A woman wearing a black latex catsuit and thigh-high boots.

Fetish fashion is any style or appearance in the form of a type of clothing or accessory, created to be extreme or provocative. These styles are not usually worn by the majority of people on any regular basis. They are usually made of materials such as leather, latex or synthetic rubber or plastic, nylon, PVC, spandex, fishnet, and stainless steel. Some fetish fashion items include: stiletto heel shoes and boots (most notably the ballet boot), hobble skirts, corsets, collars, full-body latex catsuits, stockings, miniskirt, crotchless underwear, garters, locks, rings, zippers, eyewear, handcuffs, and stylized costumes based on more traditional outfits, such as wedding dresses that are almost completely see-through lace.

Fetish fashions are sometimes confused with costuming, because both are usually understood to be clothing that is not worn as the usual wardrobe of people, and is instead worn to create a particular reaction.

Fetish fashions are usually considered to be separate from those clothing items used in cosplay, whereby these exotic fashions are specifically used as costuming to effect a certain situation rather than to be merely worn; such as the creation of a character for picture play. However, sometimes the two areas do overlap. For example, in Japan, many themed restaurants have waitresses who wear costumes such as a suit made of latex or a stylized French maid outfit.

Some type of garments that women wear to routinely improve their appearance are thought of as erotic and qualify as fetish wear: corsets and high heels. Most fetish wear is not practical enough for routine daily wear. A very common fetish costume for women is the dominatrix costume. Usually it consists of mostly dark or even black clothing. The woman usually wears a corset or bustier and stockings with high heeled footwear. High boots are quite common as they enhance the woman's domination. Most women in dominatrix costumes carry an accessory such as a whip or a riding crop.

Contents

History [link]

Fetish fashion has no specific origin point because certain fashions that were appreciated specifically for themselves or worn as part of a specific subculture have been noted since the earliest days of clothing. Some argue that the use of corsetry and hobble skirts back in the late 18th century was the first mainstream note of fetish fashions, because the majority of society did not have access to these articles. These items were specifically appreciated for themselves (i.e. the person liked the woman wearing the corset rather than just the woman by herself).

However, others argue that what is termed as fetish fashions started with the leather-wearing culture of the homosexual London, England underground after World War II. During this period, the homosexual men who began to use the rarely-used leather clothing items were doing so publicly and in large-order as identification and separation from the norm. Perhaps more importantly, the leather clothing items were being appreciated for themselves, and not just for their functional use. However, others argue that this identification is too restrictive, and that fetish fashion includes more than just leather.

The leather subculture later became more mainstream in the British 1960s due to the influence of rock musicians such as The Rolling Stones and The Who, and television performers such as Honor Blackman and Diana Rigg in The Avengers, who wore full body leather catsuits and full limb-covering leather and latex gloves and boots.

Many fashion designers incorporate elements of the fetish subculture into their creations or directly create products based on elements that are not accepted by the mainstream. Malcolm McLaren and Vivienne Westwood created several restrictive BDSM-inspired clothing items for the 1970s punk subculture; in particular bondage trousers, which connect the wearer's legs with straps. The more recent fetish clothing makers House of Harlot and Torture Garden Clothing, Vex Latex Clothing and Madame S of California focus on using latex and leather as the base material for their creations, rather than as an accessory.

Publications [link]

Fetish fashions became popularized in the United States during the 1950s through books and magazines such as Bizarre and many other underground publications. Skin Two is a contemporary fetish magazine covering many aspects of the worldwide fetish subculture. The name is a reference to fetish clothing as a second skin.

Fetish costumes are very popular on internet sites.

Nazi chic [link]

Woman in fetishistic outfit consisting of peaked cap with communist emblem and military style camouflage corset.

Nazi chic is a highly controversial topic in the fetish clothing world. Much of the fetish community regards Nazi chic as highly offensive, and most fetish clubs ban overt Nazi symbolism. However, the symbolism of fascist or communist regimes remains popular. A common compromise is to adopt the main design features of Nazi-era clothing, such as peaked caps, jackboots or long leather trenchcoats with high epaulets and tall collars. Most individuals who directly copy such clothing styles in their creations usually do not include any explicit Nazi symbols such as the swastika. Sometimes substitute symbols are used that clearly reference Nazi symbols without directly copying them.

