"Honey" is a song by American singer Mariah Carey from her sixth studio album, Butterfly. It was released as the lead single from the album on August 26, 1997. The song was written and produced by Carey, Puff Daddy, Q-Tip and Stevie J. It samples "Hey DJ" by the World's Famous Supreme Team, and "The Body Rock" by the Treacherous Three. "Honey" was a re-defining song in Carey's career, pushing her further into the hip-hop music world.
The song was acclaimed by music critics, who called Carey's musical transition "genuine." "Honey" was successful in the United States, becoming Carey's third single to debut atop the Billboard Hot 100, a feat that has yet to be duplicated. The song stayed at number one for three weeks. "Honey" also reached number one in Canada, and hit the top ten in Australia, New Zealand, Spain, Sweden, and the United Kingdom. "Honey" was nominated in two categories at the 1998 Grammy Awards, for Best Female R&B Vocal Performance and Best R&B Song. Carey included the song in the set-list of various live shows and future tours, where she would sing both the original and remix versions.
Honey is a 2003 dance film released by Universal Pictures. Featuring music produced by Rodney Jerkins, the film stars Jessica Alba, Mekhi Phifer, Lil' Romeo, Joy Bryant, David Moscow and features performances by Tweet, Jadakiss and Ginuwine. It also features a cameo by Missy Elliott. Honey was followed by a sequel, Honey 2, released on June 10, 2011.
Honey Daniels (Jessica Alba) works as a bartender, a record store clerk and a dance teacher at a local community center run by her mother in New York. Having dreams to make it as a backup dancer in music videos, Honey and rival Katrina (Laurieann Gibson) are recorded dancing in the club where the former works. That same night, Honey and friend Gina (Joy Bryant) leave the club and encounter some kids dancing. Two of the kids are introduced as Benny (Lil' Romeo), and his little brother Raymond (Zachary Williams). Honey invites them to attend her classes at the community center, and they work together to inspire new dance moves. The young teacher soon catches the attention of music director Michael Ellis (David Moscow), who gives her a job as a backup dancer in Jadakiss' new video. Unimpressed with his current choreographer, Michael decides to let Honey choreograph the video. Impressed, Honey gets promoted, and choreographs for Tweet, Sheek Louch, and Shawn Desman.
Honey was a Christian, ambient rock band composed of Doug Moss, Paul Lagestee, Billy Wan, and Roger Moss. The band recorded three albums between 1997 and 2001. The first two, Lovely and Lost on You, were released on the now-defunct Sub•Lime Records. Their third album, aptly titled Three, was released by Northern Records. The first effort was produced by Christian alt/rock legend Steve Hindalong and was characterised by a rough, guitar-driven sound. For their second effort, production credits were diverse but significant with Jars of Clay's Dan Haseltine and Stephen Mason lending a hand as well as The Prayer Chain alumni Eric Campuzano and Wayne Everett. The result was a more approachable sound that was at once extraordinarily mellow and enormously engaging. As a departure from their first album, the work could be described as a "concept worship album". Indeed, many songs read as abstract praises of God. With their third album, Honey made a strong musical departure, moving to an up-tempo, alt/pop flavour. Thematically, the focus moved from theology to what could be described as "a soundtrack to a wistful, longing, romantic love life". After Three, Honey disappeared from the music scene, although Doug Moss is rumoured to play with the anonymous band Cush.
In chess, the player who moves first is referred to as "White" and the player who moves second is referred to as "Black". Similarly, the pieces that each conducts are called, respectively, "the white pieces" and "the black pieces". The pieces are often not literally white and black, but some other colors (usually a light color and a dark color, respectively). The 64 squares of the chessboard, which is colored in a checkered pattern, are likewise referred to as "white squares" or "light squares" on the one hand, and "black squares" or "dark squares" on the other. In most cases, the squares are not actually white and black, but a light color and a contrasting dark color. For example, the squares on plastic boards are often off-white ("buff") and green, while those on wood boards are often light brown and dark brown.
