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Blade (Born 2 August 1969) is a British rapper. His first single, Lyrical Maniac (Raw Bass), was recorded in 1989 and brought Blade to prominence in the fledgling British hip hop scene.
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Born in the Armenian quarter of Iran, Blade came to London when he was 7. Blade quickly felt the effects of the Iranian Revolution when his family back home could no longer send money out of the country to support him. [1] He remained in London, schooled in Blackheath, and spent the summer holiday in Hove with his brother and cousins who were studying there. [2]
Blade started out as a break dancer and graffiti artist using the name Electron, before he was given his more familiar name by a friend. The friend was later killed while painting graffiti on the underground, and Blade kept the name he'd been given for the rest of his career as a mark of respect. [3] His first contact with hip hop came in 1979. He began to write down the lyrics of the songs he heard and performed them at his school. It was the release of the Wild Style film, however, that made him realize the extent of the influence hip hop could have, and made him determined to be a part of the lifestyle. [4]
In 1986, he moved to New Cross. Since he was unable to afford furniture or a social life, he spent a lot of his time at home, writing lyrics and perfecting his style. It was during this time, that he wrote the track Lyrical Maniac [5]
Blade's first moves into the music industry came when he first recorded the now seminal Lyrical Maniac in 1988. His initial efforts to sell the single were not successful, out of the 300 of the original copies pressed, Blade didn't manage a single sale. In the end, he had to return the records to the manufacturer, claiming that they were faulty and keeping only 10 copies for himself. These copies were given to close friends, including his DJ, Renegade. [6]
Taking his own copy around local record shops, Blade attempted to get some advance orders before re-pressing more copies. However, when he visited Cavern Records in Lewisham, he discovered that the owners were keen to start their own label, and wanted to use the single to kick start it. Blade agreed, and Lyrical Maniac eventually came out on Raw Bass records in 1989. [7]
Rather than sign to any of the major UK hip hop record labels, Blade began to record, promote and release his own material through his own 691 Influential label - often by stopping potential customers in the street, playing them the song on his walkman and selling them a copy from his bag. [8] A string of 12 inches followed, each becoming an underground hit. Songs like Rough It Up, Mind of an Ordinary Citizen and You Better Go For Yours made Blade a name on the UK hip hop scene without the resources and publicity that a major label could provide. [9]
In 1992, Blade released the Survival of the Hardest Working EP (691 Influential) via mail order as an experiment in new ways of distributing his material. The experiment was a success, and in 1993 the double album The Lion Goes From Strength To Strength (No Compromise) (691 Influential) was released. This album was funded partly by fans of Blade's music paying for their copies of the album in advance, in exchange for an exclusive 12 inch Clear the Way (691 Influential). Needing 200/300 preorders to have enough money to record and cut the record, Blade received 2000/3000. [10]
The recording of the album was a difficult time personally for Blade - his father died while visiting from Iran, and his girlfriend became pregnant with his son. However, Blade managed to record the whole album in 16 days, writing his lyrics on the bus on the way to the studio. It is still highly regarded by fans to this day. [11] Following the release of the The Lion Goes From Strength To Strength (No Compromise) (691 Influential) album, Blade had a period away from recording, concentrating on bringing up his son and dealing with the death of his father. [12]
Blade is a successful British hip hop artist, and is often invited to guest on tracks by other artists such as The Herbaliser and The RZA. In 1998, he teamed-up with producer Mark B to record the Hitmen For Hire EP (Jazz Fudge)) and led to one of the most high profile albums of Blade's career. 2000's The Unknown (Word Play) was a big hit, and a re-recorded version of the first single You Don't See the Signs (Word Play) made it into the Top 30 of the UK charts. The re-recording was done with the help of Grant Nicholas, frontman of the British rock band Feeder. [13]
When Blade began collaborating with Mark B on Hitmen For Hire EP (Jazz Fudge)), he was unsigned and seen as a guest artist because Mark B was signed and it was his project. However, as Mark B and Blade started to achieve success, Blade was quickly signed up: the duo spent most of 2000 and 2001 touring the country to promote the record, even supporting Eminem on his 2001 tour. [14] Both artists viewed the album as a side project and despite its success, they went their separate ways to continue their solo careers. [15]
When Virgin decided to close Word Play down, Blade found himself moved to Virgin and was almost immediately in conflict with the label [16]. Blade
"Basically eventually ended up having disputes with Virgin about my material, you know they wanted me to do things I didn’t necessarily feel were right, and I thought to be honest that if I’d gone the way they wanted my career would have been dead before it started, so eventually it got to a point where I asked to leave."
Ironically, the success of the Ya Don't See The Signs remix was what eventually led to the end of Blade's time with Virgin. The label became more insistent that Blade record all rock tunes for his album, something which he felt would kill his career. [17] Instead, Blade returned to his roots as an independent artist.
