Rachel Fuller
Background information
Birth name Rachel Fuller
Born (1973-07-24) 24 July 1973 (age 38)
Ipswich, England
Genres Rock, Pop music
Occupations Singer-songwriter, Musician, Composer
Instruments Piano
Labels Various
Website https://www.myspace.com/rachelintheattic

Rachel Fuller (born 24 July 1973) is a British musician. She is a successful independent pop music artist, a composer and occasional collaborator with rock musician and partner to Pete Townshend.

Contents

Early life [link]

Born in Ipswich, England, Fuller later moved with her family to Southend-on-Sea. She started playing piano at the age of six and composing music at the age of ten, and her original ambition was to be a concert performer. She attended St. Michaels, a private school in Leigh, where her mother was the school deputy. At fifteen Fuller won an organ scholarship to Oxford,[citation needed] but turned it down, explaining that she would not feel comfortable there.

Rachel Fuller's teenage years were filled with numerous music competitions, songwriting with her best friend Mikey Cuthbert and a lengthy stint as an organist in a funeral home, where she performed up to eleven times a day.

Early career [link]

As an in-demand orchestrator, her works recorded by the London Chamber Orchestra, Fuller met The Who's Pete Townshend in 1996, becoming the arranger for his The Lifehouse Chronicles album and subsequent concerts at London's Sadler's Wells Theatre. They currently reside in the London Borough of Richmond upon Thames.

With Townshend she co-wrote a song titled "It's Not Enough" featured on The Who's studio album Endless Wire, released in 2006. This song also appeared in Pete Townshend's musical The Boy Who Heard Music, along with the song "I Can Fly," written solely by Fuller. Townshend later contributed material to Fuller's musical Ash.

Cigarettes and Housework, her first album, was released in 2004 after she was signed to Universal Records by Doug Morris. The album includes musical contributions from Townshend, Pino Palladino and Mark Brzezicki. The track "Around This Table" featured a spoken vocal from her friend Jerry Hall, who invited Fuller in turn to appear as her sidekick on VH1's reality program Kept. Fuller appeared as herself in the episode "Gamesmanship".

Fuller has collaborated with Delerium, performing her own track "Touched" on their 2003 Nettwerk release Chimera, and her song "Wonderland" was picked for the soundtrack of the movie Shall We Dance? released in 2004 on the Casablanca label, starring Richard Gere and Jennifer Lopez. In 2006 she released an EP of five songs, called Shine. The songs were partially or wholly reworked versions of ones she had previously released on her first blog, or added to her profile on the Independent Artists Company website.

[edit] In the Attic

Beginning in 2005, Fuller hosted the show In the Attic, a live webcast of music and guests, including The Flaming Lips, E, The Raconteurs, Foy Vance, and Martha Wainwright from Townshend's Oceanic studios in London and also from the road at U.K. summer music festivals. Though casual in presentation, the broadcasts utilise state-of-the-art satellite broadcast technology and they are an attempt to change the way live performances of musical artists can be accessed.

In 2006 and 2007, Fuller went on tour with The Who, producing live webcasts of In the Attic and performing her own music live at various venues, including South by Southwest in Austin, Texas.

Kew [link]

In July 2008, feeling she had been neglecting her singer-songwriter side, Fuller embarked on an ambitious week-long journey to record a full album while staying in her flat in Kew, West London. The project involved Fuller limiting her contact with the outside world, remaining solely in Kew from July 20–28 (arriving the evening of the 20th), and limiting her excursions to its few local shops.

Fuller shared the flat with no one aside from Townshend's dog, Whistle, and online fans following each step of the process via a dedicated 'Week In Kew' website. She crafted one song each day, writing lyrics on the walls of the flat and documenting the experience in the website blog. Fuller also involved her fans by providing interactive services including a live chat room and forum where users could leave feedback and listen to song samples as they were produced.

At the close of her week in Kew, Fuller made the entire album available for free on the website. The songs are a reflection of the artistic process Fuller experienced, joining personal stories with observations and reflections on her time spent in Kew, as well as a homage to her chat room fans.

