A hackney or hackney carriage (also called a cab, black cab, hack or London taxi) is a carriage or automobile for hire. A hackney of a more expensive or high class was called a remise.
In the United Kingdom, the name hackney carriage today refers to a taxicab licensed by the Public Carriage Office, local authority (non-metropolitan district councils, unitary authorities) or the Department of the Environment depending on region of the country.
In the United States, the police department of the city of Boston has a Hackney Carriage Unit, analogous to taxicab regulators in other cities, that issues Hackney Carriage medallions to its taxi operators.
The name 'hackney' was once thought to be an anglicized derivative of French haquenée—a horse of medium size recommended for lady riders; however, current opinion is that it is derived from the village name Hackney (now part of London). Despite the currency of this opinion, however, earlier sources dispute it. In 1908, a popular London newspaper stated, "The hackney coach—which is commonly supposed, though wrongly, to have taken its name from the district in the north of London—was started in the metropolis so long ago as 1025 by a certain Captain Bailey." The place-name, through its fame for its horses and horse-drawn carriages, is also the root of the Spanish word jaca, a term used for a small breed of horse and the Sardinian achetta horse. The first documented "hackney coach"—the forerunner of the more generic "hackney carriage"—operated in London in 1621.
Black Cab is a Melbourne based drone and electronica group. The band is heavily influenced by 1970s psychedelic rock coupled with elements of Krautrock and more programmed driven beats and electronic soundscapes. The band has released four full length albums and two EPs.
Melbourne-based Australian band Black Cab's principal songwriters are guitarist James Lee and vocalist Andrew Coates, who originally performed together in early 1990s industrial rock group Foil. After an initial collaboration in 1999 produced a limited edition 3 track EP entitled 'Illinois Chapter', Coates moved to San Francisco and began writing what would become the band's first full length album Altamont Diary (2004), a concept album loosely based on the Rolling Stones' disastrous Altamont Free Concert on 6 December 1969. The album was recorded gradually over a two-year period and was produced and mixed by Melbourne producer Woody Annison when Coates moved back to Melbourne in early 2002. At that time James Lee was playing in Melbourne bands Registered Nurse and The Fergs. The debut album also featured a number of local Melbourne musicians including Richard Andrew on drums (Registered Nurse, Underground Lovers), Andrew McCubbin and Glenn Sharpe on sitar, as well as Adam Cunha from San Francisco mod rock group Helium Angel. On release in mid-2004 the album attracted significant Australian and international acclaim and a full band was pulled together to take the album live. Joining Black Cab for the early live shows was Anthony Paine on bass (High Pass Filter), Steve Law (Zen Paradox) and Alex Jarvis (Automatic). Ashley Naylor (Even) also guested at a number of shows during 2005 and 2006. The band would often play shows to a video backdrop of slow moving images taken from concert footage of the Altamont Free Concert.
Lies always seem to be the things that are accepted
They are the ones that never seem to get caught
But none of us should ever have to lie to make friends
But we'd rather lie than to sleep with the dogs
Love is what I'll fight it all with,
Love... I won't save it for another day,
Love... is what I'm gonna kick it in with...
Love... I don't want the arch to lose that way.
I had it all once, and I threw it all away.
Peace is the thing that everybody here is preaching
It's on the left side because it's everybody's love
But I've seen you spit on someone in the same breath as peace
When someone disagrees you always give it up
Love... Is what I fight it all with.
Love.... I won't save it for another day.
Love... is what I'm gonna kick it in with.
Love... I don't want the arch to lose that way.
It always seems just like a misplaced childhood, I think it does.
But I didn't misplace nothing.