Following the split, Blade returned to producing and distributing his own music under the 691 Influential label, helped by his website. In 2004 he released the album Storms Are Brewing, which was hit by problems when the distribution company went bankrupt, owing Blade money and leaving him without a distribution deal for the album. This inevitably had an impact on the album's performance, although the album was well received by those who could get copies. [18]
A new album was released in 2006, produced by Baby J - who also produced some of the songs on Skinnyman's Council Estate of Mind album. The album, Guerilla Tactics (2006), is available direct from Blade's website, and has also received positive support from the media and public. The album came about following a meeting with Baby J, who admitted to being a fan of Blade's work and offered him and instrumental track to rap over. The one track blossomed into a whole album, which was launched at a massive event in February 2006: the launch party featured sets by Blade as well as other big names in the modern UK hip hop scene such as Phi Life Cypher and Jehst. A promotion tour quickly followed. [19]
Guerilla Tactics has subsequently become the final Blade album for the foreseeable future.
Blade played his last ever UK gig at The Railway Inn in Winchester on 7 October 2006. He has chosen to retire from live performance and the music industry in general, saying [20]:
"Rest assured Blade will continue to make music, just without the unpredictability and lies of the music industry hanging over his head. Basically, he wishes to make music but strictly for the love of it without any material interest. If at any point this changes, you will find out first right here, but for now music for love it is . . . for now, I just really need some time to myself and away from an unpredictable industry I have no respect for and never have."
At present, any future music he intends to make will be released free of charge through his website.
Marvel Anime is a series of four television anime series and two direct to video films produced in collaboration between Marvel Entertainment and Japanese animation studio Madhouse. The four twelve-episode series, based on Iron Man, Wolverine, X-Men, and Blade respectively, aired in Japan on Animax between October 2010 and September 2011. An English-language version aired in North America on G4 between July 2011 and April 2012. Each of the series, guided by writer Warren Ellis, largely features Japan as the setting for the storyline.
The project took top Marvel characters and reintroduced them for a Japanese audience via four 12-part series; Iron Man, Wolverine, X-Men, and Blade, which aired in Japan on Animax between October 2010 and September 2011. The announcement was confirmed at the 2009 San Diego Comic-Con. According to former Madhouse President and CEO Jungo Maruta, Marvel gave the anime studio free rein to re-imagine the Marvel superheroes for Japanese audiences. An English version is currently airing in the United States on G4. The series was guided by Warren Ellis. "It will create an entire parallel universe for Marvel," said Simon Philips, president of Marvel International about Marvel Anime. The Marvel Anime series is being aired in Australia on Sci Fi.
Street Fighter: The Movie is a 1995 head-to-head fighting game released as a coin-operated arcade game. The game is based on the 1994 live-action Street Fighter movie and uses digitized images of the film's cast posing as the characters in the game. While a home video game also titled Street Fighter: The Movie was released for the PlayStation and Sega Saturn, it is not a port but a separately produced game based on the same premise. The arcade version was developed by Chicago-based Incredible Technologies and distributed to the arcades by Capcom.
The arcade version of Street Fighter: The Movie differs from the previous Street Fighter II games in several ways. The game gives a greater emphasis towards air combos or "juggling" than previous games: the player can continuously attack their opponent while they're falling in the air with a series of attacks. Additionally, players can cancel any Special Move while performing it into another Special Move. This can even be done with projectile attacks.
Zoe or Zoey may refer to:
Zoë (born Zoë Pollock, 19 January 1969, Peckham, London) is a British pop singer and songwriter, who had brief success in 1991 with two hit singles, "Sunshine on a Rainy Day", which climbed to #4 on the UK Singles Chart, and "Lightning", which reached #37 (and spent three weeks in the UK Top 40). Zoë has released two solo albums and five singles.
She initially started her career in the mid-1980s, by auditioning for Jimi Cauty and Youth to be the lead singer for their band Brilliant. She began dating Youth, who would later produce her two solo albums.
Zoë released her debut single, "Sunshine On A Rainy Day", in late 1990, with two different music videos. It failed to reached the UK Top 40, however it was remixed and re-released in 1991 and it became a Top 10 hit, peaking at #4. Her début album, Scarlet Red and Blue (to which singer Sam Brown contributed) included "Sunshine on a Rainy Day" and another moderately popular song, "Lightning", which peaked and spent a respectable 3 weeks at #37 on the UK Singles Chart. The album, despite good promotion and reviews, however, did not sell well, reaching only #67 on the UK Albums Chart. It featured similar dance-pop tracks as well as soulful ballads. Soulful vocalists Sam Brown and Yazz both provided backing-vocals on the album. "Holy Days" was the last single from Scarlet Red and Blue, released in February 1992, but only managed #72. In 1991, Zoë sang backing vocals on Bananarama's Pop Life album, which was produced by Youth.
Zoe is an instrumental by Paganini Traxx. It made #47 on the UK Singles Chart.
We are the boys who can turn on the heat
we are the boys and you're under our feet
We've got nothing but the clothes that we wear
We've got that attitude - And we don't care
[chorus:]
Hey! we are the boys
And we make the noise
We call the shots
'Cos hey! we are the boys
We are the boys of another class
We drink the beer while you hold the glass
We take what we can and what we can use
We are the boys and we've got nothing to loose
[chorus]
We are the boys, we like bending the rules
we are the boys and you are the fools
You don't have to pose to mean what you feel
We are the boys and we mean it for real