[edit] Ash

On Monday 11 August 2008, a workshop performance of Fuller's musical Ash was performed at the Arcola Theatre in Dalston Kingsland, North-East London as part of the Grimeborn Festival. With a book by Jack Shepherd, Ash revolves around the lives of and relationship between a teenager, Sarah, who works as an organist in a crematorium and feels caged, and her mother Louise, who by contrast lives a life with even more abandon than that her daughter herself desires. The show examines themes of life and death and contemporary attitudes to both.

Fuller and Jack Shepherd had been introduced by a mutual friend who worked at the Globe Theatre. Ash contains autobiographical elements of Fuller's life, and as part of research, she and Jack Shepherd visited Southend Crematorium[1] in early 2008.

References [link]

External links [link]


https://wn.com/Rachel_Fuller

Blackface

Blackface is a form of theatrical makeup used by performers to represent a black person. The practice gained popularity during the 19th century and contributed to the proliferation of stereotypes such as the "happy-go-lucky darky on the plantation" or the "dandified coon". In 1848, blackface minstrel shows were an American national art of the time, translating formal art such as opera into popular terms for a general audience. Early in the 20th century, blackface branched off from the minstrel show and became a form in its own right, until it ended in the United States with the U.S. Civil Rights Movement of the 1960s.

Blackface was an important performance tradition in the American theater for roughly 100 years beginning around 1830. It quickly became popular elsewhere, particularly so in Britain, where the tradition lasted longer than in the US, occurring on primetime TV, most famously in The Black and White Minstrel Show (which ended in 1978) and in Are You Being Served?'s Christmas specials in 1976 and finally in 1981. In both the United States and Britain, blackface was most commonly used in the minstrel performance tradition, which it both predated and outlasted. White blackface performers in the past used burnt cork and later greasepaint or shoe polish to blacken their skin and exaggerate their lips, often wearing woolly wigs, gloves, tailcoats, or ragged clothes to complete the transformation. Later, black artists also performed in blackface.

Black Face (band)

Black Face was an American hardcore punk band. The group featured bassist Chuck Dukowski formerly of Black Flag and SST Records, drummer Tom Dobrov, formerly of Oxbow and The Stiffs, guitarist Milo Gonzalez of Insects vs. Robots and The Chuck Dukowski Sextet, and vocalist Eugene Robinson of Oxbow and formerly Whipping Boy. They officially disbanded in February 2012

Writing for the zine The Birth of Tragedy, Robinson first met Dukowski when he interviewed Black Flag for an article he was writing. A friendship between the two formed, and later Dukowski was involved with SST Records when the label backed the 1997 American release of Oxbow's album Serenade in Red. In 2010 they discussed the possibility of forming a new band together. Dukowski suggested they revisit some songs he wrote for Black Flag before departing with the band, and Robinson agreed.

In 2011, Black Face recorded four songs that Dukowski had originally written for Black Flag's 1984 album My War: "Monster," "I Want to Kill You," "Where Will We Run" and "Leave Me Out to Rot." The songs will be released exclusively in a 7" vinyl record format. According to Robinson, the reason for avoiding a digital version was to curb file sharing and also return music releases to a physical medium complete with artwork and liner notes. Robinson said, "I'm close to living in my car. Which is to say: We spent money on this so you could spend some money on this."

Rachel Bluwstein

Rachel Bluwstein Sela (September 20 (Julian calendar), 1890 – April 16, 1931) was a Hebrew-language poet who immigrated to Palestine in 1909. She is known by her first name, Rachel, (Hebrew: רחל) or as Rachel the Poetess (Hebrew: רחל המשוררת).

Biography

Rachel was born in Saratov in Imperial Russia on September 20, 1890, the eleventh daughter of Isser-Leib and Sophia Bluwstein, and granddaughter of the rabbi of the Jewish community in Kiev. During her childhood, her family moved to Poltava, Ukraine, where she attended a Russian-speaking Jewish school and, later, a secular high school. She began writing poetry at the age of 15. When she was 17, she moved to Kiev and began studying painting.

