Shuck was removed. On the Sex Art recorded demo, following Shucks bridge, the song then dropped into an extensive musical (Bridge) that built up before the closing out of the song. The entire section (bridge) was musically composed by Ray Solis. This area of music by Solis was not recorded on the Korn demo, nor album.

Unexploded ordnance

Unexploded ordnance (UXO, sometimes acronymized as UO), Unexploded bomb (UXB), or Explosive remnants of war (ERW) are explosive weapons (bombs, shells, grenades, land mines, naval mines, cluster munitions, etc.) that did not explode when they were employed and still pose a risk of detonation, potentially many decades after they were used or discarded.

Around the world

Unexploded ordnance from at least as far back as the American Civil War still poses a hazard worldwide, both in current and former combat areas and on military firing ranges. A major problem with unexploded ordnance is that over the years the detonator and main charge deteriorate, frequently making them more sensitive to disturbance, and therefore more dangerous to handle. There are countless examples of people tampering with unexploded ordnance that is many years old – often with fatal results. Believing it to be harmless they handle the device and it explodes, killing or severely injuring them. For this reason it is universally recommended that unexploded ordnance should not be touched or handled by unqualified persons. Instead, the location should be reported to the local police so that bomb disposal or Explosive Ordnance Disposal (EOD) professionals can render it safe.

Respect (The Bill)

"Respect" is the two-part series finale of the United Kingdom's longest running police procedural television drama series, The Bill. The episodes were written by David Harsent and directed by Reza Moradi, and aired on ITV1 on 24 and 31 August 2010. The series finale, and the final scene, were specially written to include all 17 current cast members.

Background

The Bill was a long-running police drama set in and around the fictional Sun Hill police station in south London. The show's focus was on the work and lives of the officers, led by Superintendent Jack Meadows (Simon Rouse) and Inspector Dale "Smithy" Smith (Alex Walkinshaw). Much of the officers' time is spent on the fictional Jasmine Allen estate, the setting for much of "Respect".

Plot

Respect: Part I

Smithy is called to the Jasmine Allen Estate where he discovers a dying teenager, identified as Liam Martin, who has been stabbed by gang members. Investigations into his murder lead the team to Jasmine Harris (Faye Daveney), a previous informant of DC Mickey Webb (Chris Simmons). Investigations reveal that she lured Liam to where he was killed and she is arrested. In interview, Jasmine leads officers to Carlos Miller (Lewis Chase), who is arrested and claims that he killed Liam in self-defence. Jasmine is released on bail, against the advice of DC Webb, who believes that she is in danger from other gang members. Upon her return to the estate, a gang of boys forces Jasmine into a warehouse, where she is beaten and gang raped. A gunshot is heard, and the episode concludes with police arriving at the scene.

Respect (Robyn Hitchcock album)

Respect is the eleventh album by Robyn Hitchcock and his seventh with backing band, The Egyptians, released on A&M in 1993.

Background

"Respect" was the group's fourth and final studio album under contract to A&M, and Hitchcock's last record with the Egyptians. The album contains ten Hitchcock originals.

The album has a Hitchcock oil painting on its front cover entitled "Red Lemon Days", which was the original title for the album. The release includes a Hitchcock written short story, "Moose Mark and the Prince of Cones", in its inlay.

The album was written and recorded in the period following the death of Hitchcock's father, and several songs reflect this explicitly, particularly the opening track.

Recording

The album was recorded on a mobile recording unit at Hitchcock's then home in Yarmouth on the Isle of Wight. Hitchcock explained the decision by saying, "I've never really cared much for going in and recording in the studio, so it seemed like the easiest solution was to have the studio come to record with us." The band rehearsed at the house over the summer and then when it came time to record, the group and their respective wives, family and friends all stayed at the house while production took place. Most of the recording was done in the living room, where the furniture had been removed and carpets pulled up. The kitchen was chosen for the vocals because of its good acoustics.

Respect (song)

"Respect" is a song written and originally released by American recording artist Otis Redding in 1965. The song became a 1967 hit and signature song for R&B singer Aretha Franklin. The music in the two versions is significantly different, and through a few minor changes in the lyrics, the stories told by the songs have a different flavor. Redding's version is a plea from a desperate man, who will give his woman anything she wants. He won't care if she does him wrong, as long as he gets his due respect, when he comes home ("respect" being a euphemism). However, Franklin's version is a declaration from a strong, confident woman, who knows that she has everything her man wants. She never does him wrong, and demands his "respect". Franklin's version adds the "R-E-S-P-E-C-T" chorus and the backup singers' refrain of "Sock it to me, sock it to me, sock it to me..."

Franklin's cover was a landmark for the feminist movement, and is often considered as one of the best songs of the R&B era, earning her two Grammy Awards in 1968 for "Best Rhythm & Blues Recording" and "Best Rhythm & Blues Solo Vocal Performance, Female", and was inducted in the Grammy Hall of Fame in 1987. In 2002, the Library of Congress honored Franklin's version by adding it to the National Recording Registry. It is number five on Rolling Stone's list of The 500 Greatest Songs of All Time. It was also included in the list of Songs of the Century, by the Recording Industry of America and the National Endowment for the Arts. Franklin included a live recording on the album Aretha in Paris (1968).