In old chess writings, the sides are often called Red and Black, because those were the two colors of ink then commonly available when hand-drawing or printing chess position diagrams.
Black is Lita Ford's sixth studio album and featured a change of style in her music, compared to her other albums. Black sees Ford move into other musical styles such as blues and grunge, while still maintaining her metal and rock roots. There would be a 14-year gap between Black and her next studio album, 2009's Wicked Wonderland.
All songs were written by Michael Dan Ehmig and Lita Ford, except where noted.
The Egyptian hieroglyph for "black" in Gardiner's sign list is numbered I6. Its phonetic value is km. The Wörterbuch der Aegyptischen Sprache-(Dictionary of the Egyptian Language) lists no less than 24 different terms of km indicating 'black' such as black stone, metal, wood, hair, eyes, and animals.
The most common explanation for the hieroglyph is under the Gardiner's Sign List, section I for "amphibious animals, reptiles, etc" is a crocodile skin with spines. Rossini and Schumann-Antelme propose that the crocodile skin hieroglyph actually shows claws coming out of the hide.
Besides 'black', the alternate use of the hieroglyph is for items terminating, coming-to-an-end, items of completion, hence a reference to charcoal, burning to its ending.
In the Demotic (Egyptian) text of the Rosetta Stone, the demotic for Egypt is 'Kmi' . There are three uses of the actual Kmi, but 7 others referenced as Kmi refer to iAt in the hieroglyphs. Other euphemistic references to Egypt in the Rosetta Stone include "Ta-Mer-t", which has the meaning of the 'full/fruitful/cultivated land', hr-tAwy, the 'lands of Horus', and tAwy, the "Two Lands."
Bloom (sometimes referred to as light bloom or glow) is a computer graphics effect used in video games, demos and high dynamic range rendering (HDR) to reproduce an imaging artifact of real-world cameras. The effect produces fringes (or feathers) of light extending from the borders of bright areas in an image, contributing to the illusion of an extremely bright light overwhelming the camera or eye capturing the scene.
The physical basis of bloom is that, in the real world, lenses can never focus perfectly. Even a perfect lens will convolve the incoming image with an Airy disk (the diffraction pattern produced by passing a point light source through a circular aperture). Under normal circumstances, these imperfections are not noticeable, but an intensely bright light source will cause the imperfections to become visible. As a result, the image of the bright light appears to bleed beyond its natural borders.
The Airy disc function falls off very quickly but has very wide tails (actually, infinitely wide tails). As long as the brightness of adjacent parts of the image are roughly in the same range, the effect of the blurring caused by the Airy disc is not particularly noticeable; but in parts of the image where very bright parts are adjacent to relatively darker parts, the tails of the Airy disc become visible, and can extend far beyond the extent of the bright part of the image.
Thanks to Robert Watson [email protected]
for his corrections. This used to be capo at 2 but since
I can't find my capo just now, I've put it in open chords.
Intro G D F#m G x 2
G D F#m D G D F#m D
Oh black honey's in my soul, oh black honey's in my soul
F#m D F#m D
Never been no poor man never been too rich
F#m D G A
Since black honey went bone dry my feet begin to itch
A G A G
And I wish we never parted I wish we had a choice
A G
Cause now I roam these bitter lands
Em A Em A
A face without a voice
Oh black honey's in my soul,
oh black honey's in my soul
I just don't know who did this thing,
don't know who tied the rope
But since black honey's watered down
the future holds no hope
And I wish we never parted I wish we had a choice
Cause now I roam these bitter lands
A face without a voice Yeah, a face without a voice
Inmstrumental verse then BRIDGE
D A D A
And it's like this baby, I feel I've missed baby
D A Em
And it's like this baby with me
G D G D G
I need you, oh
Oh black honey's in my soul, oh black honey's in my soul
Oh black honey's in my ... deep inside my soul
Oh black honey's in my so oh oh oh oh oh oul (ends on D)