At the age of 19, Rachel visited Palestine with her sister en route to Italy, where they were planning to study art and philosophy. They decided to stay on as Zionist pioneers, learning Hebrew by listening to children’s chatter in kindergartens. They settled in Rehovot and worked in the orchards. Later, Rachel moved to Kvutzat Kinneret on the shores of the Sea of Galilee, where she studied and worked in a women's agricultural school. At Kinneret, she met Zionist leader A. D. Gordon who was to be a great influence on her life, and to whom she dedicated her first Hebrew poem. During this time, she also met and had a romantic relationship with Zalman Rubashov—the object of many of her love poems —who later became known as Zalman Shazar and was the third president of Israel.

Rachel (singer)

Rachel, born in Cavaillon, Vaucluse, is a French singer best known in Europe for representing France in the Eurovision Song Contest 1964.

Biography

She entered a singing competition organised by Mireille Hartuch who had invited Rachel to her 'Petit Conservatoire'.

She went on to sign a contract with the Barclay Records label, and released her first (45 rmp) recording entitled Les Amants Blessés in 1963.

In 1964, she represented France in the Eurovision Song Contest in Copenhagen with her entry called "Le Chant de Mallory", which was her greatest hit. She did not win, but scored 14 points and finished in fourth place.

Discography

45 rpm

  • Les Amants Blessés (1963)
  • Le Chant de Mallory
  • Le Doux Paysage (1964)
  • Un Pays (1965)
  • L'oiseau d'Italie (1966)
  • La Fiesta (1967)
  • Qu'ils sont heureux (1967)
  • her version of L'Amour est bleu (1968) song performed in Eurovision Song Contest 1967 by Vicky Leandros
  • References

  • (French) Information from Wikipedia in French
  • Rachel (given name)

    Rachel (Hebrew: רָחֵל, Standard Raḥel Tiberian Rāḫēl, Rāḥēl), Arabic: راحیل, Rāḥīl); also spelled Rachael, meaning "ewe") is a feminine given name. The name ranks in the top hundred most popular names for girls in the United States, Canada, the United Kingdom, Ireland, and Australia as well as in Israel. According to United States Social Security card applications in 2005, the name Rachel ranked 38th out of the top 100 names chosen by parents for their baby girls. Statistics for England and Wales from the Office for National Statistics show a decline in popularity of the name: it was the 9th most popular name given to baby girls in 1984, but only 235th in 2014.

    Variants

  • Raecha (Finnish)
  • Raechel (English)
  • Rachael (English)
  • Racheal (English)
  • Rachela (Polish)
  • Rachele (Italian)
  • Rachelle (French)
  • Racquel (English)
  • Raghnailt (Irish) (note that this name is etymologically unrelated to Rachel)
  • Ráhel (Hungarian)
  • Rahel/Rachel (German, Hebrew, Polish, Welsh)
  • Rahela (Hawaiian, Romanian)
  • Rahil (Russian)
  • Podcasts:

    Rachel Fuller

    ALBUMS

    SXSW 2005 Showcasing Artists

    Released 2005
    PLAYLIST TIME:

    Cigarettes & Housework

    by: Rachel Fuller

    My teenage years were full of fear
    I spent most of them inside
    Sitting on the telephone
    Being bitchy and unkind
    Wandering from room to room
    Trying to leave my self behind
    Walking with my eyes closed
    Pretending to be blind
    Naked in the kitchen
    I was smoking in the hall
    Vacuuming the sofa
    Trying to make sense of it all
    Sweeping under carpet
    All my pain with all the dirt
    And the only thing that kept me sane
    Cigarettes and housework
    Cigarettes and housework
    Drowning all my sorrows
    In an effort to be free
    Playing my piano
    Writing the requiem for me
    Thinking I could clean up
    All the trouble from yesterday
    Or hoping that my cigarette smoke
    Would carry it away
    Naked in the kitchen
    I was smoking in the hall
    Vacuuming the sofa
    Trying to make sense of it all
    Sweeping under carpet
    All my pain with all the dirt
    And the only thing that kept me sane
    Cigarettes and housework
    Cigarettes and housework
    I had come through the trauma of youth
    But once in a while I still find myself
    Naked in the kitchen
    Smoking in the hall
    Vacuming the sofa
    Trying to make sense of it all
    Sweeping under carpet
    All my pain with all the dirt
    And the only thing that keeps me sane
    Cigarettes and housework




    ×