Blackstreet (album)

Blackstreet is the self-titled debut studio album from American R&B group Blackstreet, released in 1994 on Interscope Records. The group was formed by Riley with Chauncey Hannibal after the dissolution of Teddy Riley's former group Guy. The other members of Blackstreet - Joseph Stonestreet and Levi Little - were session singers alongside Hannibal on Bobby Brown's third album Bobby, an album that was mostly produced by Riley. They recorded one song for the soundtrack of the Chris Rock film CB4 called "Baby Be Mine". Before they could record an album, Stonestreet left the group and was replaced by former Force One Network singer Dave Hollister. When they re-recorded "Baby Be Mine" for their self-titled debut, Hollister's vocals were added on the album version of the song.

Hip hop producer Erick Sermon co-produced the first single "Booti Call", which was a response to the rape trial and conviction of professional boxer Mike Tyson at the time of the album's release. Riley, who was a close friend of Tyson, referenced his incarceration in the album's liner notes: and to our main man Mike Tyson "we can't wait". The song's opening was done by stand up comedian Bill Bellamy, who popularized his infamous saying on an episode of Russell Simmons' Def Comedy Jam. The second single "Before I Let You Go" was released with a music video that featured appearances by actors Omar Epps and Shari Headley.

! (album)

! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.

Track listing

Personnel

The following people were involved in the making of !:

References

"@" (album)

"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.

Reception

Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".

Track listing

All compositions by John Zorn and Thurston Moore

Album

Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 ¹⁄₃ rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.

An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.