Sexual fantasies [link]

When the partners wear fantasy costumes as a sexual fetish they also embrace the different personalities instead of their own. The costumes range from classical attire, as in ancient Greek times, to present day firemen. Many times both partners decide what they want to be, and prepare a rough plot of their locality and shop for their attire and plan for a place and time where they would not be disturbed by others. Sometimes one partner surprises the other by suddenly appearing in a fantasy costume and the rest of the time goes based on their participation. When one partner is more active, usually he or she performs erotic dancing or speaks erotic dialogue as part of the fantasy. See role playing.

See also [link]



https://wn.com/Fetish_fashion

Taio Cruz discography

The discography of Taio Cruz, a British singer, songwriter and record producer, consists of three studio albums, one compilation album, one live album, one extended play, twenty singles (including six as a featured artist) and twenty-three music videos. After signing a publishing deal at the age of 19, Cruz released his debut studio album, Departure, in 2006; it reached number 17 on the UK Albums Chart and was certified gold by the British Phonographic Industry (BPI). The album contained five singles, all of which reached the top 30 of the UK Singles Chart: "Come on Girl", which peaked at number five, was the most successful of these singles.

Cruz released his second album, Rokstarr, on 12 October 2009, preceded by the commercially successful single "Break Your Heart". It became his first single to top the UK Singles Chart, whilst a remixed version featuring vocals from American rapper Ludacris topped the Canadian and Swiss singles charts as well as the US Billboard Hot 100.Rokstarr also featured the singles "No Other One", "Dirty Picture", "Dynamite", "Higher" and "Falling in Love". "Dynamite" topped the British and American singles charts, and was later certified sextuple platinum by the Recording Industry Association of America (RIAA).

Klinik

Klinik, (sometimes called The Klinik), is an industrial music band from Belgium, originally formed around 1982 by electro-synthpop practitioner Marc Verhaeghen, who is the only constant member.

History

Marc Verhaeghen originally formed Klinik in the early-to-mid 1980s; the exact date varies depending on the source. The group is normally described as one of the most influential Belgian industrial bands in history.

In 1985, Verhaeghen joined forces with two other bands, Absolute Body Control (with Dirk Ivens and Eric van Wonterghem), and "The Maniacs" (Sandy Nys) to form one "super group" "Absolute Controlled Clinical Maniacs". This rather unwieldy name was soon dropped in favour of the shorter name "The Klinik". Nys soon left the band to form "Hybryds", followed in 1987 by van Wonterghem, leaving The Klinik as the "classic" duo of Dirk Ivens and Marc Verhaeghen.

The Klinik soon made a name for themselves with their cold and harsh EBM sound and their live shows, where both Ivens and Verhaeghen performed with their heads wrapped in gauze, wearing long black leather coats. Ivens' hissing vocals and minimalist lyrics were complemented by Verhaeghen's synthesizer skills and distorted trombone playing. This however, did not last forever; after Time, an album neither member was fully pleased with, musical differences became too great, and they decided to go their separate ways. In a 2013 interview, Ivens said the due were moving in different directions musically, and that compromise between only two members was challenging.

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PLAYLIST TIME:

Black Leather

by: Guns N' Roses

Well, she's all geared up, walkin' down the street
And I can feel the slime, drippin' down her sleeve
Well, you can't refuse and you just can't choose what she's gonna do
Well, you can't refuse and you just can't choose what she's gonna do
Well, it's late at night, and I'm all alone
And I can hear her boots as she's near her home
Well, you can't refuse and you just can't choose what she's gonna do
Well, you can't refuse and you just can't choose what she's gonna do
Scratch, scratch, she's clawing at the door
Whoa, no, I can't take it anymore
Crack, crack I'm feeling so sore
I never should asked for black leather
Black leather
Ooh, black leather
Ow black leather
And you can try to hide, but you won't get far
You can let her in, and you'll start it again
Well, you can't refuse and you just can't choose what she's gonna do
Well, you can't refuse and you just can't choose what she's gonna do




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